Select BMI website version:

Desktop

Mobile

Not all content available in mobile version

About Broadcast Music, Inc.

BMI collects license fees on behalf of songwriters, composers and music publishers and distributes them as royalties to those members whose works have been performed.

Join BMI

Get paid when your music gets played.

Get a BMI License

Enter your business type below.

Examples: Bars & Restaurants, Local Government Entities (LGE), Fitness Clubs, Symphony Orchestra, TV, Radio

New Media

Examples: Website, Mobile

Close Broadcast Music, Inc., a global leader in rights management, collects license fees from businesses that use music, which it distributes as royalties to songwriters, composers & music publishers.
 
Vol. 5, 2.12
  • Photo:   Wrinkle Neck Mules Wrinkle Neck Mules
  • Photo: Ammar  Malik Ammar Malik
  • Photo: Songwriter Business News
  • Photo: Rodriguez Rodriguez
  • Photo: Michael  Bacon Michael Bacon
  • Photo: Shawn K.  Clement Shawn K. Clement
  • Photo: Dafnis  Prieto Dafnis Prieto
  • Photo: {name_first} {name_last} {name_band} Three Good Reasons To Love Your Songs
  • Photo: From the Archives
Photo

Creed Climbs Quickly to the Top

By Bruce Britt

Oct 31 1999
Facebook Twitter

On the maiden single from their Wind-Up Records/BMG album Human Clay, Creed vocalist Scott Stapp poses the musical question: "Can you take me higher?" The singer received his reply mere days after the album's release. Human Clay debuted at number one on Billboard's Top 200 Album's chart, outselling new releases from Garth Brooks and the highly touted hip-hop duo, Method Man and Redman. Now, Creed is credited with resuscitating rock music and critics are scrambling to explain the band's appeal.

Band members attribute their success to pent-up consumer demand for hard rock. In an interview published recently in Guitar One magazine, guitarist Mark Tremonti said: "I think there were a lot of people sitting at home going, 'Man, music sucks now because there's no rock!' So when they heard us, they were going, 'Great! At least there's one band out there playing straight-up, old school rock & roll with big guitars'."

Tremonti's analysis notwithstanding, solid songwriting factors largely into Creed's success. The band's music is spiritual, heroic and unabashedly positive - the perfect tonic for rock fans weary of jaded alternative pop. Moreover, Creed delivers their gothic-scale rock & roll with a messianic zeal that rivals U2.

The band's appeal, however, extends well beyond its music. Creed enjoys an enviable, almost familial rapport with their fans. The quartet offered a free digital download of the single "Higher" a full month before the release of Human Clay. The download created a grassroots street buzz and demonstrated how the Internet can be used to stoke consumer interest.

Hailing from Tallahassee, FL, Creed recorded their first demo for a paltry $6,000. The recordings resulted in an independently produced CD titled My Own Prison. The disc caught the attention of BMG, which inked a distribution deal with the band. To date, My Own Prison has sold over 4 million copies and yielded four number one rock radio singles, including "My Own Prison," "Torn," "One" and "What's This Life For." Creed is the only band in history to score four #1 Rock Radio singles.

Now, perched firmly atop the modern rock heap, fans are wondering just how much higher Stapp, Tremonti, bassist Brian Marshall and drummer Scott Phillips can climb. "We're the type of band that functions really well under pressure," says Stapp. Such resourcefulness bodes well for Creed's future.

By Bruce Britt

 

Read next

Subscribe now and we'll email you when
new MusicWorld issues become available!