Conductor Lucas Richman (l) and composer Tim Wynn.

This year’s students are an exemplary group of working film and television composers: Kathryn Bostic (Sundance Fellow, Beyond the Ring, Contradictions of the Heart); Kris Carter (Justice League, Teen Titans); Eric Colvin (NASCAR 3D: The IMAX Experience, Bark!); Claude Foisy (The 4400, White Noise); Corey Jackson (Left in Darkness, Starting Over); Dave Reynolds (Cruel Intentions 3, Tides of War); Craig Richey (Friends with Money, Lovely & Amazing); Tim Wynn (Reflections of Venice, Chasing the Light). The class is coordinated by BMI’s Senior Director of Film/TV Relations, Ray Yee, and BMI’s Film/TV Relations staff.

The whole group pauses for a photo: (l-r, front): BMI's Ray Yee, composer Kathryn Bostic, conductor Lucas Richman and composer Kris Carter; (back) composer Corey Jackson, BMI's Linda Livingston, composers Tim Wynn and Eric Colvin, BMI’s Doreen Ringer Ross, composers Craig Richey, and Dave Reynolds, contractor David Low, composer Claude Foisy, BMI's Anne Cecere and Philip Shrut.

BMI recently recognized accomplished conductor and composer Lucas Richman with the 2007 Classic Contribution Award for 10 years of service leading BMI’s celebrated Conductor’s Workshop. A BMI composer, Richman has led the workshop since its inception. Presently Music Director and Conductor for the Knoxville Symphony Orchestra, Richman is a leading expert in conducting and composing, having fashioned an outstanding career as a conductor with numerous symphonies and orchestras in the U.S. as well as collaborator with numerous film composers as their conductor for such films as the Academy Award-nominated As Good As It Gets, Face/Off, Seven, Breakdown, Anastasia and The Village.

Past participants in the highly touted lab, include composers Cliff Martinez, Stewart Copeland, Camara Kambon, Danny Pelfrey, Richard Gibbs, Bill Brown, Bennett Salvay, Rolfe Kent, Julie and Steve Bernstein, Anthony Marinelli, Alex Wurman, Gary Kuo, Tyler Bates, Nate Barr, James Venable, Mervyn Warren, Chris Lennertz and Laura Karpman.

Photos: Anna Maria DiSanto

BMI’s composers scored a notable 20 nominations, ranging from Outstanding Music Direction to Outstanding Original Main Title Theme Music. Two-time Emmy-winner Jeff Beal garnered two nods for his musical compositions on TNT’s Nightmares & Dreamscapes and HBO’s Rome, while Debra Fordham received two nominations for her work on songs featured on NBC’s hit show Scrubs.

A complete list of BMI nominees follows:

BMI’s 2007 Creative Arts Primetime Emmy nominees:

Outstanding Music Composition for a Series (Original Dramatic Score)

WG Snuffy Walden, Composer – Kidnapped
George Fenton, Composer – Planet Earth
Jeff Beal, Music Composer – Rome

Outstanding Music Composition for a Miniseries, Movie or a Special (Original
Dramatic Score)

David Mansfield, Music – Broken Trail
George S. Clinton, Composer – Bury My Heart At Wounded Knee
Jeff Beal, Music – Nightmares & Dreamscapes

Outstanding Music Direction

William Ross, Music Director – 79th Annual Academy Awards
Jan Stevens, Music – Scrubs “My Musical”

Outstanding Original Music and Lyrics

Danny Smith, Lyrics – Family Guy, “My Drunken Irish Dad”
Walter Murphy, Music – Family Guy, “My Drunken Irish Dad”
Greg O’Connor, Music – MADtv: Episode 1209, “Merry Ex-Mas”
Jim Wise, Music/Lyrics - MADtv: Episode 1209, “Merry Ex-Mas”
Bruce McCoy, Lyrics - MADtv: Episode 1209, “Merry Ex-Mas”
Katreese Barnes, Music – Saturday Night Live, “Dick In A Box”
Debra Fordham, Lyrics – Scrubs, “Everything Comes Down to Poo”
Robert Lopez, Music/Lyrics – Scrubs, “Everything Comes Down to Poo”
Jeff  Marx, Music/Lyrics – Scrubs, “ Everything Comes Down to Poo”
Debra Fordham, Lyrics – Scrubs, “Guy Love”
Paul F. Perry, Music/Lyrics – Scrubs, “Guy Love”

