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Vol. 11, 5.12
  • Photo: Songwriter Business News
  • Photo: Why Adele and Her Songwriting Will Always Matter
  • Photo: Tom T. Hall: How the Storyteller Found His Voice
  • Photo: At 80, John Williams Is Still Building a Legacy
  • Photo: Allen Stone, Creating New Soul Music
  • Photo: With Third Spanish-language Album, Frankie J Grows Up
  • Photo: Avicii Joins Frontlines of a DJ Revolution
  • Photo: Eddie Palmieri Celebrates more than 50 Years of La Perfecta
  • Photo:   The Warren Brothers The Warren Brothers
  • Photo: Amanda Green: New Adventures in Musical Theatre After High Fidelity and Bring It On
  • Photo: From the Archives
Photo

Weezer Keeps It Real on ‘Make Believe’

By Bruce Britt

Sep 29 2005
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Heartily breaking with decades of jock-rock tradition, Weezer’s self-titled 1994 debut album was that rarity of rarities: a pop record that farcically celebrated willful underachievement. The band’s approach was manifest in the hit single “Buddy Holly,” which detailed the plight of a haplessly nerdy couple tyrannized by local bullies.

Eleven years and several lapsed musical trends later, Weezer towers as a musical force to be reckoned with. By critical consent, the band’s pop-injected rock songs paved the way for the post-punk “emo” sound. Yet despite their current status as rock & roll major leaguers, Weezer hasn’t changed. On their new album, Make Believe , singer/songwriter Rivers Cuomo, guitarist Brian Bell, drummer Matt Sharp and bassist Scott Shriner continue to cast their lot with the world’s working class heroes. 

The band’s affection for the underdog is apparent in their video “Beverly Hills,” in which the quartet bemoans its misfit social standing while romping with fans and Playmates at Hugh Hefner’s Playboy mansion. The result is a broadly appealing fantasy clip that combines the self-deprecating humor of Nirvana, the bling-brandishing charm of rap videos, and the wink-wink cheekiness of vintage Weezer. 

Treading the road less traveled is a habit for the members of Weezer. Founded on Valentine’s Day, 1992, the band was signed to DGC Records (Geffen) after a mere 16 months together. Produced by Ric Ocasek of Cars fame, Weezer’s self-titled debut album sold over two million copies on the strength of three singles/music videos: “Undone (The Sweater Song),” “Say It Ain’t So” and “Buddy Holly.” 

Following several tours, Weezer took time off to discover itself. Cuomo attended Harvard, while Sharp and Wilson worked on extra-curricular music activities. 

The group emerged from their hiatus with their pop instincts intact. The band’s 1997 sophomore disc, Pinkerton , won raves and gold certification. In 2001, The Green Album was released to a Top 5 welcome, fueled by the infectious tracks/videos “Hash Pipe” and “Island in the Sun.” The following year saw the release of Maladroit , a record that solidified Weezer’s reputation as a band with a rock-solid musical heart. 

During their current Make Believe world tour, Weezer has performed before a massive, marquee-like “W” insignia that is an obvious aesthetic homage to their childhood influence, KISS. As they enter their second decade, the members of Weezer are still pursuing the rock & roll dream on their own comic terms.

 

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