Mind, we’re not talking about a record 10 years in the making. But it has been about a decade since nelo (rhymes with “hello”) founder and principal songwriter Matt Ragland first picked up an acoustic guitar in high school and started writing songs and occasionally jamming with school friends and fellow Dallas natives Stephen Goodson (electric guitar), Chris Hill (drums) and David Long (saxophone). A couple of years later, while in college, Ragland was refining his songwriting and performing around Austin with singer Reid Umstattd while Goodson, Hill and Long were perfecting their own chops studying jazz at the University of North Texas in Denton. By 2002, they all reconvened — along with another UNT alum, bassist Mike St. Clair — and nelo was born.

Well, unofficially, at least. According to Ragland, nelo didn’t officially take off until August of ’05 — the month he and the rest of the band left Texas for Athens, Ga. “That was really the defining moment,” he says, “when I called everyone and said, ‘OK, I’m ready to really do this. If you want to do it, too, come and join me.’

“I’d been to Athens a number of times already, and I just felt like it was a great place to start a band,” he continues. “It’s a relatively small town, but there’s so much respect in that part of the country for the music that goes on there. I’d heard the music there and thought we would really fit in. And, I really wanted to get out of Austin at the time, because I’d been playing with these guys for so long that I wanted there to be that unifying moment where we all packed our bags and moved somewhere with one goal in mind. It was time to get serious.”

The fact that it was Ragland, who opted to major in philosophy and psychology while most of his band mates went to a music school, who issued that fateful “time to get serious” call to arms underscores just how much nelo owes its existence to his own clear vision. But Ragland is quick to credit everyone else in the band for helping him bring that vision to life, and one other musician of note for awakening his vision in the first place: Dave Matthews.

“Without going too long on it, it’s just one of those situations where I feel like I owe the guy something, because without Dave Matthews, I don’t think I would have this inspiration to write like I do now and put a band together” he explains. “I was just a kid in high school when I first heard his music, but there was something about it that really helped me understand me a little bit. I know that sounds kind of clichéd, but it’s true. That was the first time I was exposed to the idea that music and lyrics and songs can really help you figure out what you’re about … and what you want out of life.”

Along with Matthews, Ragland also cites Stevie Wonder and Sting as major songwriting heroes. Clearly, in order to do those influences — and his own melodic instincts — justice, Ragland knew his songs were going to require a degree of musicianship beyond both his own self-taught chops and your everyday garage band. Luckily, the first guys he started playing with (Goodson, Long and Hill) all came with similarly demanding influences, ranging from John Coltrane, Sonny Rollins and Steve Jordan to Bill Frisell, Jimmy Page and Duane Allman. Bassist St. Clair, the last of the instrumentalists to join the fold, came with a Master’s degree in jazz studies and formidable real world experience: prior to joining nelo, he toured with the Glen Miller Orchestra and played trombone in Dallas’ acclaimed The Polyphonic Spree.

Even before St. Clair joined the band, Ragland knew he had the makings of the perfect ensemble in place. All he lacked was a proper singer. Enter Umstattd — the proverbial “X” factor. The funny thing is, Ragland had known him longer than anyone else in the band. He just didn’t know that Reid — soon to become his best friend — could sing. “Reid and I had been going to camp together for many, many years — from third grade all the way up to college,” he says. The summer before their senior year of high school, they were back at the same camp in Colorado, training to be counselors, when somebody pulled out a guitar and started to strum the opening chords to Jerry Jeff Walker’s “Mr. Bojangles.”

“I open my mouth to sing the first verse to myself,” recalls Ragland, “and I am literally frozen by another voice coming from directly behind me.” He spun around and saw it was Umstattd. “There was something about Reid’s voice that completely blew me away. I knew this was the real thing immediately. There was some kind of organic or spiritual connection between Reid’s voice and my dream. Only it wasn’t just a dream anymore — I knew I had what I needed.”

Fast forward a few years, and nelo was well on its way toward firmly establishing itself on the Athens music scene. But an early, homemade demo was stirring up quite a buzz back home in Texas, too — so much so that nelo was soon playing shows to crowds of up to 400 fans in both states. Among those drawn to the buzz on the Texas side was producer and studio owner Freddy Fletcher, who took in a nelo show at Austin’s Momo’s last December and became an instant convert.

“That was the first time I ever saw them live,” says Fletcher. “I kept hearing, ‘You really need to hear this band!’ And when I got down to Momo’s, there were people lined up around the door to get in and see them. I thought, ‘Hmm, this is interesting.’ So I just started watching them, and I really liked what I heard.” Fletcher and nelo hit it off right off the bat, striking the deal that quickly led to Ragland and Co. moving back to Austin and heading straight into the studio to begin work on their Fletcher-produced debut. The album will be released on Pedernales Records, the label owned by Fletcher and his uncle — none other than the legendary Willie Nelson.

