Sonny Rollins top two categories, Jazz Artist and Tenor Saxophone, while the Pat Metheny Trio garnered the Jazz Group award; Pat Metheny himself nabbed the Guitar title. Top honors went to Keith Jarrett, who was inducted in Downbeat’s Hall of Fame; Michael Brecker’s Pilgrimage received the Jazz Album honor and B.B. King received the Blues Artist title. Additional instrumentalists honored include Herbie Hancock (Piano), James Carter (Baritone Saxophone), Steve Turre (Trombone) and Miles Davis (Historical Album).

BMI’s Downbeat Readers Poll winners:

Keith Jarrett
Hall of Fame

Sonny Rollins
Tenor Saxophone
Jazz Artist

Michael Brecker
Jazz Album

Miles Davis
Historical Album

Pat Metheny Trio
Jazz Group

Pat Metheny
Guitar

Steve Turre
Trombone

Wayne Shorter
Soprano Saxophone

Phil Woods
Alto Saxophone

James Carter
Baritone Saxophone

Paquito D’ Rivera
Clarinet

James Moody
Flute

Herbie Hancock
Piano

Joey DeFrancesco
Organ

Chick Corea
Electric Keyboard/Synthesizer

Christian McBride
Acoustic Bass

Steve Swallow
Electric Bass

Jack DeJohnette
Drums

Poncho Sanchez
Percussion

Bobby Hutcherson
Vibes

Toots Theilemans
Miscellaneous Instrument

Kurt Elling
Vocals

B.B. King
Blues Artist/Group

Kanye West	Ray Charles

Charles, whose Grammy haul now totals 17, also took home the coveted Record of the Year title as well as Best Pop Collaboration with Vocals for "Here We Go Again," featuring pianist/singer Norah Jones. She won three awards herself, two for her duet with Charles and one for Best Female Pop Vocal Performance for the song "Sunrise" from her sophomore release Feels Like Home.

Norah Jones	John Adams	Loretta Lynn

Genius engineer Al Schmitt won four Grammys, including one for Best Engineered Album (non-classical); the album's producer, Don Mizell, also took home a statuette.

Maroon5	Tim McGraw

Ten-time nominee Kanye West took home three awards, including Best Rap Song for his hit "Jesus Walks" (co-written with Miri Ben-Ari) from his multiplatinum release The College Dropout, which earned the Best Rap Album title. His Best R&B Song win, also a songwriter award, was shared with BMI co-writer Harold Lilly for the smash "You Don't Know My Name."

Blind Boys of Alabama	Brian Wilson

Pop-rockers Maroon5 took home the prestigious Best New Artist Grammy, a surprise to even the band's own members. When lead singer, Adam Levine, accepted the award, he commented: "Kanye West, I want to thank you so much for being unbelievable."

Miri Ben-Ari	Al Schmitt	Harold Lilly

BMI artists once again dominated the Latin category, winning five of the six awards, including Best Latin Rock/Alternative Album (Street Signs) by multicultural, hip-hop outfit Ozomatli and Best Mexican/Mexican-American Album by Tejano-norte�o fusion band Intocable. Cuban bassist Israel "Cachao" L�pez's �Ahora S�! was named Best Traditional Tropical Latin Album and the Spanish Harlem Orchestra won for Best Salsa/Merengue Album. The Best Tejano Album win went to BMI composers David Lee Garza, Joel Guzman and Sunny Sauceda.

Ozomatli

BMI jazz artists also had a strong showing, winning Grammys in four out of six fields, with the Best Jazz Instrumental Album statuette going to McCoy Tyner, Gary Bartz, Terence Blanchard and Christian McBride for Illuminations. Herbie Hancock picked up his ninth career Grammy for Best Jazz Instrumental Solo, Charlie Haden's release Land of the Sun was named Best Latin Jazz Album and Bill Frisell's Unspeakable earned the Best Contemporary Jazz Album title.

Winning two Grammys each were classical composer John Adams and BMI Icon Loretta Lynn. This is legendary country singer's second Grammy; she won in 1971 for her collaboration with Conway Twitty. Her album, Van Lear Rose, earned her the Best Country Album trophy, which she accepted with the album's producer Jack White of the White Stripes. The pair also won Best Country Collaboration With Vocals for the track "Portland Oregon."

Newcomers Los Lonely Boys opened the Grammy show with their #1 breakthrough smash "Heaven," which earned the Tex-Mex brothers the trophy for Best Pop Performance By A Duo Or Group With Vocal. Hip-hop party band the Black Eyed Peas picked up a Grammy for "Let's Get It Started," named Best Rap Performance By A Duo Or Group, while crunk rapper Lil Jon received a Grammy nod for his collaboration on the Usher hit "Yeah!".

