The evening will also announce the winner of the BMI Foundation's seventh annual Charlie Parker Jazz Composition Prize, given to the writer of the best new work composed in the BMI Jazz Composers Workshop. This year's judges include jazz virtuosos Robin Eubanks and Joe Lovano, and noted jazz authority Dan Morgenstern.

The winning composer will receive a cash award and the $3000 Manny Albam Commission to compose a new piece for the following year's concert. Named in memory of the Workshop's co-founder and longtime musical director, last year's Manny Albam Commission winner, Sherisse Rogers, will premiere her commissioned work during the showcase.

The BMI Jazz Composers Workshop is led by internationally renowned composers Jim McNeely and Michael Abene, and offers a unique collaborative environment for professional jazz musicians with an emphasis on composition for the large jazz (big band) ensemble. The Workshop - a well-known forum for creative excellence - provides an environment where composers are free to explore new avenues in the creative process, while at the same time honing their skills. McNeely has performed with and written for Chet Baker, Stan Getz, Joe Henderson and the Carnegie Hall Jazz Band, among others, and is a six-time Grammy Award nominee. Abene is the Dean of the Manhattan School of Music, and has composed and arranged for Dizzy Gillespie, Buddy Rich, Chick Corea and others; he is also a well-known record producer.

BMI's impressive roster of jazz artists includes such legends as Charlie Parker, Thelonious Monk, Miles Davis, Dave Brubeck, Lionel Hampton and Charles Mingus, as well as today's new jazz stars like Herbie Hancock, Norah Jones, Kevin Eubanks, Joshua Redman, Mark Whitfield and Bobby Watson.

The BMI Foundation, Inc. is a not-for-profit corporation founded in 1985 to support the creation, performance, and study of music through awards, scholarships, commissions and grants. Tax-deductible donations to the Foundation come primarily from songwriters, composers and publishers, BMI employees and members of the public with a special interest in music. Because both the Foundation staff and the distinguished members of the Advisory Panel serve without compensation, over 95% of all donations and income are used for charitable grants.]]> 2006-06-01T18:00:00-05:00 http://www.bmi.com/news/entry/334787 Artists, Brubeck, Dave, Davis, Miles, Eubanks, Kevin, Hampton, Lionel, Hancock, Herbie, Holiday, Billie, Jones, Norah, Mingus, Charles, Monk, Thelonious, Parker, Charlie, Redman, Joshua, Watson, Bobby, Whitfield, Mark, Musical Styles, Jazz Jazz Appreciation Month, or JAM for short, kicked off this April with a special fifth anniversary ceremony held at the Smithsonian's National Museum of American History in Washington, D.C. Sponsored by BMI and presented by the Smithsonian, the annual, month-long celebration pays tribute to this living art form by raising awareness of jazz and its history through performances, dance, film, programs and displays at the museum.

Donors gather with representatives of the national JAM partner, sponsor, and collaborator organizations. Back row: Jean Banks, BMI; Gale Monk; Thelonious Monk, Jr.; Dan Schuman, U.S. State Department; John Stevenson, Voice of America; Wayne Brown, National Endowment for the Humanities; Sandra Gibson, Association of Performing Arts Presenters; Mara Walker, Americans for the Arts; Cynthia Minnick, U.S. Department of Defense; Dwan Reese, National Endowment for the Humanities; Jennifer Adams, PBS; Barry Robinson, representing IAJE; Kristin Wilson, Association of Public Television Stations; Carol Sue Fromboluti, U.S. Department of Education; Patricia May, American Library Association. Front row: Dr. John Edward Hasse, National Museum of American History; Dr. Brent Glass, National Museum of American History; Fran Morris Rosman, Ella Fitzgerald Charitable Foundation; Dr. Jonathan D. Katz, National Assembly of State Arts Agencies; Roger Whitworth, representing the American Federation of Musicians and the Music Performance Fund; Herman Leonard; Paul Kerlin, MENC; Bill Pace, Chamber Music America; Cheryl Davis; Vince Wilburn, Jr.; Vince Wilburn, Sr. Smithsonian. Photo by Hugh Talman

On hand were the families of legendary BMI jazz artists Miles Davis and Thelonious Monk who donated objects and manuscripts from their estates. Jazz photographer Herman Leonard also donated some of his photographs.

"Jazz is truly an American form of music that has played and continues to play an important role in our history from its birth in the South in the late 1800s and early 1900s to its later fusion with other forms of popular music," said Brent D. Glass, Director of the National Museum of American History. "Through the museum's Jazz Appreciation Month activities, we highlight jazz and its significant history, while exposing audiences to this significant piece of American culture."