“It may be their first record,” says Fletcher, “but these guys in the studio — they’re so damn good. They’re all accomplished musicians, the songs are really well written and I love the arrangements. And Reid, the singer, is just phenomenal. Their style is definitely not something you hear every day — it’s new to me. But I like what they’re doing, and I like everyone in the band, too.”

Ragland makes it clear that the feeling of admiration is mutual. “Freddy, for whatever reason, seems to really understand the music as I was hoping that it would be received,” he says. “The thing I love about a good album is when you get a general vibe from the entire record — almost like the whole album is one tone, one feeling. And listening to the roughs we have so far, I think that’s starting to develop. I can’t describe it or give it an adjective yet, but I will say that we’re getting there.”

Come February, nelo will have fully arrived.

www.nelomusic.com www.myspace.com/nelomusic

The showcase will be held at the Sundance House at the Kimball Art Center (638 Park Avenue). This is an official 2007 Sundance Film Festival event and is open to festival badge holders, press passes and invited guests only; tickets will not be sold. Performance times will be Viktor Krauss at 6 p.m., Michael Penn at 6:30 p.m., Keb' Mo' at 7 p.m. and Terence Blanchard at 7:30 p.m.

Having presented an array of composers and singer/songwriters at the Festival for more than 15 years, BMI is a longtime supporter of Sundance's film music program, including the Sundance Composers Lab held each summer at the Sundance Institute. Click here to see coverage from last year.

A Sundance Composers Lab advisor and a Thelonious Monk Institute instructor, jazz trumpet player Terence Blanchard is a true musical wonder. Having created dual careers in the jazz and film/TV worlds, he has seen the launch of his critically acclaimed CD Flow in 2006, along with his score to Inside Man and his stirring music for Spike Lee's documentary on Hurricane Katrina, When the Levees Broke. Currently he is working on the score for director Kasi Lemmons new film Talk to Me starring Don Cheadle and will be going to Prague in January to record strings and orchestral arrangements for the When the Levees Broke CD release. A New Orleans native, Blanchard will be headlining the New Orleans Jazz and Heritage Festival on April 28, 2007.

Three-time Grammy-winning blues singer/songwriter Keb' Mo's music is a living link to the seminal Delta blues - the music that traveled up the Mississippi River and across the expanse of America before evolving into a universally celebrated art form. Born Kevin Moore, he adopted his better known stage name when he was a young guitar player who became inspired by his American legacy. His acclaimed self-titled 1994 debut album introduced that now famous appellation to the world, and his latest album, 2006's Suitcase - his eighth album for Epic/Okeh records - brings his talent to new heights. His distinctive sound embraces multiple eras and genres, including pop, rock, folk and jazz, showing he is well-versed in each. The disc follows his 2004 double play of Peace: Back By Popular Demand, featuring covers of classic '60s and'70s-era peace and protest songs, and the celebrated Keep It Simple, for which he won his third Grammy for Best Contemporary Blues Album. In addition, he's done extensive songs and themes for TV and film.

One of the most acclaimed singer/songwriters to emerge during the late 1980s, Michael Penn was seemingly destined for a career in show business. Born in New York City's Greenwich Village, the older brother of siblings Sean (later recognized among the finest actors of his generation) and Chris (a noted character actor acclaimed for his work in features like Reservoir Dogs) chose music over acting. His debut March (1989) won him a 1990 MTV Video Music Award for Best New Artist. He followed it up with Free-for-All (1992), Resigned (1997) and MP4: Days Since a Lost Time Accident (2000). Penn then moved into film scoring and worked on Hard Eight; Boogie Nights; Alan Cumming's first two directorial efforts The Anniversary Party and Suffering Man's Charity; Melvin Goes to Dinner; the documentary The Comedians of Comedy; and The Last Kiss.

In addition to creating an eclectic mix of original music ranging from rock to bluegrass, composer, songwriter and double bassist Viktor Krauss has worked with many Grammy-nominated and Grammy-winning artists, including Bill Frisell, Elvis Costello, Graham Nash, Dolly Parton and Lyle Lovett (he co-wrote his hit "You Were Always There"). The Illinois native and brother of bluegrass artist Alison Krauss is also known from performing with Lovett for nearly a decade. As a solo artist, Krauss shines with his CD Far from Enough released under Nonesuch Records to much critical and AAA radio acclaim. He is also behind a Zappa-esque rock unit called Difficult Listening, as well as progressive bluegrass pioneer Peter Rowan's group Free Mexican Airforce.

