A seamless mix of crystalline pop and cutting edge production, “I Need You” is the infectious brainchild of super-producers and DJ’s Fernando Garibay and Armin van Buuren. Concentrating on their considerable strengths, while van Buuren’s more renowned for his trance work, Garibay’s midas touch as a versatile producer and songwriter, having worked extensively with everyone from Lady Gaga through U2, shines through on this track. Paring the soulful vocals of Olaf Blackwood with a compelling pulse, haunting chorus and wide-screen sonic expanse, “I Need You” is a genre-straddling confection that transcends the dance floor.
L.A.-based producer, APEK, closes out an eventful year of chart success, streaming achievements, high-profile collabs, and a Tritonal tour with his new song, “Traces.” A richly melodic new track, “Traces” pairs broken-beat innovation with soaring synths and ethereal vocals, courtesy of the incredible Karra. It offers a seamless dance-floor experience that reinforces APEK’s name as one to keep an ear out for.
As co-founder of the Soda Island collective, 18-year-old Canadian producer/DJ Ramzoid established himself as a fresh new force in electronic dance music with a distinctive sound that has garnered the support from acts such as Jauz, Jack U, and Baauer. Breaking away from the DJ standard, his live show is augmented with launch pads, midi-controllers, and a drum kit, so make sure to check the dates for his upcoming tour with Jai Wolf. Blazing ahead with an EP of his own, Universe, Ramzoid is continuing to put his own spin on Future bass.
Unlike Pluto is an Atlanta-born/L.A.-based DJ/producer who infuses his obsession with electronic dance music with influences and instrumentation from well beyond the conventional realm of the dancefloor. Rightly celebrated as one of Billboard’s Dance Artists to Watch, this multifaceted music creator has only started to reveal his capabilities. “Show Me Love” arrives with vocalist Michelle Buzz’s silky cooing before the track bursts open with spiraling synths, a soulful chorus and a big, expansive drop.
Initially meeting as students at music school in Minneapolis, Minnesota, Mexico-born artists Americo Garcia and Jorge Medina recognized the potential of their collective chemistry and pooled their musical resources as Boombox Cartel to swiftly drive their informed, innovative sound to the height of the Minneapolis DJ scene. A quick succession of self-releases proved them a force to be reckoned with.
Abandoning chilly Minnesota for the sun and scene of Southern California, the duo has continued to crank out influential singles, catching the ears and accolades of names like Diplo, Skrillex, DJ Snake and Martin Garrix. Their most recent effort, “Supernatural,” finds Boombox Cartel merging with the bass power of QUIX and the sinewy voice of Canadian singer/songwriter Anjulie for a cinematic dancefloor epic.
DJ/producer No Way Back (a.k.a. Anthony Pisano) has earned a reputation for a style that deftly fuses house, hip-hop and soul, as evidenced on his acclaimed debut single “It’s Not Right, But It’s Okay,” which stormed the Top 10 of the UK Music Week Club Chart. This latest track, meanwhile, finds him putting a cutting-edge spin on the sound of the hedonistic 90’s via a collaboration with fellow Los Angeleno DJ/producer Le Youth (a.k.a. Wes James), himself renowned for filling dance floors with a cool blend of house and R&B. Keep your eyes and ears out for more of this blissful brand of dance music from both Now Way Back and Le Youth.
Having already established himself as a globally recognized force on the turntables, L.A.-based producer Jayceeoh has earned the respect from celebrated fellow DJ/producers like A-trak, Bassnectar, Boregore and Flosstradamus, and released original trap and bass-driven remixes on influential labels like Dim Mak, Fool’s Gold, Ultra Records, Buygore and more. His latest track, “Elevate,” is poised to only push him further forward, featuring a head-turning vocal performance by Nevve over Jayceeoh’s lush, synth-laden production and propulsive beats.
Not just an accomplished DJ and producer, Goldroom (a.k.a. Josh Legg) makes sparklingly lush electronic dance music, but the soul of a bona fide songwriter lurks just beneath the beats. Layered under the sweeping synths, soaring vocals and “nostalgic production tones” of his new single “Silhouette,” Goldroom dreamily hearkens to another age. Straying from the DJ norm, Goldroom’s been known to bring his music to festivals around the world with a full live band. Could crossover success be far behind? Stay tuned.
A strong contender for song of the summer, “Wheels in Motion” pairs New York City’s TWRK with Amsterdam’s Lady Bee. Initially an anonymous duo, TWRK were already cranking out dance floor hits for Diplo’s Mad Decent imprint when the influential DJ/producer revealed their true identities on his BBC Radio program as Benzi and Esentrik. “Wheels in Motion” is a haunting, mid-tempo jam that will only further their growing reputation.
This New Jersey-native-turned-LA-transplant may be a new face in the DJ world, but he’s no stranger to the stage. As a former member of pop/rock-gone-EDM trio, Cash Cash, Zookёper spent more time touring the globe before his 21st birthday than some acts do in a lifetime. Released by Hysteria Records, “Gunz” has already received support from some of the top DJs around the world, including Martin Garrix, David Guetta, and Morgan Page.
Buffalo natives and self-proclaimed “taco aficionados,” Solidisco have been lighting up dancefloors and festivals around the globe with an arsenal of originals and remixes out via big player labels, Universal Music & Big Beat/Atlantic, Ultra Records and taste-makers A-Trak’s Fool’s Gold & Laidback Luke’s Mixmash Records. Playing homage to the roots of house music, Solidisco reps the culture, while keeping the dancefloor rocking in the current landscape of dance music.
Like the punk rockers of the late `70s, musician David Maurice and digital innovator Natalie Lam were put off by the growing divide between music-creators and music-fans. In response, the two New Yorkers took a page from the Do-It-Yourself playbook and started The Foxgrove, a DJ and music production school designed to provide basic tools and direction on beatmaking and DJing. Welcoming all levels of experience, classes offer a chance to hone your skills or take your passion for making music in a new direction.
We caught up with co-founder Maurice to find out more.
What was your initial concept behind starting the Foxgrove?
As we saw the rise of accessible, affordable music technology, matching with everyone’s passion for music, we started The Foxgrove to give all music lovers a chance to cross the line from a mere spectator to an amateur creator. Just like how Instagram revolutionized photography, we’re hoping to democratize music and make living in NYC more fun and fulfilling.
How did you get YOUR start in EDM/DJ/production work?
I started in bands from 15 years old and gradually built my own project studio comprising a Roland drum machine, EMU sampler, 4-track tape machine and early Cubase sequencing software run on an Atari computer with 1mb of RAM. I would produce and write demos with local young bands in London, which culminated with my first band, Embassy, signing to a major label in the mid-nineties.
Have you been surprised by anything that’s happened in the program so far?
We are very proud that two of our ex-students that took the ‘Instant DJ’ and ‘DJ Level 2’ classes have recently been signed to a prominent Manhattan based DJ management company, and are now playing out in the city. These guys initially came in with zero knowledge, a lot of enthusiasm and a passion for music.
Beyond lessening the divide between musician and music-lover, what do you think the Foxgrove offers individuals who are looking at music as more than just a potential hobby? How could classes at the Foxgrove help aspiring professional songwriters?
As a producer/writer, I have worked with many aspiring professional artists and songwriters, and the more self-sufficient you can be, the better. For example, if you can record your own demos without having to rely on others, then you are already ahead of the game. The Foxgrove offers an un-intimidating entry level to the art of recording and beatmaking.
What would be your advice for someone looking to start a career in this genre of music?
Don’t limit yourself to just one thing. Combining music production with DJing, songwriting and collaborations will allow you to be more self-sufficient while becoming more versatile.