Miles Davis (1926-1991), a trumpeter and composer, helped pioneer a wide variety of jazz music from cool jazz to hard-pop to jazz-rock fusion, while becoming the most dominant figure in jazz during the second half of the 20th century. The seven-time Grammy award-winning artist began his career playing with jazz greats such as Charlie Parker, Benny Carter and Billy Eckstine, but he would go on to create his own distinct lyrical style that was often lonely and introspective. Davis recorded the best-selling jazz album in history, Kind of Blue (1959). Donations from the Davis family included a Versace suit that Davis wore during the Montreux Jazz Festival in Switzerland in 1991; a sheaf of parts for "Summertime," arranged for Davis by Gil Evans based on George Gershwin's "Porgy & Bess"; and an electronic wind instrument used by Davis.

Thelonious Monk (1917-1982) is often regarded as one of the greatest composers in jazz history, creating such classics as "Round Midnight," "Blue Monk" and "Criss Cross." Credited with helping pioneer bebop as a form of jazz, he was also an accomplished pianist who created an iconic sound through unorthodox voicings and an unusual approach to rhythm. In 1964, Monk was featured on the cover of Time magazine-one of five jazz musicians to ever make the cover. He recently received a special posthumous citation from the Pulitzer Prize board. Donations from the Monk family included one of his iconic skull caps; a handwritten manuscript for "Four in One," which was first recorded in 1951; and other articles of clothing worn by Monk, including a jacket, vest and ties.

Jazz photographer Herman Leonard began his career in the 1940s in the jazz clubs of Broadway, 52nd Street and Harlem, N.Y. Throughout the years he developed relationships with and photographed many jazz greats, including Dizzy Gillespie, Billie Holiday and Duke Ellington. Leonard's extensive portfolio extends beyond jazz, though, as he has photographed other American icons like Albert Einstein, Harry S. Truman, Clark Gable and Marlon Brando. Leonard's donation consists of 20 black-and-white photographs, including images of Louis Armstrong, Holiday, Gillespie, Lena Horne and Tony Bennett.

The donated items join the museum's collection of memorabilia from other jazz musicians, including Ella Fitzgerald, Lionel Hampton, Artie Shaw and Ellington, and are showcased in a special display "Miles & Monk: New Jazz Acquisitions," which opened March 30.

April was chosen for JAM to honor the birthdays of such jazz legends as Ellington, Fitzgerald, Puente, Charles Mingus and Gerry Mulligan. Throughout the entire month, the museum highlights jazz music through concerts, programs and displays. Schools, colleges, museums, concert halls, libraries and public broadcasters are encouraged to offer special programs of their own every April.

The Smithsonian operates the world's most comprehensive set of jazz programs, including Jazz Appreciation Month. It collects jazz artifacts, documents, recordings and oral histories; curates exhibitions and traveling exhibitions; operates its own big band, the Smithsonian Jazz Masterworks Orchestra; publishes books and recordings on jazz; offers fellowships for research in its collections; and offers concerts, educational workshops, master classes, lectures, seminars and symposia.

With an impressive roster of jazz legends that includes Charlie Parker, Thelonious Monk, Miles Davis, Dave Brubeck, Lionel Hampton and Charles Mingus, as well as today's new jazz stars like Herbie Hancock, Norah Jones, Kevin Eubanks, Joshua Redman, Mark Whitfield and Bobby Watson, BMI has supported jazz from the start and continues today with programs such as the BMI Jazz Composers Workshop, the BMI Foundation's Charlie Parker Jazz Composition Prize and the BMI/Thelonious Monk Institute Jazz Composers Competition.

BMI honored the composers and songwriters of the music from this year's top-grossing films, top-rated prime-time network television series and highest-ranking cable network television series at its annual Film & Television Awards dinner. Held May 18 at the Regent Beverly Wilshire Hotel in Beverly Hills, the black-tie gala was hosted by BMI President and CEO Del R. Bryant and BMI Vice President Film/TV Relations, Doreen Ringer Ross. More than 100 awards were announced during the ceremonies.