The Sundance Film Festival is the premier showcase for U.S. and international independent film. Held each January in and around Park City, Utah, the Festival is a core program of the Sundance Institute, a nonprofit cultural organization founded by Robert Redford in 1981. Presenting 120 dramatic and documentary feature-length films in seven distinct categories and 80 short films each year, the Sundance Film Festival has introduced American audiences to some of the most innovative films of the past two decades, including American Splendor, Clerks, Hustle and Flow, Maria Full of Grace, Napoleon Dynamite, sex, lies and videotape, Smoke Signals and Super Size Me. Beyond the streets of Park City, the official website of the Sundance Film Festival shares the Festival experience with a global audience through the streaming of short films, filmmaker interviews, and current news and box office information.

Sonny Rollins	Wayne Shorter	B.B. King

Sonny Rollins and Wayne Shorter both lead the gaggle of BMI winners with two awards apiece. Rollins earned the 2006 Jazz Artist of the Year and Tenor Saxophone Musician of the Year trophies, while the Wayne Shorter Quartet was declared Jazz Group of the Year; Shorter himself landed the Soprano Saxophone Player of the Year title.

Jackie McLean	Jamie Cullum	Thelonious Monk

The iconic B.B. King was recognized as Blues Artist of the Year, while saxophonist Jackie McLean was inducted into Downbeat's Hall of Fame.

Best Jazz Album went to Andrew Hill for Time Lines, his first original album since the 90s. Thelonious Monk won a posthumous award for Best Historical Album for his collaboration with John Coltrane.

BMI also dominated categories designated for the jazz community's brightest up-and-comers, as worldwide phenomenon Jamie Cullum was named Rising Star Male Vocalist and Luciana Souza earned the Rising Star Female Vocalist title. SFJAZZ Collective nabbed Rising Star Jazz Group honors as well, while Derek Trucks was honored as Rising Star Blues Artist.

BMI's Downbeat Critics Poll Winners:

Jackie McLean
Hall of Fame

Sonny Rollins
Jazz Artist
Tenor Saxophone

Wayne Shorter Quartet
Jazz Group

Wayne Shorter
Soprano Saxophone

Andrew Hill
Jazz Album

Thelonious Monk/John Coltrane
Historical Album

SFJAZZ Collective
Rising Star Jazz Group

Dave Douglas
Trumpet

Steve Turre
Trombone

Joe Zawinul
Electric Keyboard/Synthesizer

Uri Caine
Rising Star Electric Keyboard/Synthesizer

Dave Holland
Bass

Jack DeJohnette
Drums

Ray Barretto
Percussion

Hamid Drake
Rising Star Percussion

Bobby Hutcherson
Vibes

Kurt Elling
Male Vocalist

Jamie Cullum (PRS)
Rising Star Male Vocalist

Luciana Souza
Rising Star Female Vocalist

Toots Thielemans
Harmonica

B.B. King
Blues Artist/Group

Derek Trucks
Rising Star Blues Artist

Phil Woods
Alto Saxophone

Miguel Zenón
Rising Star Alto Saxophone

James Carter
Baritone Saxophone

Don Byron
Clarinet

Chris Speed
Rising Star Clarinet

James Moody
Flute

Nicole Mitchell
Rising Star Flute

Bill Frisell
Guitar

Keith Jarrett
Acoustic Piano

Ry Cooder
Beyond Album
]]> 2006-07-17T18:00:00-05:00 http://www.bmi.com/news/entry/234336 Artists, Adams, John, Arnold, Eddy, Basement Jaxx, Ben-Ari, Miri, Black Eyed Peas, Blanchard, Terence, Blind Boys of Alabama, The, Cachao, Chapman, Steven Curtis, Charles, Ray, D'Rivera, Paquito, Dixie Chicks, Douglas, Jerry, Frisell, Bill, Garza, David Lee, Guzman, Joel, Hancock, Herbie, Intocable, James, Etta, Jones, Norah, Lennon, John, Lil Jon, Lilly, Harold, Los Lonely Boys, Lynn, Loretta, McBride, Christian, McGraw, Tim, Nichols, Tim, Ozomatli, Sauceda, Sunny, Scruggs, Earl, Spanish Harlem Orchestra, Spears, Britney, Usher1, West, Kanye, White, Jack, Wilco, Wilson, Brian, Awards, Industry Awards, Grammy Awards, Musical Styles, Blues, Classical, Country, Dance, Jazz, Latin, Pop, R&B, Rock, Type, Important Ray Charles, whose posthumously-released album of duets Genius Loves Company earned him five trophies at the 47th Annual Grammy Awards, leads the list of BMI winners, announced last night (2/13) at the Staples Center in Los Angeles. Charles' Album of the Year win marked the first time the top album prize has gone to a deceased artist since John Lennon received it in 1982.

