Frontman, guitarist and principal songwriter Shaun Morgan admits “Fake It” almost didn’t make the record. “We wanted to create songs that are a little different,” he explains.

Rounded out by drummer John Humphrey and bassist Dale Stewart, what the South African-bred, Los Angeles-based trio has created is a CD full of chart contenders, thanks in part to production whiz Howard Benson (My Chemical Romance, Daughtry).

Headbangers like “FMLYHM,” “Breakdown” and “6 Gun Quota” feel right at home alongside more pop-sounding numbers like “Rise Above This,” an ironically upbeat song inspired by the suicide of Morgan’s brother.

Formed in 1999 as Saron Gas and signed to Johannesburg-based Musketeer Records, they changed their name in 2002 with the release of their U.S. debut, Disclaimer. Radio smashes “Fine Again” and “Gasoline” earned the album gold certification and placed the band on the alternative metal map.

Then came “Broken,” a decidedly un-Seether-like ballad reworked as a duet with labelmate (and now ex-girlfriend) Amy Lee of Evanescence. Included on Disclaimer II — released as an alternate version of Disclaimer — the song was featured in the 2004 film The Punisher and became an instant Top 20 hit.

Their success continued with 2005’s Karma and Effect, a considerably darker effort that steered the band away from “Broken” and produced the singles “Truth,” “The Gift” and the eight-consecutive-week Billboard chart-topper “Remedy.”

Now, with Finding Beauty, Seether hopes fans will embrace the more experimental sound of the new disc.

“We wanted to write and explore the more melodic and musical side of everything,” Morgan says. “We can be heavy and rock out, but we can also write songs that can compete with any other song out there. That was a really big motivation.”

As part of the panel, Austin Winkler and Cody Hanson of the multi-platinum rock group Hinder joined Howes to perform “Lips Of An Angel,” which they co-wrote; Hamilton performed his “Charlene” and “Can’t Let Go.” The panel was moderated by Los Angeles Times Chief Music Critic Ann Powers and BMI’s Vice President, Writer/Publisher Relations, Catherine Brewton. Panelists discussed their Grammy-nominated works, the raw ideas and the occasionally idiosyncratic processes pooled into composing songs that resonate with a broad spectrum of listeners.

Front Row: Chris Daughtry; BMI’s Catherine Brewton; LA Times’ Ann Powers; and Anthony Hamilton. Back row: Cody Hanson of Hinder; Rodney Jerkins; Austin Winkler of Hinder; Polow Da Don; Brian Howes, Ben Moody and Fat Joe.

Back row: Rodney Jerkins; Austin Winkler of Hinder; Polow Da Don; Brian Howes; Fat Joe. Front row: Cody Hanson of Hinder; Anthony Hamilton; Chris Daughtry and Brian Howes.

Polow Da Don and Ben Moody

Rodney Jerkins, Chris Daughtry, Anthony Hamilton, Fat Joe, LA Times Ann Powers

Anthony Hamilton and Fat Joe

Rodney Jerkins, Chris Daughtry, Anthony Hamilton and Fat Joe

Brian Howes, Austin Winkler and Cody Hanson

Rodney Jerkins, Chris Daughtry and Anthony Hamilton

BMI’s Catherine Brewton; Fat Joe; BMI’s Phil Graham and Byron Wright

BMI’s Barbara Cane; Rodney Jerkins; BMI’s Catherine Brewton; Ben Moody; and BMI’s Myles Lewis

BMI’s Tracie Verlinde and Myles Lewis; Ben Moody; Chris Daughtry; BMI’s Barbara Cane and Phil Graham

BMI’s Ian Holder and Malik Levy; Anthony Hamilton and BMI’s Byron Wright

BMI’s Byron Wright; Polow Da Don; and BMI’s Ian Holder

Front row: BMI’s Myles Lewis and Barbara Cane; Chris Daughtry; BMI’s Catherine Brewton; the LA Timess’ Ann Powers; Anthony Hamilton; BMI’s Tracie Verlinde and Byron Wright; back row: BMI’s Samantha Cox; Hinder’s Cody Hanson; Rodney Jerkins; Hinder’s Austin Winkler; BMI’s Ian Holder; Polow Da Don; Brian Howes; Ben Moody; Fat Joe; BMI’s Phil Graham and Malik Levy.

