Oscar-nominated composer David Newman, president of both the AYS and FMS, will conduct newly assembled suites from Goldsmith’s original, Oscar-nominated scores for A Patch of Blue, The Sand Pebbles and Patton, along with excerpts from Planet of the Apes and The Blue Max that Goldsmith himself arranged for concert performance.

In addition, Newman — as part of an afternoon symposium on Goldsmith’s early career — will conduct, live to film, a complete performance of one of the composer’s most famous television scores: His music for “The Invaders” episode of The Twilight Zone.

The December 7 events mark the beginning of a three-year American Youth Symphony project focusing on Jerry Goldsmith, the Oscar- and Emmy-winning composer of such classic films as Planet of the Apes, Patton, Chinatown, The Omen, Star Trek: The Motion Picture and more than 150 others. One of the most respected composers in Hollywood history, Goldsmith died in 2004. He was a pivotal figure in advancing composition for film and television.

Newman has divided Goldsmith’s career into thirds. This year’s events will focus on Goldsmith’s work in television and his early career in feature films, from the late 1950s through 1970. In 2009-10, the focus will shift to Goldsmith’s work in the 1970s and early 1980s; and, in the following year, the 1980s and beyond.

The afternoon Goldsmith Project symposium, sponsored by The Film Music Society, will be moderated by journalist and film-music historian Jon Burlingame. Featured panelists will be composer Robert Drasnin, who worked on the original Twilight Zone and who knew Goldsmith well; Marc Scott Zicree, author of The Twilight Zone Companion, the definitive history of the show; Robert Townson, producer for the Varese Sarabande record label, who worked extensively with Goldsmith; Tommy Morgan, who played harmonica for Goldsmith on Twilight Zone and who also composed for the series; and Michael Lloyd, a film composer and Goldsmith expert.

The 25-minute, live-to-film performance of “The Invaders” with members of the AYS will be part of the two-hour symposium, beginning at 2 p.m. and also in Royce Hall. Clips from Goldsmith’s other work for the Rod Serling series will also be featured.

After the performance, Newman will join the panel for the discussion of Goldsmith’s music and the specific challenges associated with that show. “We want to show how unique this music is, and give it a context, filmic as well as historic,” Newman said.

Hailing from Australia and now residing in Los Angeles, Hay’s orchestral new-age ambience made her a favorite in the Darwin Symphony Orchestra and led her to win numerous awards, including first place at the Australian Songwriters Association Unisong Contest. Doreen Ringer Ross commented, “Janet is an extraordinary talent and I’m particularly pleased our recipient is a woman this year, since there are so few female working film composers. “

Hay holds a Bachelor of Music (Australia); completed the Film Scoring and Orchestration Summer Intensive Program (Edinburgh, Scotland); is currently studying at UCLA to earn a Certificate of Film Scoring – Advanced Orchestration; and is owner/manager of Mountain Arts Academy.

The BMI/Jerry Goldsmith Film Scoring Scholarship is an annual award at UCLA Extension that is presented to a student in the schools Film Scoring program. The scholarship was named in honor of Oscar and Emmy Award winning film and television composer Jerry Goldsmith who passed in 2004.

The scholarship partially underwrites the recipient’s study in the UCLA Extension Film Scoring Program, a continuing education program designed to help composers develop the specialized skills and contacts needed to pursue a successful career in film scoring.

“This scholarship is part of BMI’s overall commitment to music education and career development for new composers. Jerry was a definitive, iconic film composer, a master at his craft, and a huge mentor and supporter of young composers. He always took an interest in and made the time to meet with each of our previous scholarship recipients. BMI is proud to continue this program in his honor,” said Doreen Ringer Ross.

Pictured (l-r): UCLA’s Pascale Halm, BMI’s Doreen Ringer Ross and BMI/Jerry Goldsmith Scholarship winner Janet Hay. (Photo by Ellen Dawson)

Courage’s fanfare for the Starship Enterprise, written in 1965 for the original Star Trek pilot, was heard throughout the three original seasons of the show and has been reprised throughout all the Trek feature films and several of the TV series, especially Star Trek: The Next Generation in the 1980s and ’90s.