Kanye West	Ray Charles

Charles, whose Grammy haul now totals 17, also took home the coveted Record of the Year title as well as Best Pop Collaboration with Vocals for "Here We Go Again," featuring pianist/singer Norah Jones. She won three awards herself, two for her duet with Charles and one for Best Female Pop Vocal Performance for the song "Sunrise" from her sophomore release Feels Like Home.

Norah Jones	John Adams	Loretta Lynn

Genius engineer Al Schmitt won four Grammys, including one for Best Engineered Album (non-classical); the album's producer, Don Mizell, also took home a statuette.

Maroon5	Tim McGraw

Ten-time nominee Kanye West took home three awards, including Best Rap Song for his hit "Jesus Walks" (co-written with Miri Ben-Ari) from his multiplatinum release The College Dropout, which earned the Best Rap Album title. His Best R&B Song win, also a songwriter award, was shared with BMI co-writer Harold Lilly for the smash "You Don't Know My Name."

Blind Boys of Alabama	Brian Wilson

Pop-rockers Maroon5 took home the prestigious Best New Artist Grammy, a surprise to even the band's own members. When lead singer, Adam Levine, accepted the award, he commented: "Kanye West, I want to thank you so much for being unbelievable."

Miri Ben-Ari	Al Schmitt	Harold Lilly

BMI artists once again dominated the Latin category, winning five of the six awards, including Best Latin Rock/Alternative Album (Street Signs) by multicultural, hip-hop outfit Ozomatli and Best Mexican/Mexican-American Album by Tejano-norte�o fusion band Intocable. Cuban bassist Israel "Cachao" L�pez's �Ahora S�! was named Best Traditional Tropical Latin Album and the Spanish Harlem Orchestra won for Best Salsa/Merengue Album. The Best Tejano Album win went to BMI composers David Lee Garza, Joel Guzman and Sunny Sauceda.

Ozomatli

BMI jazz artists also had a strong showing, winning Grammys in four out of six fields, with the Best Jazz Instrumental Album statuette going to McCoy Tyner, Gary Bartz, Terence Blanchard and Christian McBride for Illuminations. Herbie Hancock picked up his ninth career Grammy for Best Jazz Instrumental Solo, Charlie Haden's release Land of the Sun was named Best Latin Jazz Album and Bill Frisell's Unspeakable earned the Best Contemporary Jazz Album title.

Winning two Grammys each were classical composer John Adams and BMI Icon Loretta Lynn. This is legendary country singer's second Grammy; she won in 1971 for her collaboration with Conway Twitty. Her album, Van Lear Rose, earned her the Best Country Album trophy, which she accepted with the album's producer Jack White of the White Stripes. The pair also won Best Country Collaboration With Vocals for the track "Portland Oregon."

Newcomers Los Lonely Boys opened the Grammy show with their #1 breakthrough smash "Heaven," which earned the Tex-Mex brothers the trophy for Best Pop Performance By A Duo Or Group With Vocal. Hip-hop party band the Black Eyed Peas picked up a Grammy for "Let's Get It Started," named Best Rap Performance By A Duo Or Group, while crunk rapper Lil Jon received a Grammy nod for his collaboration on the Usher hit "Yeah!".

Other BMI winners included Basement Jaxx [PRS] (Best Electronic/Dance Album), Tim McGraw (Best Male Country Vocal Performance), The Blind Boys Of Alabama (Best Traditional Soul Gospel Album), Brave Combo (Best Polka Album), and BMI Icon Brian Wilson, who also earned his very first Grammy. The Beach Boys leader was also honored on February 11 as the Person of the Year at the annual MusiCares dinner, which cited him as "one of the most important songwriters and recording artists of our time."

