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    <title>Terence Blanchard</title>
    <link>http://www.bmi.com/affiliate/rss/C2331</link>
    <description>This BMI RSS feed contains news articles, events, and musicworld articles for a specific affiliate or group.</description>
    <dc:language>en</dc:language>
    <dc:creator>affiliates@bmi.com</dc:creator>
    <dc:rights>Copyright 2008</dc:rights>
    <dc:date>2008-10-07T21:00:00-05:00</dc:date>
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	<item>
      <title>Terence Blanchard&#8217;s &#8216;Miracle at St. Anna&#8217; Score Celebrated at BMI/SCL Screening</title>
      <link>http://www.bmi.com/news/entry/537269</link>
      <description></description>
      <dc:subject>Blanchard, Terence, Hancock, Herbie, Film&#45;TV</dc:subject>
      <content:encoded><![CDATA[<p>BMI and The Society of Composers and Lyricists (The SCL) hosted a screening on behalf of BMI composer <a id='f2331' class='f2331' href='/affiliate/C2331'>Terence Blanchard</a> for his score for the Spike Lee film <em>Miracle at St Anna</em>. BMI composer <a id='f361' class='f361' href='/affiliate/C361'>Herbie Hancock</a> moderated a Q&amp;A with Blanchard following the screening for fellow composers, songwriters, lyricists and industry guests.</p>

<p>The film debuted at the Toronto International Film Festival on September 7 and opens commercially September 26. <em>Miracle at St. Anna</em> marks Blanchard's twelfth collaboration with Lee. Blanchard's original epic score features over 140 minutes of music and was recorded at Sony Studios in Los Angeles with a 98-piece orchestra, including members of Terence Blanchard's band.</p>

<p>Miracle at St. Anna is based on James Mcbride's critically acclaimed <em>New York Times</em> bestseller and World War II novel. With a cast that includes Michael Ealy, John Turturro, John Leguizamo, and Walton Scoggins, <em>Miracle at St. Anna</em> depicts the lives of four African-American soldiers fighting in World War II (1944). The film follows the 92nd Buffalo Soldier Division trapped behind enemy lines and separated from their unit in a small Italian village after one of them risks his life to save an Italian boy. What happens within the confines of the town, and the incredible passion with which these soldiers live out their daily lives is nothing less than physically and emotionally extraordinary.</p>
]]></content:encoded>
      <dc:date>2008-09-23T12:43:00-05:00</dc:date>
    </item>

	<item>
      <title>Big Easy Music Awards Toast Year&#8217;s Best in New Orleans</title>
      <link>http://www.bmi.com/news/entry/536500</link>
      <description></description>
      <dc:subject>Blanchard, Terence, Domino, Fats, Lil&apos; Wayne, Thomas, Irma, Toussaint, Allen, Treme Brass Band, Blues, R&amp;B, Rock</dc:subject>
      <content:encoded><![CDATA[<p>The 20th Annual Big Easy Music Awards honored the musical lifeblood still pulsing through New Orleans Monday, April 21 at Harrah's Theatre. Winners, performers and presenters featured a bevy of BMI legends: Entertainer of the Year <a id='f2331' class='f2331' href='/affiliate/C2331'>Terence Blanchard</a> and his band delivered a jaw-dropping performance; revered piano man <a id='f2997' class='f2997' href='/affiliate/C2997'>Allen Toussaint</a> presented the 2008 Lifetime Achievement in Music honor to beloved funk innovator Eddie Bo; newly-anointed Best Female Performer <a id='f2321' class='f2321' href='/affiliate/C2321'>Irma Thomas</a> handed out jazz and gospel honors alongside the Thelonius Monk Institute's Jonathan Bloom; and the Tipitina Foundation's acclaimed <em>Goin' Home: A Tribute to <a id='f2324' class='f2324' href='/affiliate/C2324'>Fats Domino</a></em> received Album of the Year bragging rights.</p>

