Advice Archives

Mar 23 2011 Using Modeling Amps in the Studio: Pros & Cons
Mar 16 2011 What To Do Before You Go into The Studio To Record Your Indie Album
Jan 19 2011 Viral Marketing – What’s Really “Real” About It?
Jan 11 2011 New ‘BMI Live’ Program Allows Performing Songwriters To Register Live Concerts for Royalty Payments
Dec 16 2010 The Value of a Good Mix
Dec 8 2010 Revamping Through Reamping
Nov 22 2010 Heard But Not Seen: How Indie Songwriters Can Make It Big On-Screen
Nov 3 2010 Catch a Glimpse of the Future of Music Rights: View Videos from the Inaugural ‘Content, Copyright & Commerce’ Symposium
Oct 18 2010 Five Ways To Finish That Song You’ve Been Working on Forever
Oct 8 2010 Getting Permission to Use Copyrighted Texts in Musical Works
Oct 5 2010 Thinking Visual, Part 2
Sep 10 2010 Thinking Visual, Part 1
Aug 25 2010 Composing for Orchestras and Other Ensembles, Part 2: Doing the Deal
Aug 19 2010 Piano Primer: The Keys To Quality Keyboard Recording
Jul 29 2010 Composing for Orchestras and Other Ensembles, Part 1: Getting the Gig
Jul 14 2010 The Benefits of Stripping Down Your Song Demos
Jun 29 2010 Takes From the Top: Recording Simon & Garfunkel’s ‘The Sounds of Silence’
Jun 11 2010 Guitar Recording Tricks: How to Get Natural Distortion
May 25 2010 The Pros & Cons of Signing a Publishing Deal
May 13 2010 Organizing Principles for the Home Studio
Apr 13 2010 Bass Notes
Mar 29 2010 © C in a Circle - When The Taxman Cometh
Mar 15 2010 The DIY Guide to Submitting Your Songs to Anyone in the Music Industry
Feb 22 2010 Recording Software Update
Feb 12 2010 Takes from the Top: The Kinks’ Muswell Hillbillies
Jan 25 2010 The Advantages of Using Session Musicians on Your Song Demo
Jan 21 2010 The Advantages of Using Session Musicians on Your Song Demo
Dec 9 2009 Fundamentals of EQ
Nov 12 2009 Takes from the Top: Badfinger’s ‘No Dice’
Oct 29 2009 Producers: What They Do & Why You Should Consider Using One
Oct 14 2009 © C in a Circle - Splitting Heirs: Paying Royalties After Your Death
Sep 28 2009 Using Notation Software
Sep 14 2009 Takes from the Top: The Ramones’ Rocket to Russia
Aug 11 2009 The Co-Writer Conundrum
Jul 31 2009 Takes from the Top: The Beatles’ Revolver and Abbey Road
Jul 17 2009 What to Do Before You Record Your Demo
Jun 24 2009 Thinking Analog
Jun 3 2009 © C in a Circle - Copyrights in Bankruptcy: When Seven Is Not Your Lucky Number
May 15 2009 Takes from the Top: The Smithereens’ ‘Green Thoughts’
Apr 27 2009 New York & Nashville: How the Songwriting Centers Differ
Apr 1 2009 Jay Ferguson on Writing TV Themes
Mar 9 2009 Q&A with Recording Engineer Joe Barresi
Jan 30 2009 Tales From the Top: The Rolling Stones’ Sticky Fingers (1971)
Dec 9 2008 C in a Circle - Three Copyright Firsts
Nov 6 2008 Tales From the Top: Recording Pink’s ‘Get the Party Started’ (2001)
Sep 5 2008 Tales From the Top: Van Halen’s ‘Van Halen’ (1978)
Jul 24 2008 Room Adjustments
Jun 12 2008 Tales from the Top: Neil Young’s After the Gold Rush
May 8 2008 Eliminating Vocal Phobia
Apr 18 2008 Tales from the Top: Johnny Cash’s ‘At Folsom Prison’
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