Outstanding Original Main Title Theme Music

Rolfe Kent, Main Title Theme - Dexter

This year’s students are an exemplary group of working film and television composers: Kathryn Bostic (Sundance Fellow, Beyond the Ring, Contradictions of the Heart); Kris Carter (Justice League, Teen Titans); Eric Colvin (NASCAR 3D: The IMAX Experience, Bark!); Claude Foisy (The 4400, White Noise); Corey Jackson (Left in Darkness, Starting Over); Dave Reynolds (Cruel Intentions 3, Tides of War); Craig Richey (Friends with Money, Lovely & Amazing); Tim Wynn (Reflections of Venice, Chasing the Light). The class is coordinated by BMI Senior Director of Film/Television Relations Ray Yee and BMI’s Film/TV Relations staff.

Highly specialized, coursework will include developing conducting technique, working with live players ranging from piano duet to full chamber orchestra; conducting free-form as well as to click-track, both with and without picture. The musical repertoire for the workshop will range from classical selections to music from commercial films. Each session will be videotaped and critiqued.

Workshop alumni include composers Cliff Martinez, Stewart Copeland, Rolfe Kent, Camara Kambon, Richard Gibbs, Bennett Salvay, Julie and Steve Bernstein, Anthony Marinelli, Alex Wurman, Jeff Beal, Mervyn Warren, Joseph Vitarelli, Tyler Bates, Gary Kuo and Laura Karpman.

A limited number of class auditors will be welcomed on an advanced approval basis. Requests for auditors should be sent to Yee at ryee@bmi.com.

George S. Clinton

BMI Classic Contribution Award

Lucas Richman

BMI Film Music Awards

David Arnold: Casino Royale
Tyler Bates: 300
Teddy Castellucci: Wild Hogs
Teddy Castellucci: Little Man
George S. Clinton: The Santa Clause 3: The Escape Clause
Charlie Clouser: Saw III
Mychael Danna: Little Miss Sunshine
Alexandre Desplat (Sacem) The Queen
Danny Elfman: Meet The Robinsons
Danny Elfman: Charlotte’s Web
Danny Elfman: Nacho Libre
Harry Gregson-Williams: Flushed Away
Harry Gregson-Williams: Déjà Vu
Rupert Gregson-Williams: Over The Hedge
Rupert Gregson-Williams: Click
John Murphy (PRS): Miami Vice
David Newman: Norbit
John Ottman: Superman Returns
Theodore Shapiro: The Devil Wears Prada
Theodore Shapiro: Blades Of Glory
Theodore Shapiro: You, Me And Dupree
Alex Wurman: Talladega Nights: The Ballad Of Ricky Bobby
Christopher Young: Ghost Rider
Aaron Zigman: Bridge To Terabithia
Aaron Zigman: Step Up

Oscar Award Winner

Gustavo Santaolalla: Babel

Golden Globe Award Winner

Alexandre Desplat (Sacem): The Painted Veil

BMI Television Awards

Chris Daughtry: American Idol
Carim Clasmann (PRS): Grey’s Anatomy
Galia Durant (PRS): Grey’s Anatomy
Pete Townshend (PRS): CSI
Danny Elfman: Desperate Housewives
Steve Jablonsky: Desperate Housewives
Robert Del Naja (PRS): House
Grantley Marshall (PRS): House
Andrew Vowles (PRS): House
Kevin Kiner: CSI: Miami
Pete Townshend (PRS): CSI: Miami
Mark Mancina: Criminal Minds
Bill Brown: CSI: NY
Pete Townshend (PRS): CSI: NY
Brian Kirk:  Ncis
Chuck Lorre: Two And A Half Men
Dain Blair:  Deal Or No Deal
Tony Phillips: Deal Or No Deal
Joel Wachbrit: Shark
Peter Manning Robinson: Without A Trace
Mike Post:  Law & Order: Svu
Jeff Beal:  Ugly Betty
Martin Davich: ER
David Schwartz: Rules Of Engagement
Rob Cairns:  Extreme Makeover: Home Edition
Charlie Clouser: Numb3rs
Chris Wagner: The New Adventures Of Old Christine

