Select BMI website version:

Desktop

Mobile

Not all content available in mobile version

About Broadcast Music, Inc.

BMI collects license fees on behalf of songwriters, composers and music publishers and distributes them as royalties to those members whose works have been performed.

Join BMI

Get paid when your music gets played.

Get a BMI License

Enter your business type below.

Examples: Bars & Restaurants, Local Government Entities (LGE), Fitness Clubs, Residential Communities, TV, Radio

New Media

Examples: Website, Mobile

Close Broadcast Music, Inc., a global leader in music rights management, collects license fees from businesses that use music, which it distributes as royalties to songwriters, composers & music publishers.
 
Vol. 11, 5.12
  • Photo: Songwriter Business News
  • Photo: Why Adele and Her Songwriting Will Always Matter
  • Photo: Tom T. Hall: How the Storyteller Found His Voice
  • Photo: At 80, John Williams Is Still Building a Legacy
  • Photo: Allen Stone, Creating New Soul Music
  • Photo: With Third Spanish-language Album, Frankie J Grows Up
  • Photo: Avicii Joins Frontlines of a DJ Revolution
  • Photo: Eddie Palmieri Celebrates more than 50 Years of La Perfecta
  • Photo:   The Warren Brothers The Warren Brothers
  • Photo: Amanda Green: New Adventures in Musical Theatre After High Fidelity and Bring It On
  • Photo: From the Archives
Photo

Blair Daly, Living the Songwriter’s Dream

By Drew Kennedy

Jun 22 2010
Facebook Twitter

It’s a gold-embossed feather pinned to a well-worn cap-- the cap of a songwriter who has toiled for years in relative obscurity. It was nothing special to look at. A thousand of these caps rest upon the heads of a thousand young (and not-so-young) men and women walking the streets of Nashville. But when Rascal Flatts recorded Stand and took it to #1, Blair Daly earned his gold feather, and suddenly his cap, previously of the non-descript and unnoticeable variety, was something to look at.

After that, he was on easy street—or so he thought.

“Once I finally found that success, I wanted to go everywhere to capitalize on it,” he says. “What I didn’t realize is that once you get that first cut, you have to do everything you can to make sure that door doesn’t close, and my door was here in Nashville. You have to work even harder. Luckily I got a second chance.”

He’s made the most of his second chance. Among other recently successful songs, Daly co-wrote Uncle Cracker’s current hit “Smile,” which is enjoying chart success in four different formats. And with two singles on the horizon from Jennette McCurdy and Julianne Hough, Daly is showing no signs of letting up.

The same excitement Daly experienced after landing that first cut is still alive and well in his feelings towards his success now. He may have added yet another feather to his cap, but you can be rest assured about one thing: the talented Daly is doing everything in his power to make sure that his foot remains just inside of that ever-swinging Nashville door.

“It’s a songwriters dream to have a song like ‘Smile’—where you think, ‘People must really dig this,’" he says. "To have a universal song like that is really cool.”

 

Read next

Subscribe now and we'll email you when
new MusicWorld issues become available!