One of the highlights of the evening was the presentation of the BMI Richard Kirk award for Outstanding Career Achievement to composer Graeme Revell. Named after late BMI Vice President Richard Kirk, the prestigious award is given annually to the composer who has made significant contributions to film and TV music. Past recipients include John Barry, Randy Edelman, Danny Elfman, Charlie Fox, Jerry Goldsmith, Earle Hagen, Michael Kamen, Alan Menken, Mark Mothersbaugh, Thomas Newman, Mike Post, Lalo Schifrin, Alan Silvestri, Richard and Robert Sherman, W.G. "Snuffy" Walden, John Williams and Patrick Williams.

Graeme Revell	Counting Crows

Revell, a New Zealand native, is in the midst of a historical career in film and television music. With credits including "Sin City," "Shark Boy and Lava Girl in 3-D," "Dead Calm," "The Crow," "The Insider," "CSI: Miami," "The Negotiator," "Blow," "Open Water" and more, he has become known for his blending of traditional ethnic music and ambient sounds. He started his scoring career after picking up on rhythms in patient vocalizations at an Australian hospital for the mentally ill, where he worked as an orderly. His experiments with recordings of human and insect sounds and industrial machinery led him to create the early industrial band SPK. His first score was for director Philip Noyce and producer/director George Miller with "Dead Calm," for which he won an Australian Film Industry Award for Best Score.

Kevin Eubanks	Lalo Schifrin	Stu Phillips

Honoring Revell at the dinner via video messages were directors Robert Rodriguez, Phillip Noyce, Danny Cannon, David Twohy and Carl Franklin, as well as journalist Jon Burlingame. Chucky, the star of the "Chucky" film series for which Revell scored "The Bride of Chucky," narrated the video salute to Revell.

Calling Revell, "...the best secret weapon a director can ever have," director Noyce described working with him on the film "Dead Calm." "Graeme immediately sparked at the material and the opportunity. He hadn't scored a film before, but he had that great composing sense. We wanted a composer who would bring a completely different score to a very elemental movie. Graeme started at the idea of taking sounds that were part of the movie and incorporating them into the score; sound of wind, sound of water.

Mike Post	Pete Townshend

"The movie was completely different once we put Graeme's score in," he added. "He added tension, he added pace, he created drama, and he gave the film a unique aural quality."

Revell's skill at collaboration with the director was a theme that permeated throughout the evening. "Honest," "innovative," "soulful" and "a true renaissance man" were just some of the descriptions that the directors offered. His vast range of musical talents were lauded, including his use of a wide array of ethnic sounds and voices, atmospheric noises and wide ranging knowledge of obscure percussion and voice styles. His encompassing musical style constantly delivers a fresh new sound and approach to each score he has done. Cannon said, "Graeme is modern and he is up to date. That's what is great about him. He is so willing to use new techniques, new inspirations and is always willing to try something different, move the goalposts."

BMI also gave out the award for the Most Performed Song From A Motion Picture to the Counting Crows and their publishing companies for the "Shrek 2" song, "Accidentally in Love." BMI also recognized this year's Emmy Award winners for music.

The first BMI Spotlight Award was given to television composer Frank Gari and the inaugural BMI Classic Contribution Award was presented to the creators of "The Tonight Show" themes, composed by Johnny Carson, Paul Anka and Kevin Eubanks.

With a nod to the digital music age, BMI handed out its first Ringtone Awards for the TV music themes that have become the most-performed songs in the mobile space; the awards went to Stu Phillips for the theme to �Knight Rider� and Lalo Schifrin for the theme to �Mission Impossible.�

Taking home multiple awards at the dinner were past Richard Kirk recipient Mike Post with four Television Awards for the "Law & Order" series "Law & Order," "Law & Order: SVU," "Law & Order: CI" and "Law & Order: Trial By Jury." Pete Townshend picked up three awards for "CSI," "CSI: Miami" and "CSI: NY." Double winners included Harry Gregson Williams for the films "Shrek 2" and "Man On Fire"; Rolfe Kent for the films "Sideways" and "Mean Girls"; Harald Kloser for "The Day After Tomorrow" and "Alien vs. Predator"; Thomas Newman for "Lemony Snicket's A Series of Unfortunate Events" and "Six Feet Under"; John Keane for "CSI" and "The Amazing Race 7"; and Kenneth Gamble, Leon Huff, Anthony Jackson, Jeff Lippencott and Mark T. Williams for "The Apprentice 2" and "The Apprentice 3."

Click here for more on BMI and Jazz Music

JAM's mission is to draw greater public attention to the extraordinary heritage and history of jazz and its importance as an American cultural heritage. In addition, JAM is intended to stimulate the current jazz scene and encourage people of all ages to participate in jazz-to study the music, attend concerts, listen to jazz on radio and recordings, read books about jazz, and support institutional jazz programs.