Emmy Award Winners

Edward Shearmur: Masters Of Horror
Chris Biondo: National Geographic Explorer - Deadly Love
Harry Leonard Williams: National Geographic Explorer - Deadly Love
Greg O’connor: “A Wonderfully Normal Day” From MADTV
Jim Wise:  “A Wonderfully Normal Day” From MADTV
Bradley Hatfield: “Sunshine” From THE YOUNG AND THE RESTLESS

BMI Cable Awards

Natasha Bedingfield (PRS): The Hills
Danielle Brisebois: The Hills
James Levine: The Closer
Alex Wolff: The Naked Brothers Band
Michael Wolff: The Naked Brothers Band
Nat Wolff:  The Naked Brothers Band
Howlin’ Wolf: The Sopranos
James Johnston: WWE Raw
Bruce Hanifan: Deadliest Catch
Terri Nunn: Angela’s Eyes
Mitchell Sigman: Angela’s Eyes
Steve Hampton: The Suite Life Of Zack And Cody
Gary Scott: The Suite Life Of Zack And Cody
Gwendolyn Sanford: Weeds
Gary Stockdale: Penn & Teller: Bullshit!
Rolfe Kent: Dexter
Daniel Licht: Dexter
Matt Koskenmaki: The Ultimate Fighter
Jarrid Mendelson: The Ultimate Fighter
James Levine: Nip/Tuck

BMI honored the composers and songwriters of the music from the past year's top-grossing films, top-rated prime-time network television series and highest-ranking cable network programs at its annual Film & Television Awards. Held May 16 at the Regent Beverly Wilshire Hotel, the black-tie gala was hosted by BMI President & CEO Del Bryant and Film/TV Relations Vice President Doreen Ringer Ross, who handed out more than 80 BMI Crystals throughout the evening.

View the Film/TV Awards List

A highlight of the ceremony was the presentation of the BMI Richard Kirk Award for Outstanding Career Achievement to multitalented film composer George S. Clinton. The prestigious award is given annually to a composer who has made significant contributions to film and television music, with past honorees including Jerry Goldsmith, Thomas Newman, Michael Kamen, John Barry, Mark Mothersbaugh, Danny Elfman, Alan Menken, Mike Post, Lalo Schifrin and John Williams.

George S. Clinton's versatility and musical prowess have placed the Grammy-nominated maestro in the upper-echelon of Hollywood composers. The recipient of six BMI awards and composer for myriad films, Clinton's scores have lent depth to thrillers including Mortal Kombat and Wild Things ; supplied deft timing to comedic smashes Austin Powers: International Man of Mystery and its two sequels; and helped paint poignant moments in Joe Somebody , quirky moods in 3,000 Miles to Graceland and foreboding atmospheres in The Astronaut's Wife . An active member of the film community, Clinton also serves as an advisor at the Sundance Institutes' Composers Lab.

BMI also recognized accomplished conductor and composer Lucas Richman with the Classic Contribution Award for ten years of service leading BMI's celebrated Conductor's Workshop. A BMI composer, Richman has led the workshop since its inception. Presently Music Director and Conductor for the Knoxville Symphony Orchestra, Richman is a leading expert in conducting and composing, having fashioned an outstanding career as a conductor with numerous symphonies and orchestras in the U.S. as well as collaborator with numerous film composers as their conductor, recording scores for such films as the Academy Award-nominated As Good As It Gets, Face/Off, Seven, Breakdown, Anastasia and The Village.

BMI's Oscar-, Golden Globe- and Emmy-winning composers were also feted, including Gustavo Santaolalla, whose score for Babel earned him his second Academy Award for Original Score; and Alexandre Desplat (SACEM), whose score for The Painted Veil earned him a Golden Globe award for Best Original Score – Motion Picture.

Danny Elfman took home the evening's most awards, with four BMI Crystals for Meet The Robinsons, Charlotte's Web, Nacho Libre and Desperate Housewives. Composer Theodore Shapiro took home three awards for The Devil Wears Prada, Blades of Glory and You, Me and Dupree; and Pete Townshend (PRS) was once again a triple winner for CSI, CSI: Miami and CSI: NY .