Photos: Randall Michaelson

Mirroring the format of 2007’s sold-out forum, another elite cross-section of established hitmakers, including Rodney Jerkins, Chris Daughtry, Mos Def, Ben Moody of Evanescence, Polow Da Don and others, will discuss their work, the raw ideas and the occasionally idiosyncratic processes pooled into composing songs that resonate with a broad spectrum of listeners.

Moderated by BMI’s Vice President, Writer Publisher Relations Catherine Brewton and Los Angeles Times Music Critic Ann Powers, the event is open to the public.

Advance tickets are available for $10 through Ticketmaster at www.keyclub.com or the Key Club box office. Admission at the door will be $20.

BMI will pair with the Los Angeles Times to present the second annual “How I Wrote the Song” panel Saturday, February 9, from 1p.m. until 3p.m., at the Key Club in L.A. Mirroring the format of 2007’s sold-out forum, another elite cross-section of established hitmakers, including Rodney Jerkins, Chris Daughtry, Mos Def, Ben Moody of Evanescence, Polow Da Don, Anthony Hamilton and Brian Howes will discuss their work, the raw ideas and the occasionally idiosyncratic processes pooled into composing songs that resonate with a broad spectrum of listeners. Moderated by BMI’s Vice President, Writer Publisher Relations Catherine Brewton and Los Angeles Times Music Critic Ann Powers, the event is open to the public. Advance tickets are available now for $10 through Ticketmaster at www.keyclub.com or the Key Club box office; day-of admission at the door will be $20.

Grammy Award-winner Rodney Jerkins’s creative dexterity materializes in distinct but diverse musical triumphs. The pen behind take-charge smashes including Destiny Child’s “Say My Name,” Brandy & Monica’s duet “The Boy is Mine” and Beyoncé’s “Déjà Vu,” Jerkins has also produced work by contemporary superstars including Mary J. Blige, Whitney Houston, Michael Jackson, Britney Spears, Jennifer Lopez and Destiny’s Child. His unerring ear led to a vice president of a&r position with Island Def Jam, while Janet Jackson’s forthcoming project Discipline features his signature production.

American Idol alum Chris Daughtry has brazenly staked a record-breaking place in contemporary music, confidently fronting the aptly titled rock band Daughtry. The Grammy-nominated singer/songwriter signed with RCA and management powerhouse 19 Entertainment after his fan-propelled success on American Idol, and his band’s eponymous debut sold more than 1 million copies in only five weeks. The projectile success of the album, featuring songs “It’s Not Over,” “Home” and “Over You,” resulted in the fastest-selling debut in the history of SoundScan.

Rapper, actor, musician and activist, Mos Def’s sheer versatility places him amongst contemporary pop culture’s premier creators. Musically, his work includes blithe collaborations with legendary group De La Soul and artist Talib Kweli. Def’s partnership with Kweli, the duet album Black Star, resulted in underground frenzy and glowing critical praise. His subsequent solo album, Black on Both Sides, produced more of the same. Nominated for two Grammys, Def also boasts Golden Globe, Emmy and Source award nods.

Serial hitmaker Ben Moody first gained recognition as guitarist and co-founder of the Grammy Award-winning group Evanescence. His output during and after the band has further exposed an adroit singer/songwriter capable of powerful hooks and lush layers; songs including Evanescence’s “Bring Me To Life” and “My Immortal,” along with Kelly Clarkson’s “Because of You,” sprang from Moody’s id. Collaborations as a producer with Clarkson, Celine Dion, Bo Bice and Lindsey Lohan further emphasize his seemingly limitless versatility.