BMI's 2005 Grammy Award Winners:

Ray Charles
Record Of The Year
"Here We Go Again"
Album Of The Year
Genius Loves Company
Best Pop Collaboration With Vocals
"Here We Go Again"
Best Pop Vocal Album
Genius Loves Company
Best Gospel Performance
"Heaven Help Us All"

Al Schmitt
Record Of The Year
"Here We Go Again"
Album Of The Year
Genius Loves Company
Best Engineered Album, Non-Classical
Genius Loves Company
Best Surround Sound Album
Genius Loves Company

Norah Jones
Record Of The Year
"Here We Go Again"
Best Female Pop Vocal Performance
"Sunrise"
Best Pop Collaboration With Vocals
"Here We Go Again"

Kanye West
Best R&B Song
"You Don't Know My Name"
Best Rap Song
"Jesus Walks"
Best Rap Album
College Dropout

John Adams
Best Classical Album
Adams: On The Transmigration Of Souls
Best Classical Contemporary Composition
Adams: On The Transmigration Of Souls

Loretta Lynn
Best Country Album
Van Lear Rose
Best Country Collaboration With Vocals
Portland Oregon"

Maroon5
Best New Artist

Don Mizell
Album Of The Year
Genius Loves Company

Los Lonely Boys
Best Pop Performance By A Duo Or Group With Vocal
"Heaven"

Britney Spears
Best Dance Recording
"Toxic"

Basement Jaxx (PRS)
Best Electronic/Dance Album
Kish Kash

Mot�rhead (PRS)
Best Metal Performance
"Whiplash"

Brian Wilson
Best Rock Instrumental Performance
"Mrs. O'Leary's Cow"

Wilco
Best Alternative Music Album
A Ghost Is Born

Harold Lilly
Best R&B Song
"You Don't Know My Name"

The Black Eyed Peas
Best Rap Performance By A Duo Or Group
"Let's Get It Started"

Lil Jon
Best Rap/Sung Collaboration
"Yeah!"

Miri Ben Ari
Best Rap Song
"Jesus Walks"

Tim McGraw
Best Male Country Vocal Performance
"Live Like You Were Dying"

Dixie Chicks
Best Country Performance By A Duo Or Group With Vocal
"Top Of The World"

Jack White
Best Country Collaboration With Vocals
"Portland Oregon"

Nitty Gritty Dirt Band
Best Country Instrumental Performance
"Earl's Breakdown"

Earl Scruggs
Best Country Instrumental Performance
"Earl's Breakdown"

Randy Scruggs
Best Country Instrumental Performance
"Earl's Breakdown"

Jerry Douglas
Best Country Instrumental Performance
"Earl's Breakdown"

Tim Nichols
Best Country Song
"Live Like You Were Dying"

Will Ackerman
Best New Age Album
Returning

Bill Frisell
Best Contemporary Jazz Album
Unspeakable

Herbie Hancock
Best Jazz Instrumental Solo
"Speak Like A Child"

McCoy Tyner
Best Jazz Instrumental Album, Individual or Group
Illuminations

Gary Bartz
Best Jazz Instrumental Album, Individual or Group
Illuminations

Terence Blanchard
Best Jazz Instrumental Album, Individual or Group
Illuminations

Christian McBride
Best Jazz Instrumental Album, Individual or Group
Illuminations

Charlie Haden
Best Latin Jazz Album
Land Of The Sun

Steven Curtis Chapman
Best Pop/Contemporary Gospel Album
All Things New

The Blind Boys Of Alabama
Best Traditional Soul Gospel Album
There Will Be A Light

Ozomatli
Best Latin Rock/Alternative Album
Street Signs

Israel L�pez "Cachao"
Best Traditional Tropical Latin Album
�Ahora S�!

Spanish Harlem Orchestra
Best Salsa/Merengue Album
Across 110th Street

Intocable
Best Mexican/Mexican-American Album
Intimamente

David Lee Garza
Best Tejano Album
Polkas, Gritos y Acorde�nes

Joel Guzman
Best Tejano Album
Polkas, Gritos y Acorde�nes

Sunny Sauceda
Best Tejano Album
Polkas, Gritos y Acorde�nes

Etta James
Best Traditional Blues Album
Blues To The Bone

Keb' Mo'
Best Contemporary Blues Album
Keep It Simple

Bill Miller
Best Native American Music Album
Cedar Dream Songs

Toots & The Maytals
Best Reggae Album
True Love

Brave Combo
Best Polka Album
Let's Kiss: 25th Anniversary Album

Paquito D'Rivera
Best Instrumental Composition
"Merengue"

Slide Hampton (SACEM)
Best Instrumental Arrangement
"Past Present & Future"

Ray Cooper (PRS)
Best Long Form Music Video
Concert For George

Los Angeles Guitar Quartet
Best Classical Crossover Album
LAGQ's Guitar Heroes

Grammy Lifetime Achievement Award winners:
Eddy Arnold
Art Blakey
The Carter Family
Jerry Lee Lewis
Pinetop Perkins
The Staple Singers