Select BMI website version:

Desktop

Mobile

Not all content available in mobile version

About Broadcast Music, Inc.

BMI collects license fees on behalf of songwriters, composers and music publishers and distributes them as royalties to those members whose works have been performed.

Join BMI

Get paid when your music gets played.

Get a BMI License

Enter your business type below.

Examples: Bars & Restaurants, Local Government Entities (LGE), Fitness Clubs, Residential Communities, TV, Radio

New Media

Examples: Website, Mobile

Close Broadcast Music, Inc., a global leader in music rights management, collects license fees from businesses that use music, which it distributes as royalties to songwriters, composers & music publishers.
 
Vol. 11, 5.12
  • Photo: Songwriter Business News
  • Photo: Why Adele and Her Songwriting Will Always Matter
  • Photo: Tom T. Hall: How the Storyteller Found His Voice
  • Photo: At 80, John Williams Is Still Building a Legacy
  • Photo: Allen Stone, Creating New Soul Music
  • Photo: With Third Spanish-language Album, Frankie J Grows Up
  • Photo: Avicii Joins Frontlines of a DJ Revolution
  • Photo: Eddie Palmieri Celebrates more than 50 Years of La Perfecta
  • Photo:   The Warren Brothers The Warren Brothers
  • Photo: Amanda Green: New Adventures in Musical Theatre After High Fidelity and Bring It On
  • Photo: From the Archives
Photo

Vicky McGehee

By Elisabeth Dawson

Oct 15 2006
Facebook Twitter

Songwriter Vicky McGehee didn’t grow up dreaming of the spotlight. Or even backstage. In fact, the hit songwriter says she “never even thought of being a songwriter. This whole thing is kind of a fluke.”

This fluke implied fate. McGehee, an Oklahoma native, did not grow up in a musical family. “I grew up around country music, but I never thought of writing it,” she admits, and then adds, laughing, “To this day, my parents ask me, ‘Have you sold any songs this week?’ They think that’s how it works.”

Vicky had been working in Nashville’s entertainment law community for seven years when destiny knocked on her door. “I exchanged some contract work for a demo session,” she recalls. “It wasn’t anything serious, just some of my songs I’d messed around with, poetry just for me. To this day, I don’t know really how all of this has happened. It makes you wonder about how many people have a gift — a calling — that they’re not exploring.” McGehee reflects, “I started late; I’m not 20. I’m so grateful for everything I get.”

Vicky McGehee earns everything she gets. Songs like Gretchen Wilson’s “All Jacked Up,” Big & Rich’s “Holy Water” and Jason Aldean’s “Why” all feature McGehee’s candid touch. “Writing songs is personal. I keep about five writers really close to me,” she shares. “Reaching the top is not an easy climb. Now I just try to keep it between the lines.”

With a Grammy for Tim McGraw and Faith Hill’s “Like We Never Loved at All,” and 2005’s Music Row Songwriter of the Year title firmly under her belt, Vicky’s fluke is anything but. Yet, the songwriter remains modestly in awe of it all. “Success just means when you call, you don’t have to wait as long for a call back,” McGehee laughs.

 

Read next

Subscribe now and we'll email you when
new MusicWorld issues become available!