Composers who took home two awards were Teddy Castalucci for Wild Hogs and Little Man; Charlie Clouser for Saw III and Numb3rs ; Harry Gregson-Williams for Flushed Away and Déjà Vu; Rupert Gregson-Williams for Over The Hedge and Click ; and Aaron Zigman for Step Up and Bridge To Terabithia. Other award winners were Jeff Beal for Ugly Betty ; Rolfe Kent and Daniel Licht for Dexter ; Bruce Hanifan for Deadliest Catch ; Steve Jablonsky for Desperate Housewives ; Alex Wolff, Michael Wolff and Nat Wolff for The Naked Brothers Band ; Carim Clasmann (PRS) and Galia Durant (PRS) for Grey's Anatomy; Dain Blair and Tony Phillips for the hit series Deal Or No Deal, and many others.

Front Row (L-R): Composer Andreas Kapsalis, contractor David Low, pianist Alan Steinberger, workshop instructor Lucas Richman, BMI's Ray Yee, concert master Endre Granat, BMI's Anne Cecere, and composers Walterio Pesqueira, Joseph Julian Gonzalez and James Venable. Back Row (L-R): Editor Chris Ledesma, cellist Victor Lawrence, composers George Shaw and Mervyn Warren, violinist Mark Robertson, and composers Stephen Ridley, Joseph Vitarelli and Phil Shrut. Photo by Annamaria DiSanto

Designed for composers who wish to refine their conducting skills, the free annual workshop is limited to eight BMI-affiliated professional film and television composers. This year's students included Joseph Julian Gonzalez (Resurrection Blvd., Price of Glory), James Venable (Powerpuff Girls, Jay and Silent Bob Strike Back, Clerks 2), Joseph Vitarelli (Revelations, Last Seduction), Andreas Kapsalas (Black Gold, Sundance Composer Lab fellow), Mervyn Warren (Honey, The Wedding Planner, A Walk to Remember), Walterio Pesquira (Mujeres Insumisas, La Usurpadora, Plaza Sesamo [Sesame Street]), Stephen Ridley (The Sharktank Redemption) and George Shaw (Purity, Kidnapping of Ingrid Betancourt).

A highly touted lab, past participants include composers Cliff Martinez, Stewart Copeland, Camara Kambon, Danny Pelfrey, Richard Gibbs, Bill Brown, Bennett Salvay, Rolfe Kent, Julie and Steve Bernstein, Mark De Gli Antoni, Anthony Marinelli, Alex Wurman, Pete Scaturro, Mick Muhlfriedal, Dominic Messenger, Gary Kuo and Laura Karpman.

The Workshop is designed for BMI composers who wish to refine their conducting skills. The annual workshop is free and is limited to eight participants who are BMI-affiliated professional film and television composers. This year's students are composers Joseph Julian Gonzalez (Resurrection Blvd., Price of Glory), James Venable (Powerpuff Girls, Jay and Silent Bob Strike Back, Clerks 2), Joseph Vitarelli (Revelations, Last Seduction), Andreas Kapsalas (Black Gold, Sundance Composer Lab fellow), Mervyn Warren (Honey, The Wedding Planner, A Walk to Remember), Walterio Pesquira (Mujeres Insumisas, La Usurpadora, Plaza Sesamo [Sesame Street]), Stephen Ridley (The Sharktank Redemption) and George Shaw (Purity, Kidnapping of Ingrid Betancourt).

The course will focus on developing conducting technique and participants will be working with live players ranging from piano duet to a full chamber orchestra. Curriculum will include conducting free form as well as to click track, both with and without picture. The musical repertoire for the workshop will range from classical selections to music from commercial films. Each session will be videotaped and critiqued.

A highly touted lab, past participants include composers Cliff Martinez, Stewart Copeland, Camara Kambon, Danny Pelfrey, Richard Gibbs, Bill Brown, Bennett Salvay, Rolfe Kent, Julie and Steve Bernstein, Mark De Gli Antoni, Anthony Marinelli, Alex Wurman, Pete Scaturro, Mick Muhlfriedal, Dominic Messenger, Gary Kuo and Laura Karpman.

"The conductor's workshop is an incredible experience for composers partially because of the brilliance that Lucas brings with him as a teacher, performer and creator," said BMI's Doreen Ringer Ross, Vice President, Film/TV Relations. "The participants get the opportunity to work with some of the top musicians in the world while they're conducting, and the actual hands-on experience is one that cannot be duplicated in such a condensed period of time. We've heard time and time again how instrumental this workshop has been in adding skill sets to composers' repertoires."

