Peanut Butter Wolf is hot on the turntables

Stones Throw Records is a California-based independent hip-hop label started in 1996 by Chris Manak, a.k.a. Peanut Butter Wolf. Wolf put out the song "The Chronicles" on the now legendary Return of the DJ compilation, and a collection of beats for DJs entitled Peanut Butter Breaks. The former is known as the first all-DJ album, which helped jump-start the careers of artists like Q-Bert, Cut Chemist, DJ Z-Trip and others. Stones Throw's subsidiaries Now-Again and Soul Cal specialize in funk and soul reissues.

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BMI's "Pick of the Month" is a live, monthly showcase series focusing on a musically impacting band or artist whose talent is worthy of attention. The series is meant to help expose these artists to the music industry and public through a show held at a quality venue with discounted admission.

"When I'm being an artist, I want to expose people to my music," says PB Wolf, whose real name is Chris Manak. "With the label, obviously I want to expose people to music that I like. The label's really personal. I only put out stuff that I could hear myself listening to over and over again."

Not surprisingly, the label's primary focus has been underground hip-hop. However, just as hip-hop culls its sounds from a variety of sources, the label has followed a natural course into territory that includes more than just MCs rapping over beats. One of Stones Throw's newest projects comes from the nine-piece Breakestra, who Manak describes as, "'60s funk revivalist, James Brown-style music."

"Hip-hop obviously borrows heavily from that sound as well," he adds.

As for Peanut Butter Wolf the artist, his is an art of collage. "With hip-hop, the beauty is you've got the world at your fingertips," he says. "You've got records from all time periods and all genres of music, and it makes it really interesting when you combine them all."

He contends that the juxtaposition of old sounds into new and distinct songs requires true songwriting skill. "You've got to be somewhat of a musician," he says. "I'll make my own bass lines up, and you really have to have the ear to know what goes with what."

And the chief prerequisite for honing that skill?

"The one thing I've noticed with hip-hop producers is the best ones always have the biggest record collections, really know their music a lot, and are big fans of music," he says. "All music."