Select BMI website version:

Desktop

Mobile

Not all content available in mobile version

About Broadcast Music, Inc.

BMI collects license fees on behalf of songwriters, composers and music publishers and distributes them as royalties to those members whose works have been performed.

Join BMI

Get paid when your music gets played.

Get a BMI License

Enter your business type below.

Examples: Bars & Restaurants, Local Government Entities (LGE), Fitness Clubs, Residential Communities, TV, Radio

New Media

Examples: Website, Mobile

Close Broadcast Music, Inc., a global leader in music rights management, collects license fees from businesses that use music, which it distributes as royalties to songwriters, composers & music publishers.
 
Vol. 11, 5.12
  • Photo: Songwriter Business News
  • Photo: Why Adele and Her Songwriting Will Always Matter
  • Photo: Tom T. Hall: How the Storyteller Found His Voice
  • Photo: At 80, John Williams Is Still Building a Legacy
  • Photo: Allen Stone, Creating New Soul Music
  • Photo: With Third Spanish-language Album, Frankie J Grows Up
  • Photo: Avicii Joins Frontlines of a DJ Revolution
  • Photo: Eddie Palmieri Celebrates more than 50 Years of La Perfecta
  • Photo:   The Warren Brothers The Warren Brothers
  • Photo: Amanda Green: New Adventures in Musical Theatre After High Fidelity and Bring It On
  • Photo: From the Archives
Photo

Photo: Harper Smith

Amos Lee: Elementary School Teacher Turns Soul Preacher

By Ellen Mallernee

May 4 2011
Facebook Twitter

If Amos Lee was a pal of yours, he’d come to your house party, unceremoniously take your acoustic guitar down from the wall, and play songs in your living room. That’s just how he is — approachable and without armor. He’d sing “Arms of a Woman” on your sofa and all of your friends would go quiet and Lee would act like it was no big deal at all. That’s a true story.

Here’s another true story: Seven years ago, Amos Lee was a Philadelphia elementary school teacher whose first fidgety open mic performances were just beginning to give way to a career as a heartthrob singer-songwriter with soul, but now his home is a long stretch of road dotted with stages and enormous crowds who drink up his every note.

As soft and smooth as suede, Lee’s voice and his sweet, sensual folk songs about exploration and love lost recently ratcheted his masterful fourth album, Mission Bell, right to the top of the charts. This summer he’ll play for the masses at Bonnaroo, and this fall he’ll embark on a sold-out U.K. tour with superstar chanteuse Adele. The pressure is on, and Lee takes great pains to live up to the esteem of his fans and critics.

“As a songwriter, you’re playing the same songs every night,” says Lee. “So in order for you to renew yourself through the songs, there has to be some sort of commitment to working through things as they’re happening. Otherwise you’re just going to go, ‘Alright, well, this is how I play this song and that’s that. Boom, done. Check that off the list’ ... There’s an obligation, I think, that you have to people who come out to listen to you that you’re going to try to at least embody those songs the best you can.”

During a conversation with Lee, there’s lots of self-examination like this. He’s intensely focused on improving himself as a performer; that’s how he “makes peace with” himself, he says. But it’s not all work all the time. On his rare days off, Lee eschew his piles of dirty laundry in favor of the hot sun and cold beer of a minor league baseball game. You know, normal guy stuff.

 

Read next

Subscribe now and we'll email you when
new MusicWorld issues become available!