Other BMI winners included Basement Jaxx [PRS] (Best Electronic/Dance Album), Tim McGraw (Best Male Country Vocal Performance), The Blind Boys Of Alabama (Best Traditional Soul Gospel Album), Brave Combo (Best Polka Album), and BMI Icon Brian Wilson, who also earned his very first Grammy. The Beach Boys leader was also honored on February 11 as the Person of the Year at the annual MusiCares dinner, which cited him as "one of the most important songwriters and recording artists of our time."

BMI's 2005 Grammy Award Winners:

Ray Charles
Record Of The Year
"Here We Go Again"
Album Of The Year
Genius Loves Company
Best Pop Collaboration With Vocals
"Here We Go Again"
Best Pop Vocal Album
Genius Loves Company
Best Gospel Performance
"Heaven Help Us All"

Al Schmitt
Record Of The Year
"Here We Go Again"
Album Of The Year
Genius Loves Company
Best Engineered Album, Non-Classical
Genius Loves Company
Best Surround Sound Album
Genius Loves Company

Norah Jones
Record Of The Year
"Here We Go Again"
Best Female Pop Vocal Performance
"Sunrise"
Best Pop Collaboration With Vocals
"Here We Go Again"

Kanye West
Best R&B Song
"You Don't Know My Name"
Best Rap Song
"Jesus Walks"
Best Rap Album
College Dropout

John Adams
Best Classical Album
Adams: On The Transmigration Of Souls
Best Classical Contemporary Composition
Adams: On The Transmigration Of Souls

Loretta Lynn
Best Country Album
Van Lear Rose
Best Country Collaboration With Vocals
Portland Oregon"

Maroon5
Best New Artist

Don Mizell
Album Of The Year
Genius Loves Company

Los Lonely Boys
Best Pop Performance By A Duo Or Group With Vocal
"Heaven"

Britney Spears
Best Dance Recording
"Toxic"

Basement Jaxx (PRS)
Best Electronic/Dance Album
Kish Kash

Mot�rhead (PRS)
Best Metal Performance
"Whiplash"

Brian Wilson
Best Rock Instrumental Performance
"Mrs. O'Leary's Cow"

Wilco
Best Alternative Music Album
A Ghost Is Born

Harold Lilly
Best R&B Song
"You Don't Know My Name"

The Black Eyed Peas
Best Rap Performance By A Duo Or Group
"Let's Get It Started"

Lil Jon
Best Rap/Sung Collaboration
"Yeah!"

Miri Ben Ari
Best Rap Song
"Jesus Walks"

Tim McGraw
Best Male Country Vocal Performance
"Live Like You Were Dying"

Dixie Chicks
Best Country Performance By A Duo Or Group With Vocal
"Top Of The World"

Jack White
Best Country Collaboration With Vocals
"Portland Oregon"

Nitty Gritty Dirt Band
Best Country Instrumental Performance
"Earl's Breakdown"

Earl Scruggs
Best Country Instrumental Performance
"Earl's Breakdown"

Randy Scruggs
Best Country Instrumental Performance
"Earl's Breakdown"

Jerry Douglas
Best Country Instrumental Performance
"Earl's Breakdown"

Tim Nichols
Best Country Song
"Live Like You Were Dying"

Will Ackerman
Best New Age Album
Returning

Bill Frisell
Best Contemporary Jazz Album
Unspeakable

Herbie Hancock
Best Jazz Instrumental Solo
"Speak Like A Child"

McCoy Tyner
Best Jazz Instrumental Album, Individual or Group
Illuminations

Gary Bartz
Best Jazz Instrumental Album, Individual or Group
Illuminations

Terence Blanchard
Best Jazz Instrumental Album, Individual or Group
Illuminations

Christian McBride
Best Jazz Instrumental Album, Individual or Group
Illuminations

Charlie Haden
Best Latin Jazz Album
Land Of The Sun

Steven Curtis Chapman
Best Pop/Contemporary Gospel Album
All Things New

The Blind Boys Of Alabama
Best Traditional Soul Gospel Album
There Will Be A Light

Ozomatli
Best Latin Rock/Alternative Album
Street Signs

Israel L�pez "Cachao"
Best Traditional Tropical Latin Album
�Ahora S�!