Super producer and innovative songwriter Polow Da Don’s quintessential hip factor springs from authentic skill. His innate musical savvy has finessed infectious hits including Fergie’s “Glamorous,” the Pussy Cat Dolls’ “Buttons,” Ciara’s “Promise” and Jamie Foxx’s “DJ Play a Love Song.” Fergie’s enthusiastic shout out, “Polow!” on her smash “London Bridge,” made Da Don’s fluid alias a pop culture catch phrase, adding household recognition to the power player’s growing reputation.

Singer/songwriter Anthony Hamilton’s blend of old-school soul and cool contemporary grit is artist’s art in the best sense of the phrase: Members of the neo-soul and poetic hip hop elite including D’Angelo, Tupac Shakur and Eve have looked to Hamilton for backup harmonies, while the North Carolina native’s critically-acclaimed solo work has landed on arguably avant-garde projects including the American Gangster film soundtrack. His 2007 effort, Southern Comfort, features eleven new songs all written by Hamilton.

Brian Howes' life in music did not come as a surprise with a great-great grandfather who was a baritone opera singer, a grandmother who was a songwriter, and a grandfather who played alto sax for swing band greats Benny Goodman and Louis Prima, his career choice was practically predetermined. As part of punk-ska-rap band DDT early on in his career, Brian toured with bands such as Public Enemy, Kid Rock, Alice Cooper, The Scorpion and DOA. Post DDT, he penned hits and earned placements in several movies all while maintaining number 1 and top 10 international hits. Brian then added production to is arsenal and has had success by writing and producing with Grammy-nominated Atlantic band Skillet amongst others. Brian’s recent success has included collaborations with Kara Dioguardi, Shelly Piken, Chad Kroeger, Hinder and Chris Daughtry of American Idol fame for his RCA Records Album.

When the moment of truth finally arrived and Evanescence released their sophomore disc in the fall of 2006, fans crowed their approval. In a tremendous vote of confidence for Lee and new co-writer-guitarist Terry Balsamo, The Open Door debuted atop the Billboard 200 chart. The hard-hitting CD remained ensconced in the Top 5 weeks after its release. As evidenced by the album’s impressive chart showing, fans clearly believe Evanescence has lost none of their songwriting magic or performing fire.

In fact, the quartet has been heralded as forerunners of the wildly popular goth-metal sound (“without Evanescence, could there be a My Chemical Romance or Panic! At the Disco?,” Rolling Stone pondered recently). The New York Times praised The Open Door as a mélange of “growling guitar riffs, big buildups, beseeching refrains (and) emo-goth lyrics.”

But it’s fans who most passionately identify with The Open Door, perhaps because Evanescence’s enigmatic lyrics and turbulent melodies reflect the dramas and challenges in their own lives. Like a truth-seeking patient on an analyst’s couch, Lee explores the stages of soured romance on tracks like “Sweet Sacrifice” and “Call Me When You’re Sober.” On “Weight of the World,” she contemplates the life-altering toll of fame: “Feels like the weight of the world,” Lee sings, “like all my screaming has gone unheard.”

Formed in Little Rock, Ark., Evanescence has always cast a wide musical net. The band’s haunting fusion of rock, goth and classical music stems largely from Lee’s love of contemporary rock and classical music (she studied classical piano for nine years). “When I was in high school I listened to a lot of death metal bands,” Lee explains. “Both [death metal and classical] are intricate, complex types of music that are very dramatic, and I’m naturally drawn to that.”

The band’s independently produced early recordings, including the now-collectable CD Origin, resulted in a deal with Wind-Up Records. Released in 2003, the quartet’s big-label debut Fallen yielded the Top 10 singles “Bring Me to Life” and “My Immortal.” The album spent over 100 weeks on Billboard’s Top 200 chart, was certified gold or platinum in over 35 countries and earned the band two Grammys in 2003 for Best New Artist and Best Hard Rock Performance (for “Bring Me to Life”).

