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    <title>Tokyo Police Club</title>
    <link>http://www.bmi.com/affiliate/rss/C3536</link>
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    <dc:creator>affiliates@bmi.com</dc:creator>
    <dc:rights>Copyright 2008</dc:rights>
    <dc:date>2008-07-18T14:44:00-05:00</dc:date>
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      <title>Tokyo Police Club</title>
      <link>http://www.bmi.com/musicworld/entry/535338</link>
      <description></description>
      <dc:subject>Tokyo Police Club, Jones, John Paul, Rock, On The Scene</dc:subject>
      <content:encoded><![CDATA[<p>Discordant noise and sublime melodies &#8212; who can resist? The <a id='f3536' class='f3536' href='/affiliate/C3536'>Tokyo Police club</a> demo wound up in the hands of Paper Bag Records after a sweaty Pop Montreal show. They played it once, twice, three times and then lost count. They then eventually just made time in their schedules to kick back and enjoy &#8220;The Nature of the Experiment,&#8221; the band&#8217;s party tune, on a daily.</p>

<p>At the start of high school, David Monks (vocals, bass), Josh Hook (guitar), Graham Wright (keyboards) and Greg Alsop (drums) started learning to play together from scratch. Their first band fizzled; the new order came about when the boys realized how much they missed playing music. &#8220;Cheer It On&#8221; had already been written, and &#8220;Tokyo Police Club,&#8221; featured as a lyric, according to Monks, &#8220;justified as the band name in its own ridiculousness.&#8221;</p>

<p>The band picks apart the average chord, creating something quite amazing &#8212; the guitars are disjointed, high yet perfectly pitched, erratic, verging on sci-fi. They&#8217;re cushioned with bumbling, pillow-fight bass lines, crashing open hi-hat, and good-humored keyboards. This is the sound of Tokyo Police Club.</p>

<p>The band has the usual list of idols, musicians that play with their hearts on their sleeves. But secretly, they divulge, with a smile that&#8217;s ironic, &#8220;We think Jimmy Page and <a id='f1346' class='f1346' href='/affiliate/C1346'>John Paul Jones</a> are the real deal.&#8221;</p>

<p>Monks describes the band as &#8220;wide-eyed post-punk with a tendency to get over excited &#8212; so much so that someone has to come and tell it to settle down.&#8221; Hook&#8217;s blistering guitar would be enough to induce goose bumps alone; the effect of the band as a whole should come with some sort of warning.</p>

<p>The tracks were written &#8211; the sound was already being nurtured &#8211; after just three days of    recording in the studio. &#8220;A Lesson In Crime&#8221; was slapped on the ass, wrapped in a blanket and sent out the world.  The reception has been nothing short of spectacular, with coverage in <em>Rolling Stone, Entertainment Weekly, Blender, Pitchfork</em>, MTV2&#8217;s &#8220;Subterranean&#8221; and MTVU.  A spring tour with Cold War Kids, SXSW and Coachella brought even more acclaim, including <em>The New York Times</em> and a performance on <em>The Late Show with David Letterman</em>.  Summer headlining dates included performances at the Sasquatch! Music Festival and Lollapalloza. Tokyo Police Club will release their new single, &#8220;Your English Is Good&#8221;, available digitally and in limited 7&#8221; vinyl.  The 7&#8221; b-side will be "Waiting in the Wings", written by keyboardist Graham Wright, and the digital release will feature a new acoustic  b-side, "Swedes in Stockholm.&#8221;</p>
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      <dc:date>2007-08-17T19:09:05-05:00</dc:date>
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