Select BMI website version:

Desktop

Mobile

Not all content available in mobile version

About Broadcast Music, Inc.

BMI collects license fees on behalf of songwriters, composers and music publishers and distributes them as royalties to those members whose works have been performed.

Join BMI

Get paid when your music gets played.

Get a BMI License

Enter your business type below.

Examples: Bars & Restaurants, Local Government Entities (LGE), Fitness Clubs, Symphony Orchestra, TV, Radio

New Media

Examples: Website, Mobile

Close Broadcast Music, Inc., a global leader in rights management, collects license fees from businesses that use music, which it distributes as royalties to songwriters, composers & music publishers.
 
Vol. 5, 2.12
  • Photo:   Wrinkle Neck Mules Wrinkle Neck Mules
  • Photo: Ammar  Malik Ammar Malik
  • Photo: Songwriter Business News
  • Photo: Rodriguez Rodriguez
  • Photo: Michael  Bacon Michael Bacon
  • Photo: Shawn K.  Clement Shawn K. Clement
  • Photo: Dafnis  Prieto Dafnis Prieto
  • Photo: {name_first} {name_last} {name_band} Three Good Reasons To Love Your Songs
  • Photo: From the Archives
Photo

Urban Legend: They’re Not Tourists

By Nuria Net

Feb 9 2010
Facebook Twitter

In the opening track of Urban Legend’s new EP Tropical Techniques, vocalist Chana sings, “And the world keeps spinning, vuelta, vuelta, vuelta”—a fitting opening for this vibrant Pan-Latin collection of six bilingual tracks by producer duo comprised by J-Radical and Kool Kojak.

J-Radical (Jared Faber), 37, is a TV music producer and songwriter (Being Bobby Brown) while graffiti artist, and producer-songwriter Kool Kojak (Allan Peter Grigg), also 37, has been working with producer Dr. Luke for more than a decade. Most recently, the pair co-produced Flo Rida’s Grammy-nominated smash “Right Round.” J-Radical and Kool Kojak met almost 5 years ago through Luke and, in 2006, released their Urban Legend debut, Tranquilidad Cubana, which mixed traditional Cuban son and timba with hip-hop and electronica. In Tropical Techniques, however, the two explore contemporary Latin America through guest singers. “We decided let the voices of those particular countries guide us,” says Kojak. “The more artists we worked with, the more island-hopping we did. That was our technique.”

But this “island-hopping” is not of the touristic kind. One of the virtues of this EP is the authenticity it transmits, not through intricate Latin American instrumentation but through its vocalists. Bay Area native Destani Wolf inflicts passion on an electronic paso doble based on her grandmother, who grew up in Jalisco. Costa Rican superstar Debi Nova transmits great energy and even slang on two bilingual dance tracks. And Nuyorican spoken-word poet and rapper La Bruja stands out with her swift lyrics, poured over Kojak’s deep beats. 

J-Radical is currently finishing the soundtrack for Mardi Gras starring Carmen Electra, and Kojak is producing the first single for Miranda Cosgrove (iCarly). Plans to take Tropical Techniques on the road are in the works, including a rotating cast of vocalists and interactive elements. 

“We’re two kids who are not Latin, making Latin music. Maybe it’s a myth you can’t be expressive outside your ethnic boundaries. We’re rejecting this pre-conceived notion,” says Kojak. Their approach to songwriting as a duo, and then jamming with each singer, is what makes Tropical Techniques stand out, and for them, satisfying. Says Kojak: “Jared knows how to get takes done and sound good. He’s more of a finesse guy. I’m more the wild card.” For Jared, the freedom of an independent project is priceless: “I’ve been very fortunate, but ultimately, your job is to serve the film or the TV show. Here, there are no rules.”

 

Read next

Subscribe now and we'll email you when
new MusicWorld issues become available!