Now, Lee, Balsamo, guitarist John LeCompt and drummer Rocky Gray are returning to the road. Having demonstrated commendable grace under pressure, Evanescence can now celebrate their place as goth-metal heroes. Minus the drama.

John Lennon Scholarship winner Andrew Horowitz is congratulated by BMI Icon Brian Wilson at the 2004 BMI Pop Awards	Tally Hall keyboardist/vocalist Andrew Horowitz (seated far right)

"Good Day" was first honored in 2004 by winning first place in the John Lennon Scholarship competition, a program established in 1997 by Yoko Ono in conjunction with the BMI Foundation that recognizes the talent of young songwriters between the ages of 15 and 24.

Horowitz was awarded a $10,000 scholarship during a special presentation at the 2004 BMI Pop Awards ceremony, sharing the stage with BMI Icon Brian Wilson and Pop Award winners 3 Doors Down, The Neptunes, Michelle Branch, Evanescence and many other big stars.

A native of Warren, N.J., Andrew Horowitz began piano studies at the age of five and was composing by age eight. In high school, he pursued private composition and piano studies with faculty at the Juilliard School. He also played in the New York Youth Symphony, led an active jazz quartet, musical directed for several musical theatre productions, and worked as a freelance pianist. He is a 2005 graduate of the University of Michigan with a double degree in Music Composition and English Language and Literature. His rock band, Tally Hall, is currently tearing up the Ann Arbor music scene with their full-length studio debut, Marvin's Marvelous Mechanical Museum.

The Icon designation is given to BMI songwriters and artists who have had "a unique and indelible influence on generations of music makers." The Rock and Roll Hall of Famers, whose signature three-part harmony has endured for more than three decades, joins an elite list of previous BMI Icons that includes Paul Simon, James Brown, Brian Wilson, Isaac Hayes, Dolly Parton and Carlos Santana.

The musical partnership of David Crosby, Stephen Stills and Graham Nash has produced some of the most timeless songs ever written, including "Marrakesh Express," "Suite: Judy Blue Eyes," "Helplessly Hoping," "Guinnevere," "Teach Your Children," "Wooden Ships," "Dark Star" and "Just a Song Before I Go." The only American band of the original Woodstock era to have a societal impact rivaling that of the Beatles, Crosby, Stills & Nash has been called "the voice of an entire generation."

Hosted by BMI President/CEO Del Bryant and Los Angeles VP/GM Barbara Cane, the 54th annual BMI Pop Awards will recognize the writers and publishers of the most performed songs on U.S. radio and television from the past year. A Pop Song of the Year, Songwriter of the Year and Publisher of the Year will be announced during the evening, as will the winner of the BMI Foundation's John Lennon Scholarship.

Pop Award winners from previous years include 3 Doors Down, Maroon 5, R. Kelly, Nickelback, Shania Twain, Pharrell Williams, Michelle Branch, Lauren Christy and Scott Spock of The Matrix, Lil Jon, the Foo Fighters, Evanescence, Linkin Park, Vanessa Carlton and Sheryl Crow, among others.

The genre’s defining feature is a relentless drum-machine track, almost identical across different songs, derived from Trinidadian soca music and Jamaican dancehall and reggae rhythms. This beat is called “Dem Bow” after the beat in a Shabba Ranks song of the same name. Although it emerged from the island of Puerto Rico, reggaetón reflects cross-cultural roots. In the ’70s, Jamaican workers migrated to Panama to work on upgrading the country’s famous canal and the trademark “riddims” they imported were appropriated into the popular songs and styles in this adopted locale. DJs helped popularize this hybrid form of Latin reggae, and by the early ’80s it could be heard mainly in underground settings across Latin America. Meanwhile in Puerto Rico, artists were translating Jamaican reggae into Spanish, and fusing these lyrics with Panamanian-style reggae beats after artists like El General introduced this blend of rap and reggae music to the island. Translating Jamaican reggae into Spanish, and fusing these lyrics with Panamanian-style reggae beats, hip-hop and dancehall, reggaetón was born. DJ Playero, who produced Vico C’s first underground recordings, is one of the pioneers in the introduction of this genre. He produced five reggaeton compilation albums with artists like Daddy Yankee, Yaviah, Mexicano, Big Boy, and Frankie Boy, among others, in the early ’90s.