As a long-time supporter of jazz music and jazz education programs, BMI is proud to be an anchor sponsor of Jazz Appreciation Month for the third consecutive year. Other partners and sponsors include the U.S. Department of Education, MENC: The National Association for Music Education, the International Association of Jazz Educators (IAJE), the Grammy Foundation, the U.S. Department of State, the U.S. Department of Defense, PBS and the Ella Fitzgerald Charitable Foundation.

April was chosen for JAM to honor the birthdays of such jazz legends as Duke Ellington, Ella Fitzgerald, Tito Puente, Charles Mingus and Gerry Mulligan, and to give school ensembles time to develop and rehearse concerts that can be tied into the event. On August 18, 2003, President George W. Bush signed Public Law 108-72, which urges organizations to develop programs "to explore, perpetuate, and honor jazz as a national and world treasure." In addition, governors in several states have signed proclamations declaring April to be Jazz Appreciation Month; they include Governor Mike Easley of North Carolina, Governor Edward Rendell of Pennsylvania, Governor Jim Doyle of Wisconsin and Mayor Anthony Williams of the District of Columbia (to be announced April 2).

The Smithsonian operates the world's most comprehensive set of jazz programs-it collects jazz artifacts, documents, recordings, and oral histories; curates exhibitions and traveling exhibitions; operates its own big band, the Smithsonian Jazz Masterworks Orchestra; publishes books and recordings on jazz; offers fellowships for research in its collections; and offers concerts, educational workshops, master classes, lectures, seminars, and symposia.

With a impressive roster of jazz legends that includes Charlie Parker, Thelonious Monk, Miles Davis, Dave Brubeck, Lionel Hampton and Charles Mingus, as well as today's new jazz stars like Norah Jones, Kevin Eubanks, Joshua Redman, Mark Whitfield and Bobby Watson, BMI has supported jazz from the start and continues today with programs such as the BMI Jazz Composers Workshop, the BMI Foundation/Charlie Parker Jazz Composition Prize, and the BMI/Thelonious Monk Institute Jazz Composers Competition.]]> 2004-03-29T17:00:01-05:00 http://www.bmi.com/musicworld/entry/200093 Artists, Caruso, Michael, Eubanks, Kevin, Gregson-Williams, Harry, Muranaka, Rika, Musical Styles, Jazz, Musicworld, Hitmaker Tokyo native Rika Muranaka came to Chicago to study jazz piano with Alan Swain while still in her teens. Her talents were quickly recognized, and soon Muranaka was working with some of the most highly regarded figures in the jazz world, including Woody Shaw, Stan Kenton, Art Blakey and Freddie Hubbard.

Upon graduating from Northeastern Illinois University, Rika returned to Japan as a rapidly maturing recording artist. Critical reviews of her performances led to a contract with Columbia Records, and a dual career as a producer and artist.

Rika recently completed production on her new CD, Slice of Life, which features vocalists Dwight Dukes, Cynthia Harrell and Stephanie B, and has collaborated with Michael Caruso, a Grammy-nominated songwriter.

As composers from other eras have done, Rika Muranka looked for alternative outlets for her talents. Sensing that her skills could help the growing software industry, Rika developed a relationship with Konami, one of the major players in Japan's video game industry.

In the last seven years, Rika has composed and produced themes for four of Konami's most successful titles. Far from selling out, Muranaka’s work with Konami has allowed her to bring some of the top jazz artists in the industry into the fold, including Gerald Albright, Kevin Eubanks and Hubert Laws. She collaborated with BMI composer Harry Gregson-Williams, who works out of the renowned Media Ventures studio in Santa Monica, CA, on a recent project, Metal Gear Solid 2, and is already developing the theme for Metal Gear Solid 3.