Richman is an accomplished conductor and composer of music ranging from classical concert music and opera to musical theatre and film. He is presently Music Director and Conductor for the Knoxville Symphony Orchestra. He served as the Pittsburgh Symphony's Assistant Conductor from 1998-2002, during which time he was also a Cover Conductor for the New York Philharmonic. From 1988 to 1991 he was the Assistant Conductor for the Pacific Symphony Orchestra.

Mr. Richman has appeared as guest conductor with numerous orchestras throughout the United States, including the Los Angeles Philharmonic, San Antonio Symphony and New Haven Symphony; in Canada with the National Arts Centre Orchestra; and in Germany with the SWR Radio Orchestra of Kaiserslautern. As a composer, Richman has had his music performed by over 100 orchestras across the United States in the last five years alone. The Pittsburgh Symphony most recently premiered his one-act musical, A Christmas Wish, with the participation of the Mendelssohn Choir, the Children's Festival Chorus and the Pittsburgh Youth Ballet.

In 2002-2003, Richman made his conducting debuts with the New York Philharmonic and the symphony orchestras of Baltimore, Knoxville, and Wheeling. He has received numerous awards including the Geraldine C. & Emory M. Ford Award Guest Conductor, Catherine Filene Shouse Foundation Conduct and the Dramalogue Award for his musical direction of the revival of Leonard Bernstein's Candide, directed by Gordon Davidson at Los Angeles' Ahmanson Theatre.

In recent years, he collaborated with numerous film composers as their conductor, recording scores for such films as the Academy Award-nominated As Good As It Gets, Face/Off, Seven, Breakdown, Anastasia and The Village. He received a Master of Music in orchestral conducting from the University of Southern California, where he was a student of Daniel Lewis. He studied privately with Fritz Zweig and Victor Yampolsky, and worked with Leonard Bernstein and Michael Tilson Thomas at the Los Angeles Philharmonic Institute. He was also selected as a conducting fellow in master classes with Pierre Boulez, André Previn, Herbert Blomstedt and Kurt Sanderling.

A limited amount of class auditors will be welcomed on an advanced approval basis. Requests for auditors should be sent to Yee at RYee@bmi.com.]]> 2006-07-27T18:00:00-05:00 http://www.bmi.com/news/entry/334815 Artists, Blair, Dain, Bryant, Del, Elfman, Danny, Goldsmith, Jerry, Gregson-Williams, Harry, Groupe, Larry, Hagen, Earle, Jablonsky, Steve, Kamen, Michael, Kent, Rolfe, Kiner, Kevin, Levine, James, Menken, Alan, Messenger, Dominic, Midnight, Charlie, Mothersbaugh, Mark, Newman, David, Newman, Thomas, Phillips, Tony, Post, Mike, Rabin, Trevor, Robinson, Peter Manning, Santaolalla, Gustavo, Schifrin, Lalo, Townshend, Pete, Williams, John, Wilson, Brian, Wurman, Alex, Young, Christopher, Awards, BMI Awards, BMI Film TV Awards, Musical Styles, Film-TV 'Narnia' Composer Harry Gregson-Williams Honored for Outstanding Career Achievement; Classic Contribution Award Goes to Earle Hagen

BMI honored the composers and songwriters of the music from the past year's top-grossing films, top-rated prime-time network television series and highest-ranking cable network programs at its annual Film & Television Awards. Held May 17 at the Regent Beverly Wilshire Hotel, the black-tie gala was hosted by BMI President & CEO Del Bryant and Film/TV Relations Vice President Doreen Ringer Ross, who handed out more than 100 BMI Crystals throughout the evening.

	BMI Film/TV Awards Photo Slideshow
	2006 Film/TV Awards list
	Harry Gregson-Williams Bio

A highlight of the ceremony was the presentation of the BMI Richard Kirk Award for Outstanding Career Achievement to versatile film composer Harry Gregson-Williams. Named after late BMI Vice President Richard Kirk, the prestigious award is given annually to a composer who has made significant contributions to film and television music. Past honorees include Jerry Goldsmith, Mike Post, Thomas Newman, Michael Kamen, Mark Mothersbaugh, Lalo Schifrin, Danny Elfman, Alan Menken and John Williams.