“The Queen of Reggaetón,” Ivy Queen, is the genre’s undisputed female ruler. Born in Puerto Rico but raised in New York, she returned to the island in the ’90s and teamed up with impresario DJ Negro, who invited her to join a rap compilation label known as The Noise. Ivy Queen wrote and performed her first hit song, “Somos Raperos Pero No Delincuentes,” with them and launched her career as a formidable artist. “Sabes Que Tu,” a collaboration with Wyclef Jean, raised her profile even higher. With her own releases and projects with others — notably El Mexicano, K-7 and Don Omar — she maintains her powerful allure through self-penned lyrics that often speak of her alliance to her native Puerto Rico with pointed pro-feminist messages injected into the rhymes.

Francisco Saldaña and Victor Cabrera — the duo known as Luny Tunes — are often described as “the Neptunes of reggaetón,” owing to their chart dominance and canny knack for inventing hits for other artists. Former kitchen workers at Harvard University, they migrated to Puerto Rico, where they added bachata and meringue to the reggaeton formula and crafted one of the genre’s biggest smashes, Daddy Yankee’s track “Gasolina,” from Barrio Fino, a benchmark release that hovered on the Latin charts for nearly two years. Since then, Luny Tunes has showcased a rotating cast of talent on their own releases. The two’s Mas Flow (2003), La Trayectoria (2004) and Mas Flow, Vol. 2 (2005) — arguably the party album of the year — solidified their reputation as songwriters and artists of note whose productions are conspicuously musical. “We never use samples,” confirms Saldana. “We want to create everything new.”

An illustrious cast of contributors, including Ivy Queen, Pit Bull, D’Mingo and Nina Sky, join Tony Touch on his latest opus, The ReggaeTony Album, proof of his prominence in the genre. Alternately known as “Tony Toca,” the Brooklyn-based DJ has orchestrated massive releases via his mix tapes, beginning with The Piece Maker, featuring the music of Big Pun, Wu Tang Clan, Eminem and others. Also an alumnus of The Noise nightclub in Puerto Rico, the DJ and producer has enriched the genre with his deft productions, grafting the incendiary street smarts of hip-hop to more tropical Latin grooves. With a regular slot on New York’s Power 105.1, Music Choice Television and Sirius Satellite Radio plus choice DJ gigs spinning from Spain to Switzerland, Touch/Toca is among the genre’s foremost ambassadors, spearheading a roster of artists that often includes Vico C and Don Dinero.

His frequent guest artist, D’Mingo, a vocalist, keyboardist and arranger, was originally a more traditional singer. His debut, Que Vacile Mi Gente, (executive produced by Jelly Bean Benitez) presented a salsa-flavored style, while Rumbero Soy upped the Latin quotient considerably.On all of the projects on which he now guests, his distinctive tenor voice connects the high-octane rhythms of reggaetón to the seductive melodies of classic Latin songcraft.

From Hector “El Bambino” to Hector “El Father”: A name change signifies the musical maturation of the artist/producer often compared to his stateside counterparts, P. Diddy or Dr. Dre. In the ’90s, Hector Delgado Roman was one half of a pioneering duo, Hector and Tito, notably the first reggaetón artists with the drawing power to sell out massive concerts in Puerto Rico. In 2005, after a heady 12-year run, Hector launched his solo career with a performance in Pasto, Colombia, to a stadium filled with 60,000 adoring fans. His compilation album, Los Anormales, with guest spots by Daddy Yankee, Don Omar, Wisin y Yandel and others and released on his own imprint, GoldStar Music, sold 130,000 copies in just two days in Puerto Rico. In addition to founding his label, he was the first reggaeton artist to sell out two concerts in the new 18,000-seat coliseum in Puerto Rico. Today, most of these artists have signed contracts with major labels such as Universal, Columbia, EMI and Interscope.