Rika Muranaka has successfully blended her abilities as a performer, composer and producer into a unique package. Following her artistic star without compromise, she has managed to apply her talents in a variety of areas and has become one of the most intriguing artists of her time.]]> 2002-12-17T17:00:01-05:00 http://www.bmi.com/news/entry/233357 Artists, Aaliyah, Adams, Yolanda, Austin, Dallas, Babyface, Banton, Buju, Benet, Eric, Berry, Chuck, Bilal, Bishop, Teddy, Black Eyed Peas, Blanchard, Terence, Boyz II Men, Brandy, Braxton, Toni, Brown, James, Busta Rhymes, Carey, Mariah, Charles, Ray, Coltrane, John, Davis, Miles, Domino, Fats, Dozier, Lamont, Eminem, Eubanks, Kevin, Evans, Faith, Franklin, Aretha, Franklin, Kirk, Gamble, Kenneth, Gray, Macy, Hampton, Lionel, Hancock, Herbie, Hargrove, Roy, Hawkins, Coleman, Hi-Tek, Holiday, Billie, Holland, Brian, Huff, Leon, Ingram, James, J-Shin, Ja Rule, Jackson, Janet, Jackson, Michael, James, Etta, JT Money, Kelly, R., King, B.B., Kurupt, Kweli, Talib, Leadbelly, Little Richard, Lord Tariq & Peter Gunz, Master P, McBride, Christian, McPhatter, Clyde, Monk, Thelonious, Moore, Sam, Mos Def, Muddy Waters, Mya, Neptunes, The, Neville, Aaron, Organized Noise, Parker, Charlie, Redding, Otis, Redman, Joshua, Rooney, Roots, The, Ross, Diana, Snoop Dogg, SoulShock & Karlin, Stone, Angie, Summer, Donna, Supremes, The, Thomas, Carla, Thomas, Irma, Tim & Bob, Track Masters, The, Trick Daddy, Trin-I-Tee 5:7, Walker, T-Bone, Washington, Dinah, Williams, Pharrell, Winans Phase 2, Winans, The, Musical Styles, Blues, Jazz, R&B, Rock, Urban, Musicworld, Feature At BMI, Black Music Month Is Celebrated All Year Long

By Rob Patterson

From the dawning days of rhythm & blues through today's multifaceted urban music scene, BMI has been at the forefront of music from the African American tradition, styles and community. A continuity of teamwork between BMI and Black music-makers extends from Aretha Franklin to Janet Jackson, from Motown hitmakers Eddie Holland, Lamont Dozier & Brian Holland to R. Kelly, and from Miles Davis to Terence Blanchard.

B.B. King

Busta Rhymes

Janet Jackson

Eminem

When r&b, in its formative years, was the province of budding independent labels, small publishers, and adventurous radio stations, BMI opened its ranks to the musical movement when the existing performing rights organization failed to recognize the legitimacy and potential brewing in Black American music. The considerable fact that 90 percent of the R&B Foundation's Pioneer Awards have been bestowed on BMI artists attests to BMI's historical commitment to Black music.

Eric Benet

Macy Gray

Mariah Carey

Michael Jackson

The BMI Black music rosters reads like a musical honor role: Jazz giants such as Billie Holiday, Thelonious Monk, Charlie Parker, Dinah Washington and John Coltrane; blues icons like Leadbelly, Muddy Waters, B.B. King and T-Bone Walker; r&b pacesetters such as Ray Charles, Fats Domino and James Brown; soul sisters Etta James, Irma Thomas and Diana Ross; rock pioneers like Chuck Berry and Little Richard.

Mya

R. Kelly

Snoop Dogg

Toni Braxton

The BMI bloodlines can be traced from then to now, from Carla Thomas to Donna Summer to Vanessa Williams, from Kenneth Gamble & Leon Huff to LA Reid and Babyface, from Otis Redding to Michael Jackson. And if you check this space 20 or 30 years from now, the odds say its likely that BMI's contemporary urban music artists will be just as legendary and influential as those BMI has represented throughout the history of Black popular music in America.

In a sense, the pages have already been written by today's BMI star talents. Mariah Carey has proven herself a formidable and enduring presence in popular music, while Macy Gray is arising to help bring soul back to its rightful place of presence in urban music. Kevin Eubanks delivers sublime new variations of the jazz guitar heritage to millions on The Tonight Show, and Joshua Redman redefines the notion of young jazz giant for a new millennium. Snoop Dogg, Eminem and Lil' Kim continue to push the hip-hop envelope, while Kirk Franklin and Winans Phase 2 keep the gospel spirit alive.

But it's not just the marquee names that make these exciting times for BMI's urban music roster. And even some of BMI's team whose work happens primarily behind the scenes are earning public note on the level of the artists they work with. Producer, songwriter, keyboardist and remixer Dallas Austin launched Monica and TLC, and counts Michael Jackson, Madonna, Boyz II Men and Aretha Franklin among his credits. Such musical versatility and vision continues with such recording and writing powerhouses as Jerry 'Wonder' Duplessis, Master P, Tim & Bob, SoulShock & Karlin, Jean Claude 'Poke' Olivier of The Track Masters, Organized Noise, Teddy Bishop and Cory Rooney - all drawing from a differing wealth of musical wells and creating new and innovative musical moments.