He won a 1988 Emmy as principal arranger for the ABC special Julie Andrews: The Sound of Christmas, and received Oscar nominations (both shared with Lionel Newman) for his adaptation scores for The Pleasure Seekers in 1963 and Doctor Dolittle in 1967.

He was born Dec. 10, 1919, in Philadelphia, but moved to New Jersey as a boy and took up both the piano and horn. He received his degree from the Eastman School of Music in Rochester, NY in 1941, then moved to California. He enlisted in the Army Air Corps in 1942 and became a bandleader at various bases in California and Arizona.

After the war, he began working for CBS Radio, composing and sometimes conducting for such shows as Hedda Hopper’s This Is Hollywood, Screen Guild Theater, The Adventures of Sam Spade, Detective and Yours Truly, Johnny Dollar. From 1948 to 1960, he worked as an orchestrator and arranger at MGM, including work on the classic musicals Show Boat, The Band Wagon, Seven Brides for Seven Brothers, Guys and Dolls, It’s Always Fair Weather, Funny Face, Gigi and others.

He also scored a handful of films in the late 1950s, including Arthur Penn’s The Left-Handed Gun and such drive-in fare as Shake, Rattle and Rock and Hot Rod Rumble. But television became Courage’s primary outlet for composition, including various episodes of M Squad, Wagon Train and The Alfred Hitchcock Hour at Universal, National Velvet at MGM and The Untouchables at Desilu.

Much of Courage’s 1960s output was at 20th Century-Fox, where Newman assigned Courage to write music for Voyage to the Bottom of the Sea, Daniel Boone, Lost in Space, Land of the Giants and other series. He wrote a dramatic theme and over a dozen scores for the Carl Betz legal drama Judd for the Defense in 1967.

In addition to his adaptation work on The Pleasure Seekers and Doctor Dolittle, he contributed orchestrations to such ’60s musicals as Hello, Dolly! at Fox and My Fair Lady at Warner Bros. He also orchestrated dramatic and comedic scores for composing colleagues including Adolph Deutsch (Some Like It Hot), Andre Previn (Irma La Douce) and Alex North (The Agony and the Ecstasy).

Star Trek, which went on the air in 1966, became his most famous work. In addition to the fanfare, series theme and scores for two pilot episodes, Courage composed the music for just four other hours of the sci-fi classic (two in the first season, two more in the third). He did far more work on The Waltons, scoring over 100 episodes in the 1970s and early 1980s, plus four Waltons TV movies in the ’80s and ’90s.

He also composed music for Apple’s Way, Eight Is Enough and other series in the ’70s and ’80s, receiving an Emmy nomination as composer on a Medical Center in 1973 and another as arranger for ABC’s “Liberty Weekend” ceremonies in 1986. He served as music coordinator and appeared onscreen as a conductor in Luciano Pavarotti’s 1981 film debut Yes, Giorgio.

As composing work in TV waned, Courage returned to orchestration for old friends including John Williams and Jerry Goldsmith. For Williams, Courage orchestrated several scores including Fiddler on the Roof, The Poseidon Adventure, Hook and Jurassic Park. He also adapted Williams’ themes for Superman IV: The Quest for Peace, and wrote many orchestral arrangements for the Boston Pops during Williams’s 1980-93 tenure as conductor.

For Goldsmith, Courage orchestrated numerous films, including Basic Instinct, First Knight, The Mummy, Air Force One, Mulan and, ironically, Star Trek: First Contact and Star Trek: Insurrection.

Courage also wrote large-scale orchestral arrangements for several recording projects, including Barbra Streisand’s 1985 Broadway album, opera star Kathleen Battle’s 1991 Christmas album, and violinist Joshua Bell’s 1998 Gershwin Fantasy album.