Spanish Harlem Orchestra
Best Salsa/Merengue Album
Across 110th Street

Intocable
Best Mexican/Mexican-American Album
Intimamente

David Lee Garza
Best Tejano Album
Polkas, Gritos y Acorde�nes

Joel Guzman
Best Tejano Album
Polkas, Gritos y Acorde�nes

Sunny Sauceda
Best Tejano Album
Polkas, Gritos y Acorde�nes

Etta James
Best Traditional Blues Album
Blues To The Bone

Keb' Mo'
Best Contemporary Blues Album
Keep It Simple

Bill Miller
Best Native American Music Album
Cedar Dream Songs

Toots & The Maytals
Best Reggae Album
True Love

Brave Combo
Best Polka Album
Let's Kiss: 25th Anniversary Album

Paquito D'Rivera
Best Instrumental Composition
"Merengue"

Slide Hampton (SACEM)
Best Instrumental Arrangement
"Past Present & Future"

Ray Cooper (PRS)
Best Long Form Music Video
Concert For George

Los Angeles Guitar Quartet
Best Classical Crossover Album
LAGQ's Guitar Heroes

Grammy Lifetime Achievement Award winners:
Eddy Arnold
Art Blakey
The Carter Family
Jerry Lee Lewis
Pinetop Perkins
The Staple Singers

Yet as much as Corea has been a major force for musical progression, he has also built that impetus on a deep musical foundation, and paid tribute to his forebears and influences on such recent albums as Remembering Bud Powell, with guests like Roy Haynes, Kenny Garrett, Joshua Redman, Wallace Roney and Christian McBride, and The Mozart Sessions, recorded with the St. Paul Chamber Orchestra with Bobby McFerrin conducting.

It's all part of Corea's underlying philosophy about music. "Styles of music can be total red herrings when it comes to understanding what elements make up any music one comes across," he explains. "A musical culture is always formed by ideas and creations that originate from individual artists and then are nurtured, developed, enhanced, edited, added to, turned upside down and generally altered to fit a particular artist's needs and desires."

And in that spirit, Corea has continued to create music in any number of formats with a variety of approaches. Recent years have found him returning to the acoustic piano after decades as an electric keyboard icon, first with the group Origin, which Corea refers to as his "small orchestra," and lately in his New Trio with the Origin rhythm section of bassist Avishai Cohen and drummer Jeff Ballard, dubbed "my intimate ensemble" by its leader. Since 1992, Corea has also run his own label, Stretch, with longtime manager Ron Moss, releasing not only his own CDs but also albums by Roney, Cohen, Robben Ford, Eddie Gomez, Jason Lidner and others.

Corea's latest release for the label, Past, Present & Futures, reflects his breadth of vision with a Fats Waller song, explorations of the music of Spain, Morocco, Egypt, the Middle East and Latin America that have long influenced Corea's compositions, and a Corea original, "Fingerprints," that tips its hat to the song "Footprints" written by Corea's peer and former Miles Davis bandmate Wayne Shorter.

It's been more than 40 years since Corea dropped out of Columbia University after spending every night for two weeks at Birdland soaking up musical inspiration that still feed his muse. And the lesson he has learned over that time, as Corea told a Berklee College of Music graduating class he addressed in 1997, is that following one's creative impulses is the source of genuine success. "It's all right to be yourself," he urges other musicians, "In fact, the more yourself you are, the more money you make."

By Rob Patterson

From the dawning days of rhythm & blues through today's multifaceted urban music scene, BMI has been at the forefront of music from the African American tradition, styles and community. A continuity of teamwork between BMI and Black music-makers extends from Aretha Franklin to Janet Jackson, from Motown hitmakers Eddie Holland, Lamont Dozier & Brian Holland to R. Kelly, and from Miles Davis to Terence Blanchard.

B.B. King

Busta Rhymes

Janet Jackson

Eminem

When r&b, in its formative years, was the province of budding independent labels, small publishers, and adventurous radio stations, BMI opened its ranks to the musical movement when the existing performing rights organization failed to recognize the legitimacy and potential brewing in Black American music. The considerable fact that 90 percent of the R&B Foundation's Pioneer Awards have been bestowed on BMI artists attests to BMI's historical commitment to Black music.

Eric Benet

Macy Gray

Mariah Carey

Michael Jackson

The BMI Black music rosters reads like a musical honor role: Jazz giants such as Billie Holiday, Thelonious Monk, Charlie Parker, Dinah Washington and John Coltrane; blues icons like Leadbelly, Muddy Waters, B.B. King and T-Bone Walker; r&b pacesetters such as Ray Charles, Fats Domino and James Brown; soul sisters Etta James, Irma Thomas and Diana Ross; rock pioneers like Chuck Berry and Little Richard.