Harry Gregson-Williams	Earle Hagen

One of Hollywood's most sought-after composers, Harry Gregson-Williams has infused his unique musical talent into the scores of such diverse films as The Chronicles of Narnia: The Lion, the Witch & the Wardrobe, Man on Fire, Bridget Jones: The Edge of Reason, Shrek, Shrek 2, Spy Game, Chicken Run, Kingdom of Heaven, Antz and Domino. The British-born Golden Globe nominee, who was named Composer of the Year at the 2005 Hollywood Film Festival, is currently working on the music to Shrek the Third and Déja Vu.

Celebrated BMI composer Earle Hagen received the Classic Contribution Award in recognition of more than 50 years as a BMI affiliate. He was also cited for 10 years of dedication as a mentor and teacher of the BMI workshop he founded in 1986, where he was instrumental in fostering the careers of many young film and television composers. A past Richard Kirk Award recipient, Hagen has written some of the most memorable themes in TV music history, including The Andy Griffith Show, The Dick Van Dyke Show, I Spy, Make Room for Daddy, Gomer Pyle, USMC, That Girl and The Mod Squad, among others. He is also the author of three books, two of which are considered the definitive textbooks in the film scoring field.

BMI's Oscar-, Golden Globe- and Emmy-winning composers were also feted, including Latin rock pioneer Gustavo Santaolalla, whose Brokeback Mountain music earned him an Academy Award for Best Original Score and a Golden Globe for Best Original Song for "A Love That Will Never Grow Old" from the movie's soundtrack. Danny Elfman's Emmy-winning theme to the ABC hit Desperate Housewives gave the composer two of his three wins; his score to Charlie and the Chocolate Factory also earned him a BMI Film/TV Award.

The gala ceremony also honored Rolfe Kent for the comedies Failure to Launch and Wedding Crashers, Trevor Rabin for sports drama Coach Carter, BMI Icon Brian Wilson for the theme to HBO's Big Love, Mark Mothersbaugh for the underscore to Big Love and family film Herbie: Fully Loaded, Charlie Clouser for the sequel Saw II and hit TV show Numb3rs, John Williams for the Golden Globe-winning Memoirs of a Geisha and blockbuster film War of the Worlds, David Newman for the romantic comedy Monster-In-Law, Alex Wurman for the groundbreaking documentary March of the Penguins, and Christopher Young for the horror movie The Exorcism of Emily Rose.

BMI Television and Cable Awards went to Steve Jablonsky for Desperate Housewives, Larry Groupe for Commander in Chief, Kevin Kiner for CSI: Miami, Peter Manning Robinson for Without a Trace, Charlie Midnight for Daisy Does America, James Levine for The Closer, and Dain Blair and Tony Phillips for the hit series Deal Or No Deal and Extreme Makeover: Home Edition.

Also taking home multiple BMI Crystals were repeat triple winner Pete Townshend (PRS) for CSI, CSI: Miami and CSI: NY, as well as double winners Dominic Messinger for the soaps All My Children and One Life to Live, and Mike Post for the long-running Law & Order and Law & Order: Special Victims Unit.

BMI London Awards Photo Slideshow

2005 BMI London Awards winners list

2005 BMI London Awards: Million-Airs

"It's My Life," written by Mark Hollis (PRS) and published by Universal Music Publishing Ltd., was named Song of the Year and received the copyright organization's highest accolade, the Robert S. Musel Award. This prestigious award is named for the late Robert Musel, BMI's long-time UK consultant. Originally a hit for 80s synthpop band Talk Talk (of which Hollis was a member), the No Doubt remake also won a Pop Award at the 2004 London Awards and at the 2005 Pop Awards held in Los Angeles.

Mark Hollis	Steve Winwood	Sting

A highlight of the gala celebration was a special tribute to legendary songwriter and recording artist Steve Winwood, who was honored as a BMI Icon for his "enduring influence on generations of music makers." The Grammy Award-winning singer joins a distinguished list of honorees that includes Van Morrison, Paul Simon, Brian Wilson, Carlos Santana and Dolly Parton, among others.

