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From Stage to Studio

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From MusicWorld, posted 10.27.22. If you’re looking to take a break from the studio routine, you might consider bringing your songs and recording equipment to a suitable music venue in order to capture the spontaneous energy of a live gig. Naturally, there are all kinds of challenges when attempting to cut band tracks in… Read more...


An Important Company Update from Mike O’Neill

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From News, posted 10.12.22. Today, BMI President & CEO Mike O’Neill announced exciting and transformational news about the future of the company. Below is a note that was sent to BMI affiliates describing the company’s decision to change its business model from operating on a not-for-profit making basis to for-profit, and the benefits to… Read more...


Soundalike Suggestions

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From MusicWorld, posted 9.22.22. When trying to compose a new song and nothing is happening right away, occasionally I find it helpful to conjure a particular artist, genre or era, and use that as the basis for crafting something original. For instance, I might think of a riff that hints at early-‘80s techno pop,… Read more...


A Day in the Life of a Demo

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From MusicWorld, posted 8.19.22. Having run a professional recording studio as an engineer and producer for close to thirty years, the process of taking a songwriter’s rough recording to a finished master is second nature to me. However, I’m well aware that for songwriters getting ready to demo one of their songs for the… Read more...


Top Tips for Session Etiquette in a Recording Studio

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From MusicWorld, posted 7.22.22. It takes a certain kind of personality to excel at tricky recording maneuvers while simultaneously working with an equally tricky recording artist. Perhaps it’s for that reason alone that I admittedly never sought full-time studio operator status, choosing instead to track guests on a case-by-case basis. But even in a… Read more...


How to Write to a Music Track: The Art of Toplining

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From MusicWorld, posted 6.23.22. For genres like pop, hip-hop, R&B, and EDM/dance music, in most instances, the backing track is created before the words and vocal melody. The track consists of essentially all the music that will accompany the vocal and typically includes drums and percussion, keyboards, and bass. Live guitars or computer generated… Read more...


Check Out May’s MusicWorld With Must-Read Tips

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From News, posted 5.27.22. In this issue: Jason Blume Weighs in on “What Makes the Perfect Demo?” Brian Tyler’s Music Has All Wondering “Are We Dreaming?” Pop Legend Carole Bayer Sager Opens Up About, Life, Love & Collaboration A Conversation With Songwriting Legend Mike Stoller… Read more...


What Makes the Perfect Demo?

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From MusicWorld, posted 5.27.22. “How good do demos need to be?” is one of the questions I am asked most often in my workshops. To effectively answer this question, you need to identify the purpose of your demo recording. For example, is it intended to be pitched in the hopes of finding a home… Read more...


What to Say and Do When You Meet a Publisher for the First Time

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From MusicWorld, posted 4.20.22. Back in the days when songwriting success was a distant dream, each time I met with a music publisher, I was a nervous wreck leading up to that meeting. I hoped the publisher would instantly recognize that my songs were destined to be GRAMMY-winning hits, and I would be offered… Read more...


5 Ways to Make Your Songs More Memorable

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From MusicWorld, posted 3.25.22. Marketing and advertising studies show that we are better able to remember ads we are exposed to multiple times. When we see or hear something once, we are likely to forget it. But with repeated exposure it is more apt to stick in our brains. This also applies to melodies.… Read more...


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