Select BMI website version:

Desktop

Mobile

Not all content available in mobile version

About Broadcast Music, Inc.

BMI collects license fees on behalf of songwriters, composers and music publishers and distributes them as royalties to those members whose works have been performed.

Join BMI

Get paid when your music gets played.

Get a BMI License

Enter your business type below.

Examples: Bars & Restaurants, Local Government Entities (LGE), Fitness Clubs, Residential Communities, TV, Radio

New Media

Examples: Website, Mobile

Close Broadcast Music, Inc., a global leader in music rights management, collects license fees from businesses that use music, which it distributes as royalties to songwriters, composers & music publishers.
 
Vol. 11, 5.12
  • Photo: Songwriter Business News
  • Photo: Why Adele and Her Songwriting Will Always Matter
  • Photo: Tom T. Hall: How the Storyteller Found His Voice
  • Photo: At 80, John Williams Is Still Building a Legacy
  • Photo: Allen Stone, Creating New Soul Music
  • Photo: With Third Spanish-language Album, Frankie J Grows Up
  • Photo: Avicii Joins Frontlines of a DJ Revolution
  • Photo: Eddie Palmieri Celebrates more than 50 Years of La Perfecta
  • Photo:   The Warren Brothers The Warren Brothers
  • Photo: Amanda Green: New Adventures in Musical Theatre After High Fidelity and Bring It On
  • Photo: From the Archives
Photo

Photo: James Minchin

For Mat Kearney, It’s a Passion Thing

By Craig Shelburne

Dec 28 2009
Facebook Twitter

In high school, Mat Kearney skipped classes to spend as much time as he could in the darkroom, studying photography and dreaming of becoming a cinematographer. Today, his creative pursuits have found their way to television — in a different way. The Nashville-based singer/songwriter routinely pops up in series like Grey’s Anatomy, The Hills, One Tree Hill and Scrubs.

Nonetheless, his early ambitions color his current work. Kearney says he shot the music video for “Closer to Love” on 16 mm film to give it a timeless feel. The lyrical lynchpin — “I guess we’re all one phone call from our knees” — came about while talking about universal truths of life and family with his guitarist.

“It’s about the fragility of life,” he says. “Everyone can be strong and bold and think they have it figured out until something hits their life that shakes it. I think that’s when people begin to question all kinds of things: life, faith, friendship. And sometimes it’s not a bad thing.”

A native of Eugene, Ore., Kearney got the blessing from his parents to drive to Nashville and record some demos during a summer break from college. Nine years later, he’s still on the move, touring almost constantly. He recorded his newest album, City of Black and White, in Nashville.

“Somehow at the end of that summer I just knew this is what I had to do,” he says. “I found this whole creative thing – that I had to write. Writing was something that just seemed connected to who I was. I picked up a guitar and songwriting was this glove that fit me. It felt so a part of who I was. When I drove to Nashville and found this community and this place where I could do that even more, and learn more, it wasn’t a career choice. It was a passion thing. I knew I had to keep doing what I loved.”

 

Read next

Subscribe now and we'll email you when
new MusicWorld issues become available!