Per Gessle	Mats Persson

Winwood's 40-plus year career includes international stardom as both a solo artist and as a member of the Spencer Davis Group, Traffic and Blind Faith. He penned such classics as the Spencer Davis Group's "Gimme Some Lovin'" and Blind Faith's "Can't Find My Way Home"; co-wrote all of Traffic's biggest songs, including "The Low Spark of High Heeled Boys" and "Dear Mr. Fantasy"; and enjoyed a string of mega-hits in the 80s with BMI Award winners "While You See a Chance," "Valerie," "Back in the High Life Again," "Higher Love," "Finer Things" and "Roll With It."

Rolling Stones	Van Morrison

"Run," written by Snow Patrol members Iain Archer, Nathan Connolly, Gary Lightbody, Mark McClelland and Jonny Quinn, and published by Big Life Music Ltd. and Kobalt Music Publishing Limited (all PRS), was named BMI's College Song of the Year for tallying the most performances on American college radio. Included on the band's breakthrough album Final Straw, the song peaked at #15 on Billboard's Modern Rock chart. "Run" also received a Pop Award during the ceremony.

Keane	Enya

The BMI Dance Award went to "Listen to Your Heart" written by Per Gessle and Mats Persson and published by Jimmy Fun Music (all STIM). Recorded by Belgium-based duo D.H.T., the song is a remake of the 1989 #1 hit by Roxette, which won a BMI Pop Award in 1990. The D.H.T. version spent several weeks in the Top Ten of the Adult Contemporary, Hot Digital Songs, Pop 100 and Hot 100 Billboard charts, and reached the #25 position on the Hot Ringtones chart. Original Roxette members Gessle and Maria Fredriksson accepted the award; it was the first public appearance by Fredriksson since her recovery from brain cancer.

Snow Patrol	Elton John

Million-Air certificates were also presented throughout the evening in recognition of those songs that have had two million or more U.S. radio and television performances. Topping the list were Sting's "Every Breath You Take," which reached the eight million performance plateau and the Van Morrison classic "Brown Eyed Girl," which won a seven million performance award. "(I Can't Get No) Satisfaction" by the Rolling Stones and Eric Clapton's "Layla" each earned certificates for six million performances, while "To Love Somebody" by the Bee Gees was recognized for five million plays.

Sir Elton John (PRS) and writing partner Bernie Taupin took home the night's most Million-Air awards with "Don't Let the Sun Go Down on Me" (five million); "Goodbye Yellow Brick Road" and "I Guess That's Why They Call It the Blues" (four million); "Bennie and the Jets" (three million); and Saturday Night's Alright for Fighting," "Something About the Way You Look Tonight" and "Sorry Seems to Be the Hardest Word" (two million). Songs written by the late John Lennon (PRS) also earned multiple Million-Air certificates, including "Let It Be" (five million), "Here, There and Everywhere" (three million) and "Lucy in the Sky with Diamonds" (two million).

Other Million-Air winners included the Kinks anthem "You Really Got Me," written by Ray Davies (PRS), which earned a four million performance award; 2002's Song of the Year "Thank You," written by Paul Herman (PRS) and recorded by Dido, with three million plays; and last year's Song of the Year "Forever and For Always" by Shania Twain (PRS), which achieved two million performances. "Forever" is also a two-time BMI Pop Award winner (2003 and 2004) and a 2004 Country Award winner.

In addition to a two million performance certificate for "Behind Blue Eyes," Who guitarist Pete Townshend (PRS) received three TV Music Awards for the themes to CSI, CSI: Miami and CSI: NY. Film composers Harald Kloser (AKM) [Alien vs. Predator, The Day After Tomorrow], Harry Gregson-Williams (PRS) [Man on Fire, Shrek 2] and Rolfe Kent (PRS) [Mean Girls, Sideways] each picked up a pair of Film Music Awards, while ex-Police drummer Stewart Copeland (PRS) earned a TV Award for the music to ABC's smash series Desperate Housewives.

Additional awards included a Pop Award to Keane members Tom Chaplin (PRS) and Richard Hughes (PRS) for "Somewhere Only We Know," a Country Award to Steve McEwan (PRS) for the Brooks & Dunn hit "That's What It's All About," Pop and Urban Awards to Enya, Nicky Ryan and Roma Ryan (all PRS) for the Mario Winans song "I Don't Wanna Know" (featuring P. Diddy and Enya), and Christian and Pop Awards to Brendan Graham (IMRO) for "You Raise Me Up" by Josh Groban.