He was among the founders of the Composers and Lyricists Guild of America, the union that represented composers and songwriters in Hollywood during the 1950s, ’60s and ’70s. He was also an award-winning photographer whose photos appeared in such popular magazines as Life and Colliers.

“We mourn the loss of Alexander Courage, a pioneer in television composing and the creator of one of the most recognizable themes in TV — the original ‘Star Trek’ theme. His music and intricate arrangements will influence and inspire generations of composers and musicians to come,” said BMI President & CEO Del Bryant.

Courage's third wife, the former Shirley Pumpelly, died in 2005. Survivors include four stepchildren: Raphael Pumpelly, Andrea Steyn, Lisa Pompelli and Renata Pompelli, all of Los Angeles; and six grandchildren. Plans for a memorial service will be announced shortly.

BMI honored the composers of music featured in the past year's top-grossing films, top-rated prime-time network television series and highest-ranking cable network programs May 21 at its annual Film & Television Awards. Held at the Beverly Wilshire Hotel, the black-tie gala was hosted by BMI President & CEO Del Bryant and Film/TV Relations Vice President Doreen Ringer Ross, who handed out more than 80 BMI Crystals throughout the evening.

View Full List of Award Winners

A highlight of the ceremony took the form of the Richard Kirk Award presentation to esteemed composer Christopher Young. Named after late BMI Vice President Richard Kirk, the prestigious award is given annually to a composer who has made significant contributions to film and television music. As the 2008 honoree, Christopher Young joins an elite list of peers that includes George S. Clinton, Harry Gregson-Williams (PRS), Jerry Goldsmith, Thomas Newman, Michael Kamen, Mark Mothersbaugh, Danny Elfman, Alan Menken, Mike Post, Lalo Schifrin and John Williams.

Award-winning composer Christopher Young has carved out an enviable niche in the upper pantheon of Hollywood composers. The UCLA Film School alumnus first turned heads with fiendish scores for horror and science fiction projects, and he proceeded to garner accolades for work on macabre and fantastical films including Hellraiser, its Saturn award-winning sequel and Species, along with BMI award-winners Ghost Rider, The Grudge and The Exorcism of Emily Rose. Young became a master of suspense, composing music for thrillers including Copycat and BMI honoree Entrapment, as well as dramatic and critical tours-de-force including Golden Globe nominee The Shipping News, Wonder Boys, Rounders and BMI award-winner Swordfish. He also fleshed out the haunting nuances and electrifying action sequences of box office gold Spiderman 3. The New Jersey native has also excelled in television composition, earning two Emmy nominations for telefilms Last Flight Out and Norma Jean & Marilyn. A dedicated mentor, Young has taught classes at USC, served as an advisor for the Sundance Institute's Film Composers Lab and created an innovative residential development to house aspiring composers in Los Angeles.

BMI also presented the Classic Contribution Award to Peter Golub in recognition of his progressive direction of the Sundance Institute's Film Composers Lab for the past ten years. An accomplished composer of film, theatre, ballet and concert works, Golub is a natural fit for the lab, which aims to enhance the role of music in independent film. His acute composition work includes scores for documentaries I.O.U.S.A. and Wordplay, along with films including The Great Debaters. Universally acknowledged as an unparalleled apprenticeship for the next generation of composing elite, the workshop has invaluably benefited from Golub's creative intuition and steady guidance.

BMI's Emmy-winning composers were also feted; the accomplished list included George Fenton (PRS) for the awe-inspiring documentary Planet Earth: Pole to Pole; William Ross for the 79th Annual Academy Awards; Lenny Williams for Nature: Christmas in Yellowstone; Yoav Goren for The XX Olympic Winter Games: The Stories of Torino; Katreese Barnes for Saturday Night Live's "Dick in a Box"; Gary Deinstadt, Billy Barber, Ron Komie, Danny Pelfrey and David Traugh for Guiding Light; along with Wes Boatman and John Henry Kreitler for "Love is Ecstasy" from Passions.