DJ Playero is another notable figure in the growth of the genre, compiling some 39 volumes of reggaetón and helping to launch the careers of Daddy Yankee, Chezina, and Baby Rasta y Gringo, among others.

Reggaetón is clearly a genre of inclusion, and the most accomplished artists now collaborate outside of the genre. Ivy Queen’s Real has pairings with Sean Paul, Beenie Man and Fat Joe, and Luny Tunes anticipate working with Jennifer Lopez, the Black Eyed Peas and Ja Rule. Boundaries aren’t limited to the Caribbean or the East Coast. In Southern California, two brothers, Johnny and Victor Lopez, the duo known as Crooked Stilo, have mixed hard-core rap and cumbias into a stew they describe as “crunketón,” incorporating such far-flung sounds as the regional Mexican bounce of banda and hard core hip-hop. Says Victor, “We grew up with Dr. Dre, NWA and Snoop Dogg. It’s a big influence. We’ve been in this for 10 or 12 years, and we’ve always mixed the Latin and English stuff. It’s just lately that the reggaetón blew everyone out of the water. It’s something new, it’s hot in the clubs and people like dancing to it, plus the words and melodies have something to them.”

With their latest release, Retrasalo, Crooked Stilo advances their genre bending sound. Victor Lopez, who lives in the San Gabriel Valley town of Temple City, attests that he listens to potential beats in his car, “bumping” them before his lyrics arrive. Reggaetón is, he says, a physical experience. “There’s a saying that with the music you can only get the people through their hearts or through their feet. Reggaetón does it through the feet.”

Pop Awards Photo Slideshow

2005 BMI Pop Awards Song List

Paul Simon's BMI Awards List

2005 Lennon Scholarship Winners

Del Bryant, President & CEO, and Barbara Cane, Vice President & General Manager, Writer/Publisher Relations, Los Angeles, hosted the dinner event. The writers and publishers of the 50 most performed songs of the past year were recognized, plus the overall song, songwriter and publisher winners. A highlight of the gala, staged at the Regent Beverly Wilshire Hotel in Beverly Hills, was a tribute to songwriter/artist Paul Simon, who was named a BMI Icon.

3 Doors Down	Lil Jon

"Here Without You" won the title of BMI Pop Song of the Year, with songwriters Brad Arnold, Todd Harrell, Chris Henderson and Matt Roberts of the group 3 Doors Down accepting; this distinction is given to the song tallying the most feature broadcast performances during the eligibility period. Published by Escatawpa Songs and Songs of Universal, Inc. and included on 3 Doors Down's Republic/Universal CD Away From the Sun, "Here Without You" has already been certified as a BMI Million-Air (with two million broadcast performances) and was previously honored as BMI's 2004 Most Performed Song on College Radio. Lead singer Brad Arnold was also named Songwriter of the Year at the 2002 BMI Pop Awards.

Nickelback	Paul Simon

Lil Jon wrote four songs on the Most Performed List of 50 to collect the BMI Pop Songwriter of the Year crown. The songs earning him the title were "Damn!" (YoungBloodZ featuring Lil Jon), "Freek-A-Leek" (Petey Pablo), "Get Low" (Lil Jon & the East Side Boyz featuring the Ying Yang Twins) and "Yeah!" (Usher featuring Ludacris and Lil Jon).