Mya

R. Kelly

Snoop Dogg

Toni Braxton

The BMI bloodlines can be traced from then to now, from Carla Thomas to Donna Summer to Vanessa Williams, from Kenneth Gamble & Leon Huff to LA Reid and Babyface, from Otis Redding to Michael Jackson. And if you check this space 20 or 30 years from now, the odds say its likely that BMI's contemporary urban music artists will be just as legendary and influential as those BMI has represented throughout the history of Black popular music in America.

In a sense, the pages have already been written by today's BMI star talents. Mariah Carey has proven herself a formidable and enduring presence in popular music, while Macy Gray is arising to help bring soul back to its rightful place of presence in urban music. Kevin Eubanks delivers sublime new variations of the jazz guitar heritage to millions on The Tonight Show, and Joshua Redman redefines the notion of young jazz giant for a new millennium. Snoop Dogg, Eminem and Lil' Kim continue to push the hip-hop envelope, while Kirk Franklin and Winans Phase 2 keep the gospel spirit alive.

But it's not just the marquee names that make these exciting times for BMI's urban music roster. And even some of BMI's team whose work happens primarily behind the scenes are earning public note on the level of the artists they work with. Producer, songwriter, keyboardist and remixer Dallas Austin launched Monica and TLC, and counts Michael Jackson, Madonna, Boyz II Men and Aretha Franklin among his credits. Such musical versatility and vision continues with such recording and writing powerhouses as Jerry 'Wonder' Duplessis, Master P, Tim & Bob, SoulShock & Karlin, Jean Claude 'Poke' Olivier of The Track Masters, Organized Noise, Teddy Bishop and Cory Rooney - all drawing from a differing wealth of musical wells and creating new and innovative musical moments.

Hip-hop remains a powerfully progressive and sometimes provocative movement in modern popular music. Jay-Z, Busta Rhymes and Goodie Mob keep it real, and the beats and themes will surely remain hard in the hands of such acts as Lord Tariq & Peter Gunz, Ja Rule, Mos Def, Trick Daddy, Silkk the Shocker, JT Money, Kurupt and J-Shin. At the same time, acts like The Roots, Black Eyed Peas, Talib Kweli & Hi-Tek and Spooks infuse a rich mixture of styles into the hip-hop genre. Once the sound of the street, just as r&b had been, hip-hop is now an integral part of contemporary culture. And its Caribbean cousin dancehall is also claiming the attention of the public ear thanks to Buju Banton.

R&B has always boasted its powerful cadre of female singers. And just as Carla Thomas, Martha Reeves and Jodi Whatley established their voices as trademarks, so have the women like Brandy, Toni Braxton and Faith Evans. Rising to join them are such soul sisters as Angie Stone, Mya, Sunshine Anderson and Aaliyah, while R&B brothers such as Eric Benet and Pharrell Williams of The Neptunes stir up new soul traditions for today's urban music fans as Clyde McPhatter, Sam Moore and Aaron Neville have before them. The girl group traditions forged by The Shirelles and The Supremes find modern expression in the "new jill flava" of Total.

As the recent Ken Burns documentary demonstrated, jazz is one of the richest skeins in the American cultural tapestry. BMI has been a consistent presence in jazz, from Lionel Hampton to Coleman Hawkins to Herbie Hancock to Roy Hargrove. Today, Terence Blanchard, Christian McBride, Kevin Eubanks and Bilal maintain the instrumental and compositional greatness of jazz music for the genre's future.

Spirituals have always been an essential element in Black music and BMI's mission, thanks to everyone from James Ingram to The Fairfield Four. And perhaps nobody has had a more profound impact on contemporary music and the popularity of spiritual sounds than minister, songwriter, producer and visionary Kirk Franklin. In the past, one could make similar claims for The Winans, and the family tradition forged there is carried on by Winans Phase 2. The ears reached by these artists are now opening as well to such rising talents as Yolanda Adams and Trin-i-tee 5:7.

Such diversity, commercial impact, innovation and encouragement of burgeoning styles and new artists has been a hallmark of BMI's commitment to Black music from the time that "race music" became rhythm & blues, and on through soul, funk and disco right up to rap and new jack swing. As BMI salutes tradition through its longtime support of the R&B Foundation, it also helps create the future that is urban music in all its breadth and creativity. Because at BMI, Black Music Month is celebrated 12 months a year.