Legendary rocker turned lauded composer Pete Townshend (PRS) took home the evening's most awards, with three BMI Crystals for CSI, CSI: Miami and CSI: NY. Composers garnering two awards each were Steve Jablonsky for Transformers and Desperate Housewives; Rupert Gregson-Williams (PRS) for Bee Movie and I Now Pronounce You Chuck and Larry; George Fenton for Fool's Gold and Planet Earth: Pole to Pole; Mychael Danna for Surf's Up and Medium; Aaron Zigman for Step Up 2: The Streets and Why Did I Get Married?; Kevin Kiner for Amazing Race and CSI: Miami; Mike Post for Law & Order and Law & Order SVU; and Matt Koskenmaki for Hell's Kitchen and The Ultimate Fighter.

The night's winning composers for top-grossing films and critically acclaimed gems also included past Richard Kirk Award recipient Harry Gregson-Williams (PRS) for Shrek the Third, Trevor Rabin for National Treasure: Book of Secrets, legendary composer and past Richard Kirk Award recipient Lalo Schifrin for Rush Hour 3, John Ottman for Fantastic Four: Rise of the Silver Surfer, Mark Mancina for television drama Criminal Minds, Randy Edelman for romantic comedy 27 Dresses, Tyler Bates for horror favorite Halloween and pop music architect Brian Wilson for HBO dramedy series Big Love.

Prolific composer Christopher Young will receive the Richard Kirk Award for outstanding career achievement at BMI's annual Film & Television Awards on Wednesday, May 21 in Los Angeles. Staged at the Beverly Wilshire Hotel, the black-tie, invitation-only dinner will also honor the composers of the past year's top-grossing films, top-rated prime-time network television series and highest-ranking cable network programs. BMI's President & CEO Del Bryant, and BMI's Vice President, Film/TV Relations, Doreen Ringer Ross, will host the event.

Named in honor of former BMI Vice President and film & television department founder Richard Kirk, the Richard Kirk Award is bestowed on composers who have made significant contributions to the realm of film and television. As the 2008 honoree, Christopher Young joins an elite list of peers that includes George S. Clinton, Harry Gregson-Williams, Jerry Goldsmith, Thomas Newman, Michael Kamen, Mark Mothersbaugh, Danny Elfman, Alan Menken, Mike Post, Lalo Schifrin and John Williams.

Award-winning composer Christopher Young has carved out his enviable niche in the upper pantheon of Hollywood composers with unusual speed and unerring flair. The UCLA Film School alumnus first turned heads with fiendish scores for horror and science fiction projects, and he proceeded to garner accolades for work on macabre and fantastical films including Hellraiser, its Saturn award-winning sequel and Species, along with BMI award-winners Ghost Rider, The Grudge and The Exorcism of Emily Rose. Young became a master of suspense, composing music for thrillers including Copycat and BMI honoree Entrapment, as well as dramatic and critical tours-de-force including Golden Globe nominee The Shipping News, Wonder Boys, Rounders and BMI award-winner Swordfish. He also fleshed out the haunting nuances and electrifying action sequences of box office gold Spiderman 3. The New Jersey native has also excelled in television composition, earning two Emmy nominations for telefilms Last Flight Out and Norma Jean & Marilyn. A dedicated mentor, Young has taught classes at USC, served as an advisor for the Sundance Institute Film Composers Lab and created an innovative residential development to house aspiring composers in Los Angeles. He describes his progressive two-pronged approach to composition as the exploration of the contemporary music's abstract ideas and the infinite pursuit of "the great American tune."

The ceremony will salute BMI's Emmy-winning composers from the past year. BMI will also present the Classic Contribution Award to Peter Golub in recognition of his progressive direction of the Sundance Institute Film Composers Lab for the past ten years. An accomplished composer of film, theatre, ballet and concert works, Golub is a natural fit for the lab, which aims to enhance the role of music in independent film. Universally acknowledged as an unparalleled apprenticeship for the next generation of composing elite, the workshop has invaluably benefited from Golub's creative intuition and steady guidance.

