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Vol. 11, 5.12
  • Photo: Songwriter Business News
  • Photo: Why Adele and Her Songwriting Will Always Matter
  • Photo: Tom T. Hall: How the Storyteller Found His Voice
  • Photo: At 80, John Williams Is Still Building a Legacy
  • Photo: Allen Stone, Creating New Soul Music
  • Photo: With Third Spanish-language Album, Frankie J Grows Up
  • Photo: Avicii Joins Frontlines of a DJ Revolution
  • Photo: Eddie Palmieri Celebrates more than 50 Years of La Perfecta
  • Photo:   The Warren Brothers The Warren Brothers
  • Photo: Amanda Green: New Adventures in Musical Theatre After High Fidelity and Bring It On
  • Photo: From the Archives
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JD Natasha

Mar 3 2006
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After being instantly signed to a recording contract on the strength of a self-made demo and then chosen as the first artist for AOL’s “Impulsa” program, teenage Miami native JD Natasha quickly developed a large following of young, bilingual U.S. Latinos who have finally found a homegrown artist to call their own. Created from Natasha’s emotional poetry and musical composition influenced from her love of bands such as Radiohead, Nirvana and many more, her debut album Imperfecta/Imperfect found the introspective performing arts prodigy creating Spanish music “with some attitude instead of just ballads and love songs” and also looking to encourage other young Latinas to “embrace self-expression instead of emulating unrealistic images of ‘perfect’ pop stars.”

Upon release of the album, the young rock songwriter and guitarist quickly achieved extensive critical praise, and wide broadcast and online video play for her Spanish singles (“Lagrimas”-“Tanto”- “Plastico”) and English language tracks (“Imperfect” - “Not Healthy” and the fan favorite cover of Outkast’s “Hey Ya”). Now, with three Latin Grammy nominations under her belt, JD Natasha has solidified her place as one of Latin music’s top new artists.

 

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