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About Broadcast Music, Inc.

BMI collects license fees on behalf of songwriters, composers and music publishers and distributes them as royalties to those members whose works have been performed.

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Close Broadcast Music, Inc., a global leader in music rights management, collects license fees from businesses that use music, which it distributes as royalties to songwriters, composers & music publishers.
 
Vol. 11, 5.12
  • Photo: Songwriter Business News
  • Photo: Why Adele and Her Songwriting Will Always Matter
  • Photo: Tom T. Hall: How the Storyteller Found His Voice
  • Photo: At 80, John Williams Is Still Building a Legacy
  • Photo: Allen Stone, Creating New Soul Music
  • Photo: With Third Spanish-language Album, Frankie J Grows Up
  • Photo: Avicii Joins Frontlines of a DJ Revolution
  • Photo: Eddie Palmieri Celebrates more than 50 Years of La Perfecta
  • Photo:   The Warren Brothers The Warren Brothers
  • Photo: Amanda Green: New Adventures in Musical Theatre After High Fidelity and Bring It On
  • Photo: From the Archives
Photo

Oh No No delivers a fierce set at the final round of BMI’s Road to Bonnaroo 2012. Photo: Drew Maynard

Songwriter Business News

May 18 2012
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Important stories for working songwriters:

The Future of Music Coalition explains why that while DIY is great, so is building the right team.

Digital Music News shares a report on the number of people in the U.S. who self-identify as working musicians – and the stats might surprise you.

Anyone can be creative. The Wall Street Journal explains how.

Local songwriter shows – like BMI writer Steve Eaton’s series profiled by Boise Weekly – are connecting communities with their locally based talent.

How does music pay these days? The Copyright Clearance Center helped answer the question in a recent installment of its Beyond the Book podcast featuring the Future of Music Coalition’s Kristin Thomson.         

The Atlantic compiles a list of multitalented artists who don’t feel the need to limit themselves to just one creative outlet.

NPR profiles the New Orleans Musicians' Clinic’s mission to offer exceptional healthcare to the city’s vital musical population.

Gotye's "Somebody That I Used to Know” is the first song to top Billboard's Billboard Hot 100, Alternative, Dance Club Songs and Dance/Mix Show Airplay charts. Billboard.biz breaks down how he did it.

Ad Age examines YouTube’s evolving goals – instead of more views, the online video giant wants longer ones.

NPR joins the ongoing discussion currently rethinking jazz culture and debating how to rebuild the iconic sound’s audience.

Sirius XM plans to offer personalized radio online, à la Pandora and Spotify. Billboard.biz analyzes the announcement.

 

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