BMI honored the composers and songwriters of the music from the past year's top-grossing films, top-rated prime-time network television series and highest-ranking cable network programs at its annual Film & Television Awards. Held May 16 at the Regent Beverly Wilshire Hotel, the black-tie gala was hosted by BMI President & CEO Del Bryant and Film/TV Relations Vice President Doreen Ringer Ross, who handed out more than 80 BMI Crystals throughout the evening.

View the Film/TV Awards List

A highlight of the ceremony was the presentation of the BMI Richard Kirk Award for Outstanding Career Achievement to multitalented film composer George S. Clinton. The prestigious award is given annually to a composer who has made significant contributions to film and television music, with past honorees including Jerry Goldsmith, Thomas Newman, Michael Kamen, John Barry, Mark Mothersbaugh, Danny Elfman, Alan Menken, Mike Post, Lalo Schifrin and John Williams.

George S. Clinton's versatility and musical prowess have placed the Grammy-nominated maestro in the upper-echelon of Hollywood composers. The recipient of six BMI awards and composer for myriad films, Clinton's scores have lent depth to thrillers including Mortal Kombat and Wild Things ; supplied deft timing to comedic smashes Austin Powers: International Man of Mystery and its two sequels; and helped paint poignant moments in Joe Somebody , quirky moods in 3,000 Miles to Graceland and foreboding atmospheres in The Astronaut's Wife . An active member of the film community, Clinton also serves as an advisor at the Sundance Institutes' Composers Lab.

BMI also recognized accomplished conductor and composer Lucas Richman with the Classic Contribution Award for ten years of service leading BMI's celebrated Conductor's Workshop. A BMI composer, Richman has led the workshop since its inception. Presently Music Director and Conductor for the Knoxville Symphony Orchestra, Richman is a leading expert in conducting and composing, having fashioned an outstanding career as a conductor with numerous symphonies and orchestras in the U.S. as well as collaborator with numerous film composers as their conductor, recording scores for such films as the Academy Award-nominated As Good As It Gets, Face/Off, Seven, Breakdown, Anastasia and The Village.

BMI's Oscar-, Golden Globe- and Emmy-winning composers were also feted, including Gustavo Santaolalla, whose score for Babel earned him his second Academy Award for Original Score; and Alexandre Desplat (SACEM), whose score for The Painted Veil earned him a Golden Globe award for Best Original Score – Motion Picture.

Danny Elfman took home the evening's most awards, with four BMI Crystals for Meet The Robinsons, Charlotte's Web, Nacho Libre and Desperate Housewives. Composer Theodore Shapiro took home three awards for The Devil Wears Prada, Blades of Glory and You, Me and Dupree; and Pete Townshend (PRS) was once again a triple winner for CSI, CSI: Miami and CSI: NY .

Composers who took home two awards were Teddy Castalucci for Wild Hogs and Little Man; Charlie Clouser for Saw III and Numb3rs ; Harry Gregson-Williams for Flushed Away and Déjà Vu; Rupert Gregson-Williams for Over The Hedge and Click ; and Aaron Zigman for Step Up and Bridge To Terabithia. Other award winners were Jeff Beal for Ugly Betty ; Rolfe Kent and Daniel Licht for Dexter ; Bruce Hanifan for Deadliest Catch ; Steve Jablonsky for Desperate Housewives ; Alex Wolff, Michael Wolff and Nat Wolff for The Naked Brothers Band ; Carim Clasmann (PRS) and Galia Durant (PRS) for Grey's Anatomy; Dain Blair and Tony Phillips for the hit series Deal Or No Deal, and many others.

Bestowed annually on a composer who has made significant contributions to the realm of film and television music, the Richard Kirk Award is named after past BMI Vice President Richard Kirk. As the 2007 honoree, George S. Clinton enters an ambit of elite colleagues including composers Henry Gregson-Williams, Jerry Goldsmith, John Barry, Thomas Newman, Michael Kamen, Mark Mothersbaugh, Danny Elfman, Alan Menken, Mike Post, Lalo Schifrin and John Williams.