<p><strong>All BMI 2008 Big Easy Music Award Winners</strong></p>

<p>Entertainer of the Year<br />
<strong>Terence Blanchard</strong></p>

<p>Lifetime Achievement in Music <br />
<strong>Eddie Bo</strong></p>

<p>Ambassador of Music <br />
<strong>Donald Harrison, Jr. </strong></p>

<p>Best Blues Artist<br />
<strong>Little Freddie King</strong></p>

<p>Best Rhythm and Blues<br />
<strong>Jon Cleary</strong></p>

<p>Best Rap/Hip Hop<br />
<strong>Lil' Wayne</strong></p>

<p>Best Traditional Jazz<br />
<strong>Tom McDermott &amp; Evan Christopher</strong></p>

<p>Best Contemporary Jazz Artist<br />
<strong>Terence Blanchard</strong></p>

<p>Best Traditional Brass Band<br />
<strong>Treme Brass Band</strong></p>

<p>Best Contemporary Brass Band<br />
<strong>Soul Rebels</strong></p>

<p>Best Roots Rock Band <br />
<strong>Happy Talk Band</strong></p>

<p>Best Rock Band<br />
<strong>Rotary Downs</strong></p>

<p>Best Funk Band<br />
<strong>Galactic</strong></p>

<p>Best Zydeco Artist<br />
<strong>Terrance Simien &amp; The Zydeco Experience</strong></p>

<p>Best Mixed Bag<br />
<strong>Bonerama</strong></p>

<p>Best Female Performer<br />
<strong>Irma Thomas</strong></p>

<p>Best Emerging Artist<br />
<strong>Shamarr Allen</strong></p>

<p>Best Album<br />
<em><strong>Goin' Home: A Tribute to Fats Domino</strong></em><br />
Tipitina's Foundation - Vanguard Records<br />
Produced by Bill Taylor, Adam Shipley &amp; Chris Finney</p>
]]></content:encoded>
      <dc:date>2008-04-25T18:44:01-05:00</dc:date>
    </item>