Of the 88 songwriters who received 2005 BMI Pop Awards, two were triple winners: Chad Kroeger (SOCAN) of Nickelback and Sham. Other writer/artists earning awards included Michelle Branch, Five for Fighting, Linkin Park, Sarah McLachlan, Pete Townshend (PRS), Shania Twain, Maroon 5, Los Lonely Boys, R. Kelly, Seal (PRS), Lil' Kim, Evanescence, the White Stripes, Fountains of Wayne, Mario Winans and the Black Eyed Peas.

Paul Simon was saluted as a BMI Icon for his "unique and indelible influence on generations of music makers." In a career dating back to the 1950s, Paul Simon has established himself among the best and most popular songwriters of the rock era. His songs have bookmarked moments in the lives of millions, whether with words of love, longing, humor, politics or, above all, hope. He has incorporated the rhythms of his native New York with those from as far away as Brazil and South Africa.

For his efforts, he is a 12-time Grammy winner, a two-time Rock & Roll Hall of Fame inductee (as Simon & Garfunkel and as a solo artist), the recipient of the Kennedy Center Honors and the Recording Academy Lifetime Achievement Award, an Oscar nominee, an Emmy Award winner, and the much-honored co-founder of the Children's Health Fund. His songwriting catalog has earned 39 BMI Awards -- including multiple citations for "Bridge Over Troubled Water," "Mrs. Robinson," "Scarborough Fair" and "The Sound of Silence" -- and amassed nearly 75 million broadcast airplays, according to BMI surveys.

After a video tribute, the musical salute to Simon featured performances by 2004 Icon recipient Brian Wilson (who sang "The Sound of Silence"), British sensation Joss Stone ("Mother and Child Reunion"), Adam Levine and James Valentine of the Grammy-winning band Maroon 5 ("Homeward Bound") and soul gospel diva Yolanda Adams ("Bridge Over Troubled Water").

Simon enters the elite company of previously praised BMI Icons, including Bill Anderson, James Brown, Chuck Berry, Little Richard, Bo Diddley, Isaac Hayes, Holland-Dozier-Holland, Loretta Lynn, Carlos Santana, Dolly Parton, Al Green, Van Morrison and Brian Wilson.

EMI Music Publishing (EMI-Blackwood Music, Inc./EMI-Stone Agate Music), with 11 award songs, claimed the BMI Pop Publisher of the Year prize, given to the publishing concern with the highest percentage of copyright ownership in award songs. EMI's winning songs were "100 Years," "Bright Lights," "Damn!," "Freek-A-Leek," "Get Low," "Heaven," "I Don't Wanna Know," "I Heard It Through the Grapevine," "Into You," "Unwell" and "Where Is the Love." EMI Chairman & CEO Martin Bandier accepted the crystal trophy.

Other publishers garnering three or more awards were Universal Music Publishing (Irving Music/Songs of Universal, Inc./Universal-Songs of PolyGram International, Inc.); Warner/Chappell Music Group (Warner-Tamerlane Publishing Corp. and Rick's Music, Inc.); Careers-BMG Music Publishing, Inc./Loco De Amor Music/Zomba Songs Inc.; and White Rhino Music.

In addition to Song of the Year "Here Without You," BMI recognized the performance achievements of two other songs. "Someday" by Nickelback earned Most Performed Song on College Radio kudos for songwriters Chad Kroeger, Mike Kroeger, Ryan Peake and Ryan Vikedal of the group and publisher Warner-Tamerlane Publishing Corp. "You've Lost That Lovin' Feelin'," the most performed composition in BMI's repertoire of 6.5 million musical works, was certified as a 10 Million-Air, meaning it has been broadcast 10 million times. "You've Lost That Lovin' Feelin'" was written by Phil Spector, Barry Mann and Cynthia Weil, and published by ABKCO Music, Inc., Mother Bertha Music, Inc., and Screen Gems-EMI Music, Inc.

Phil Spector	Barry Mann and Cynthia Weil

Another special presentation was the announcement of the First Place winner of the 2005 John Lennon Scholarship Awards. Sydney Price, a 17-year-old junior at Booker T. Washington High School for the Visual and Performing Arts in