George S. Clinton’s versatility and sheer musical prowess have placed the Grammy-nominated maestro in the upper-echelon of Hollywood composers. The recipient of six BMI awards and composer for a myriad of films, Clinton’s scores have lent depth to thrillers including Mortal Kombat and Wild Things; supplied deft timing to comedic smashes Austin Powers: International Man of Mystery and its two sequels; and helped paint poignant moments in Joe Somebody, quirky moods in 3,000 Miles to Graceland and foreboding atmospheres in The Astronaut’s Wife. An active member of the film community, George S. Clinton also serves as an advisor at the Sundance Institutes’ Composers Lab.

The gala ceremony, will also salute BMI's Oscar, Golden Globe and Emmy-winning composers. BMI will also present the Classic Contribution Award to composer and conductor Lucas Richman. Richman has led the BMI Conducting Workshop in Los Angeles since it inception, celebrating 10 years when the workshop commences in June. The Workshop is a two-week course taught by Richman, designed for working BMI film and television composers who wish to refine their conducting skills.

Shown are (l to r): composer John Debney, BMI composers Basil Poledouris and John Ottman, BMI's Doreen Ringer Ross, Damon Intrabartolo, Carol Goldsmith, Lisbeth Scott and composer John Frizzell.

The three-day conference included an evening concert in the one thousand-year old square, which featured the music of the American composers. In an award ceremony, Carol Goldsmith was given their first award, the "Jerry," which is a caricature statue of the late composer. Honorary president John Frizzell was also awarded a "Jerry" for his support of the event and producing the concert.]]> 2006-08-07T18:00:00-05:00 http://www.bmi.com/news/entry/334815 Artists, Blair, Dain, Bryant, Del, Elfman, Danny, Goldsmith, Jerry, Gregson-Williams, Harry, Groupe, Larry, Hagen, Earle, Jablonsky, Steve, Kamen, Michael, Kent, Rolfe, Kiner, Kevin, Levine, James, Menken, Alan, Messenger, Dominic, Midnight, Charlie, Mothersbaugh, Mark, Newman, David, Newman, Thomas, Phillips, Tony, Post, Mike, Rabin, Trevor, Robinson, Peter Manning, Santaolalla, Gustavo, Schifrin, Lalo, Townshend, Pete, Williams, John, Wilson, Brian, Wurman, Alex, Young, Christopher, Awards, BMI Awards, BMI Film TV Awards, Musical Styles, Film-TV 'Narnia' Composer Harry Gregson-Williams Honored for Outstanding Career Achievement; Classic Contribution Award Goes to Earle Hagen

BMI honored the composers and songwriters of the music from the past year's top-grossing films, top-rated prime-time network television series and highest-ranking cable network programs at its annual Film & Television Awards. Held May 17 at the Regent Beverly Wilshire Hotel, the black-tie gala was hosted by BMI President & CEO Del Bryant and Film/TV Relations Vice President Doreen Ringer Ross, who handed out more than 100 BMI Crystals throughout the evening.

	BMI Film/TV Awards Photo Slideshow
	2006 Film/TV Awards list
	Harry Gregson-Williams Bio

A highlight of the ceremony was the presentation of the BMI Richard Kirk Award for Outstanding Career Achievement to versatile film composer Harry Gregson-Williams. Named after late BMI Vice President Richard Kirk, the prestigious award is given annually to a composer who has made significant contributions to film and television music. Past honorees include Jerry Goldsmith, Mike Post, Thomas Newman, Michael Kamen, Mark Mothersbaugh, Lalo Schifrin, Danny Elfman, Alan Menken and John Williams.

Harry Gregson-Williams	Earle Hagen

One of Hollywood's most sought-after composers, Harry Gregson-Williams has infused his unique musical talent into the scores of such diverse films as The Chronicles of Narnia: The Lion, the Witch & the Wardrobe, Man on Fire, Bridget Jones: The Edge of Reason, Shrek, Shrek 2, Spy Game, Chicken Run, Kingdom of Heaven, Antz and Domino. The British-born Golden Globe nominee, who was named Composer of the Year at the 2005 Hollywood Film Festival, is currently working on the music to Shrek the Third and Déja Vu.