Hip-hop remains a powerfully progressive and sometimes provocative movement in modern popular music. Jay-Z, Busta Rhymes and Goodie Mob keep it real, and the beats and themes will surely remain hard in the hands of such acts as Lord Tariq & Peter Gunz, Ja Rule, Mos Def, Trick Daddy, Silkk the Shocker, JT Money, Kurupt and J-Shin. At the same time, acts like The Roots, Black Eyed Peas, Talib Kweli & Hi-Tek and Spooks infuse a rich mixture of styles into the hip-hop genre. Once the sound of the street, just as r&b had been, hip-hop is now an integral part of contemporary culture. And its Caribbean cousin dancehall is also claiming the attention of the public ear thanks to Buju Banton.

R&B has always boasted its powerful cadre of female singers. And just as Carla Thomas, Martha Reeves and Jodi Whatley established their voices as trademarks, so have the women like Brandy, Toni Braxton and Faith Evans. Rising to join them are such soul sisters as Angie Stone, Mya, Sunshine Anderson and Aaliyah, while R&B brothers such as Eric Benet and Pharrell Williams of The Neptunes stir up new soul traditions for today's urban music fans as Clyde McPhatter, Sam Moore and Aaron Neville have before them. The girl group traditions forged by The Shirelles and The Supremes find modern expression in the "new jill flava" of Total.

As the recent Ken Burns documentary demonstrated, jazz is one of the richest skeins in the American cultural tapestry. BMI has been a consistent presence in jazz, from Lionel Hampton to Coleman Hawkins to Herbie Hancock to Roy Hargrove. Today, Terence Blanchard, Christian McBride, Kevin Eubanks and Bilal maintain the instrumental and compositional greatness of jazz music for the genre's future.

Spirituals have always been an essential element in Black music and BMI's mission, thanks to everyone from James Ingram to The Fairfield Four. And perhaps nobody has had a more profound impact on contemporary music and the popularity of spiritual sounds than minister, songwriter, producer and visionary Kirk Franklin. In the past, one could make similar claims for The Winans, and the family tradition forged there is carried on by Winans Phase 2. The ears reached by these artists are now opening as well to such rising talents as Yolanda Adams and Trin-i-tee 5:7.

Such diversity, commercial impact, innovation and encouragement of burgeoning styles and new artists has been a hallmark of BMI's commitment to Black music from the time that "race music" became rhythm & blues, and on through soul, funk and disco right up to rap and new jack swing. As BMI salutes tradition through its longtime support of the R&B Foundation, it also helps create the future that is urban music in all its breadth and creativity. Because at BMI, Black Music Month is celebrated 12 months a year.

Eubanks joined the Tonight Show band in May 1992, replacing Branford Marsalis as bandleader two-and-a-half years later. But he continues to perform his own music when his schedule allows, playing with his own small combos in front of receptive crowds, which have swelled beyond his original jazz following thanks to Eubanks' current media profile.

"It's amazing," Eubanks recently told The New York Times. "People of all ages know me from watching the Tonight Show and come to see me play now. That's cool because it exposes my music to another audience."

Still, Eubanks is adamant about not playing any of his Tonight Show themes at his own gigs. "You don't go to a basketball game looking for a touchdown," he explained to The New York Post. "I do the show five days a week, do whatever's necessary to contribute to the rhythm of the show. I still get to play jazz these days, just as always, but now it's on weekends or whenever we get some time off."

Eubanks - who counts Wes Montgomery, John McLaughlin and Jimi Hendrix amongst his principal guitar influences - hails from a musical family that includes his uncles, pianist Ray Bryant and bassist Tommy Bryant; his brothers, trombonist Robin Eubanks and trumpeter Duane Eubanks; and his cousins, bassist David Eubanks and pianist Charles Eubanks. Kevin began studying violin at the age of seven, but taught himself to play guitar after attending a James Brown show; he also plays piano and trumpet.

"Some people ask, 'How do you do [the Tonight Show] and then go out and play your concerts?' I never gave it a second thought. I don't have a set of rules for one and another set of rules for the other," Eubanks commented to The Boston Herald.

"It seems that the more you open your mind, the barriers just get broken down. And you can't really put your finger on why they were there in the first place."