Select BMI website version:

Desktop

Mobile

Not all content available in mobile version

About Broadcast Music, Inc.

BMI collects license fees on behalf of songwriters, composers and music publishers and distributes them as royalties to those members whose works have been performed.

Join BMI

Get paid when your music gets played.

Get a BMI License

Enter your business type below.

Examples: Bars & Restaurants, Local Government Entities (LGE), Fitness Clubs, Residential Communities, TV, Radio

New Media

Examples: Website, Mobile

Close Broadcast Music, Inc., a global leader in music rights management, collects license fees from businesses that use music, which it distributes as royalties to songwriters, composers & music publishers.
 
Vol. 11, 5.12
  • Photo: Songwriter Business News
  • Photo: Why Adele and Her Songwriting Will Always Matter
  • Photo: Tom T. Hall: How the Storyteller Found His Voice
  • Photo: At 80, John Williams Is Still Building a Legacy
  • Photo: Allen Stone, Creating New Soul Music
  • Photo: With Third Spanish-language Album, Frankie J Grows Up
  • Photo: Avicii Joins Frontlines of a DJ Revolution
  • Photo: Eddie Palmieri Celebrates more than 50 Years of La Perfecta
  • Photo:   The Warren Brothers The Warren Brothers
  • Photo: Amanda Green: New Adventures in Musical Theatre After High Fidelity and Bring It On
  • Photo: From the Archives
Photo

Photo: Lani Lee

Christina Perri: Harnessing a Volcano

By Kevin Zimmerman

Jun 23 2011
Facebook Twitter

“It’s been bananas, just the craziest whirlwind ride. It’s like everything that shouldn’t happen, happened.”

So says an understandably excited Christina Perri, whose pop tune “Jar of Hearts” caught the attention of the producers of Fox’s So You Think You Can Dance and led directly to heavy rotation on radio stations nationwide, a deal with Atlantic Records (which released her debut album, Lovestrong, on May 10) and a supporting slot for James Blunt.

Not a bad 2011, so far.

The now-23-year-old Perri grew up singing Christmas carols in her family’s barbershop “whether anybody wanted to listen or not.” Once she got involved in her high school’s theater program, she never looked back: Her big voice was a natural for school productions, and falling in — and then out — of love at the age of 15 inspired her first two compositions.

Strong emotions remain the key to her songwriting: “Whether I’m in love, out of love, happy, sad, lonely, or scared . . . I can’t just sit down and write to order; I need that volcano inside of me, building, to really get me to put a song across.”

The So You Think incident, which came about when a mutual friend passed Perri’s song on to the show’s choreographer, “was just something that connected at the right time. There were like seven other songs that night, but mine really shone through. I found out about it on a Friday, it aired the following Wednesday, and by midnight that night everything had changed.”

Perri’s under no illusion that it’ll all be this easy, however. “I see people like Lady Gaga and Katy Perry zooming above me on ski-lifts, and I’m just slowly trudging up the same hill on foot,” she says. “But I feel like I’m getting there.”

 

Read next

Subscribe now and we'll email you when
new MusicWorld issues become available!