The BMI Conducting Workshop will kick off its eighth year on August 5 at the American Federation of Musicians Local 47 in Hollywood, Ca. "Conducting for the Film Composer" is a two-week course taught by conductor/composer Lucas Richman and coordinated by BMI's Ray Yee, Director of Film/Television Relations.

Designed for composers who wish to refine their conducting skills, the Workshop is free and limited to eight BMI-affiliated professional film and television composers. This year's students include Bill Brown (CSI: NY, Trapped), Stephen Cavit (Blue Vinyl, Chuck & Buck), Mark De Gli Antoni (Cherish, member of Soul Coughing), Camara Kambon (Diary of a Mad Black Woman, Biker Boyz, theme for Girlfriends), Brian Langsbard (Johnny Skidmarks, City Confidential), Mick Muhlfriedel (Animalicious, Adventures of ARK), Eric Speier (Complete Savages, Mission Hill, Mullets) and Christopher Tin (Jacob's Gift, Babysitting).

The course will focus on developing conducting technique and participants will be working with live players ranging from piano duet to a full chamber orchestra. Curriculum will include conducting free form as well as to click track, both with and without picture. The musical repertoire for the workshop will range from classical selections to music from commercial films. Each session will be videotaped and critiqued.

A highly touted lab, past participants include composers Cliff Martinez, Stewart Copeland, Danny Pelfrey, Richard Gibbs, Bennett Salvay, Rolfe Kent, Julie and Steve Bernstein, Anthony Marinelli, Alex Wurman, Pete Scaturro, Dominic Messenger, Gary Kuo and Laura Karpman.

"The conductor's workshop is an incredible experience for composers partially because of the brilliance that Lucas brings with him as a teacher, performer and creator," said BMI's Doreen Ringer Ross, Vice President of Film/TV Relations. "The participants get the opportunity to work with some of the top musicians in the world while they're conducting, and the actual hands-on experience is one that cannot be duplicated in such a condensed period of time. We've heard time and time again how instrumental this workshop has been in adding skill sets to composer's repertoire."

Richman is an accomplished conductor and composer of music ranging from classical concert music and opera to musical theatre and film. He is presently Music Director and Conductor for the Knoxville Symphony Orchestra. He served as the Pittsburgh Symphony's Assistant Conductor from 1998-2002, during which time he was also a Cover Conductor for the New York Philharmonic. From 1988 to 1991 he was the Assistant Conductor for the Pacific Symphony Orchestra.

Mr. Richman has appeared as guest conductor with numerous orchestras throughout the United States including the Los Angeles Philharmonic, San Antonio Symphony and New Haven Symphony; in Canada with the National Arts Centre Orchestra; and in Germany with the SWR Radio Orchestra of Kaiserslautern. As a composer, Richman has had his music performed by over 100 orchestras across the United States in the last five years alone. The Pittsburgh Symphony most recently premiered his one-act musical, A Christmas Wish, with the participation of the Mendelssohn Choir, the Children's Festival Chorus and the Pittsburgh Youth Ballet.

In 2002-2003 Richman made his conducting debuts with the New York Philharmonic and the symphony orchestras of Baltimore, Knoxville, and Wheeling. He has received numerous awards including the Geraldine C. & Emory M. Ford Award Guest Conductor, Catherine Filene Shouse Foundation Conduct and the Dramalogue Award for his musical direction of the revival of Leonard Bernstein's Candide, directed by Gordon Davidson at Los Angeles' Ahmanson Theatre.

In recent years, he collaborated with numerous film composers as their conductor, recording scores for such films as the Academy Award-nominated As Good As It Gets, Face/Off, Seven, Breakdown, Anastasia and The Village. He received a Master of Music in orchestral conducting from the University of Southern California, where he was a student of Daniel Lewis. He studied privately with Fritz Zweig and Victor Yampolsky, and worked with Leonard Bernstein and Michael Tilson Thomas at the Los Angeles Philharmonic Institute. He was also selected as a conducting fellow in master classes with Pierre Boulez, André Previn, Herbert Blomstedt and Kurt Sanderling.

A limited number of class auditors will be welcomed on an advanced approval basis. Email Ray Yee to request approval.]]> 2005-07-28T18:00:00-05:00