Select BMI website version:

Desktop

Mobile

Not all content available in mobile version

About Broadcast Music, Inc.

BMI collects license fees on behalf of songwriters, composers and music publishers and distributes them as royalties to those members whose works have been performed.

Join BMI

Get paid when your music gets played.

Get a BMI License

Enter your business type below.

Examples: Bars & Restaurants, Local Government Entities (LGE), Fitness Clubs, Residential Communities, TV, Radio

New Media

Examples: Website, Mobile

Close Broadcast Music, Inc., a global leader in music rights management, collects license fees from businesses that use music, which it distributes as royalties to songwriters, composers & music publishers.
 
May 2013
  • Photo: Creating Tomorrow’s Music Rights Management Today
  • Photo: Ali Dee Ali Dee
  • Photo: 7 Ways to Get an Artist to Cut Your Song
  • Photo: 10 Questions With Alan and Anna Rose Menken
  • Photo: Allen Stone Allen Stone
  • Photo:   Public Enemy Public Enemy
  • Photo: BMI Bulletin Board: May 2013
  • Photo: BMI Members Receive 25% Discount to 2013 New Music Seminar
  • Photo: 77 Percent of 2013 Billboard Latin Music Awards Go Home With BMI Writers
Photo

Photo: Greg Lauren

The Shadow and The Spotlight: Skylar Grey

By M. Sean Ryan

Apr 27 2011
Facebook Twitter

It’s her biggest performance to date, singing atop the Grammys stage with a triumphant Eminem as well as returned hip-hop luminary Dr. Dre—and Skylar Grey is completely shrouded in darkness.

Image notwithstanding, she has been anything but obscure in the past year. Grey’s “Love the Way You Lie,” the incendiary duet between Rihanna and Eminem, catapulted atop Billboard’s charts, shattered digital sales records and earned a Grammy nomination. Since its release, Grey—who penned the chorus—has spun together a striking series of hits: writing and singing the melodious hooks driving Diddy-Dirty Money’s “Coming Home,” Lupe Fiasco’s “Words I Never Said” and Dr. Dre’s “I Need A Doctor”—performed at the Grammys—featuring Eminem.

If there’s a thread coursing through Skylar Grey’s hot-streak, it’s UK beat-making phenom Alex da Kid. The prolific producer’s towering, dystopian soundscapes have proven an ideal foil to Grey’s emotive vocals—so much so that Grey is currently the only artist signed to a production deal with Alex, with whom she is recording a solo album for major label release via Interscope.

Though she admits that non-acoustic composition is different, Grey has no desire to work with another producer. “It requires little effort to communicate ideas across,” she says, “it’s natural. We’re both brutal about stuff—we don’t get precious.”

Ironically, the key to the duo’s chemistry is less than harmonious; in the back-and-forth exchange of chord progressions and beats, Grey admits, “We have clashes all the time. I think there’s no other way to make great music with somebody—you have to disagree.” Grey offers a source of contention in the pair’s pushing the music to a point she describes as “almost uncomfortable.” Building from hooks—some of which originated in the creative spurt that furnished “Love The Way You Lie” a year ago—Grey scrutinized words that would do a melody justice: “What makes a song last is the lyric content.”

As with her Grammys spot, the burgeoning chanteuse remains cryptic about her new music. A single is slated for spring-release, but Grey asserts her priority is “creating something cohesive yet diverse,” an album over a heap of singles—that’s terrain she’s already paved with adept stride.

 

Read next

Subscribe now and we'll email you when
new MusicWorld issues become available!