Celebrated BMI composer Earle Hagen received the Classic Contribution Award in recognition of more than 50 years as a BMI affiliate. He was also cited for 10 years of dedication as a mentor and teacher of the BMI workshop he founded in 1986, where he was instrumental in fostering the careers of many young film and television composers. A past Richard Kirk Award recipient, Hagen has written some of the most memorable themes in TV music history, including The Andy Griffith Show, The Dick Van Dyke Show, I Spy, Make Room for Daddy, Gomer Pyle, USMC, That Girl and The Mod Squad, among others. He is also the author of three books, two of which are considered the definitive textbooks in the film scoring field.

BMI's Oscar-, Golden Globe- and Emmy-winning composers were also feted, including Latin rock pioneer Gustavo Santaolalla, whose Brokeback Mountain music earned him an Academy Award for Best Original Score and a Golden Globe for Best Original Song for "A Love That Will Never Grow Old" from the movie's soundtrack. Danny Elfman's Emmy-winning theme to the ABC hit Desperate Housewives gave the composer two of his three wins; his score to Charlie and the Chocolate Factory also earned him a BMI Film/TV Award.

The gala ceremony also honored Rolfe Kent for the comedies Failure to Launch and Wedding Crashers, Trevor Rabin for sports drama Coach Carter, BMI Icon Brian Wilson for the theme to HBO's Big Love, Mark Mothersbaugh for the underscore to Big Love and family film Herbie: Fully Loaded, Charlie Clouser for the sequel Saw II and hit TV show Numb3rs, John Williams for the Golden Globe-winning Memoirs of a Geisha and blockbuster film War of the Worlds, David Newman for the romantic comedy Monster-In-Law, Alex Wurman for the groundbreaking documentary March of the Penguins, and Christopher Young for the horror movie The Exorcism of Emily Rose.

BMI Television and Cable Awards went to Steve Jablonsky for Desperate Housewives, Larry Groupe for Commander in Chief, Kevin Kiner for CSI: Miami, Peter Manning Robinson for Without a Trace, Charlie Midnight for Daisy Does America, James Levine for The Closer, and Dain Blair and Tony Phillips for the hit series Deal Or No Deal and Extreme Makeover: Home Edition.

Also taking home multiple BMI Crystals were repeat triple winner Pete Townshend (PRS) for CSI, CSI: Miami and CSI: NY, as well as double winners Dominic Messinger for the soaps All My Children and One Life to Live, and Mike Post for the long-running Law & Order and Law & Order: Special Victims Unit.

The award for Outstanding Career Achievement is named after past BMI Vice President Richard Kirk and is given annually to a composer who has made significant contributions to the field of film and television music. Past honorees include Jerry Goldsmith, Thomas Newman, Michael Kamen, Mark Mothersbaugh, Danny Elfman, Alan Menken, Mike Post, Lalo Schifrin and John Williams.

One of Hollywood's most sought-after composers, Golden Globe nominee Harry Gregson-Williams has infused his unique musical talent into the scores of such diverse films as The Chronicles of Narnia: The Lion, the Witch & the Wardrobe, Man on Fire, Bridget Jones: The Edge of Reason, Spy Game, Shrek, Shrek 2, Chicken Run, Kingdom of Heaven, Antz and Domino. The British-born composer, who was named Composer of the Year at the 2005 Hollywood Film Festival, is currently working on the music to Shrek The Third and Déjá Vu.

The gala ceremony, which will also salute BMI's Oscar, Golden Globe and Emmy-winning composers, will feature an award for the most performed song from a motion picture, as well as the Classic Contribution Award to past Richard Kirk honoree Earle Hagen. The 2006 BMI Film & Television Awards will be hosted by Del Bryant, President & CEO, along with Doreen Ringer Ross, Vice President of Film/TV Relations.