	<item>
      <title>2008 BMI Grammy Award Winners</title>
      <link>http://www.bmi.com/news/entry/536057</link>
      <description></description>
      <dc:subject>T&#45;Pain, Calle 13, Winehouse, Amy, Bailey Rae, Corinne, Aguilar, Pepe, Blanchard, Terence, Clapton, Eric, Clark Sisters, The, Coltrane, John, D&apos;Rivera, Paquito, Foo Fighters, Franklin, Aretha, Gill, Vince, Guerra, Juan Luis, Hammond, Fred, Hancock, Herbie, Jones, Norah, Krauss, Alison, Levert, Gerald, Los Tigres del Norte, Maroon 5, Nelson, Willie, Rihanna, Souza, Luciana, Sturr, Jimmy, Underwood, Carrie, Urban, Keith, West, Kanye, White Stripes, The, Winter, Paul</dc:subject>
      <content:encoded><![CDATA[<p>Record of the Year<br />
"Rehab," <a id='f3403' class='f3403' href='/affiliate/C3403'>Amy Winehouse</a><br />
Mark Ronson, producer<br />
<br />
Album of the Year<br />
<em>River: The Joni Letters</em>, <a id='f361' class='f361' href='/affiliate/C361'>Herbie Hancock</a><br />
Leonard Cohen, <a id='f419' class='f419' href='/affiliate/C419'>Norah Jones</a>, <a id='f3396' class='f3396' href='/affiliate/C3396'>Corinne Bailey Rae</a>, <a id='f2940' class='f2940' href='/affiliate/C2940'>Luciana Souza</a> & Tina Turner, featured artists; Herbie Hancock, producer<br />
<br />
Song of the Year<br />
"Rehab," Amy Winehouse, songwriter (Amy Winehouse)<br />
<br />
Best New Artist<br />
Amy Winehouse<br />
<br />
Best Female Pop Vocal Performance<br />
"Rehab," Amy Winehouse<br />
<br />
Best Pop Performance By A Duo Or Group With Vocals<br />
"Makes Me Wonder," <a id='f509' class='f509' href='/affiliate/C509'>Maroon 5</a><br />
<br />
Best Pop Collaboration With Vocals<br />
"Gone Gone Gone (Done Moved On)," Robert Plant (ASCAP) & <a id='f451' class='f451' href='/affiliate/C451'>Alison Krauss</a><br />
<br />
Best Pop Vocal Album<br />
<em>Back to Black</em>, Amy Winehouse<br />
<br />
Best Rock Performance By A Duo Or Group With Vocals<br />
"Icky Thump," <a id='f802' class='f802' href='/affiliate/C802'>The White Stripes</a><br />
<br />
Best Rock Album<br />
<em>Echoes, Silence, Patience & Grace</em>, <a id='f315' class='f315' href='/affiliate/C315'>Foo Fighters</a><br />
<br />
Best Rap Album<br />
<em>Graduation</em>, <a id='f798' class='f798' href='/affiliate/C798'>Kanye West</a><br />
<br />
Best Hard Rock Performance<br />
"The Pretender," Foo Fighters<br />
<br />
Best Alternative Music Album<br />
<em>Icky Thump</em>, The White Stripes<br />
<br />
Best Traditional R&B Vocal Performance<br />
"In My Songs," <a id='f471' class='f471' href='/affiliate/C471'>Gerald Levert</a><br />
<br />
Best Rap Solo Performance<br />
"Stronger," Kanye West<br />
<br />
Best Rap Performance by a Duo or Group<br />
"Southside," Common Featuring Kanye West<br />
<br />
Best Rap Song<br />
"Good Life," Aldrin Davis, Mike Dean & Kanye West, songwriters; (Kanye West Featuring <a id='f3508' class='f3508' href='/affiliate/C3508'>T-Pain</a>)<br />
<br />
Best Jazz Instrumental Solo<br />
"Anagram," Michael Brecker, soloist<br />
<br />
Best Jazz Instrumental Album, Individual or Group<br />
<em>Pilgrimage</em>, Michael Brecker<br />
<br />
Best Contemporary Jazz Album<br />
<em>River: The Joni Letters</em>, Herbie Hancock<br />
<br />
Producer Of The Year, Non-Classical<br />
Mark Ronson<br />
<br />
Best Female Country Vocal Performance<br />
"Before He Cheats," <a id='f3113' class='f3113' href='/affiliate/C3113'>Carrie Underwood</a><br />
<br />
Best Male Country Vocal Performance<br />
"Stupid Boy," <a id='f780' class='f780' href='/affiliate/C780'>Keith Urban</a><br />
<br />
Best Gospel Performance<br />
"Blessed & Highly Favored," <a id='f3309' class='f3309' href='/affiliate/C3309'>The Clark Sisters</a><br />
<br />
Best Gospel Song<br />
"Blessed & Highly Favored," (The Clark Sisters)<br />
<br />
Best Mexican/Mexican-American Album<br />
<em>100% Mexicano</em>, <a id='f2407' class='f2407' href='/affiliate/C2407'>Pepe Aguilar</a><br />
<br />
Best Large Jazz Ensemble Album<br />
<em>A Tale Of God's Will (A Requiem For Katrina)</em>, <a id='f2331' class='f2331' href='/affiliate/C2331'>Terence Blanchard</a><br />
<br />
Best Contemporary Blues Album<br />
<em>The Road To Escondido</em>, JJ Cale & <a id='f216' class='f216' href='/affiliate/C216'>Eric Clapton</a><br />
<br />
Best Latin Urban Album<br />
<em>Residente O Visitante</em>, <a id='f3469' class='f3469' href='/affiliate/C3469'>Calle 13</a><br />
<br />
Best Rock Or Rap Gospel Album<br />
<em>Before The Daylight's Shot</em>, Ashley Cleveland<br />
<br />
Best Dance Recording<br />
"LoveStoned/I Think She Knows," producer Jimmy Douglass<br />
<br />
Best Latin Jazz Album<br />
<em>Funk Tango</em>, <a id='f2441' class='f2441' href='/affiliate/C2441'>Paquito D'Rivera</a> Quintet<br />
<br />
Best Country Performance By A Duo Or Group With Vocals<br />
"How Long," Eagles<br />
<br />
Best Traditional Blues Album<br />
<em>Last Of The Great Mississippi Delta Bluesmen: Live In Dallas</em><br />
Henry James Townsend, Joe Willie "Pinetop" Perkins, Robert Lockwood, Jr. & David "Honeyboy" Edwards<br />
<br />
Best Banda Album<br />
<em>Te Va A Gustar</em>, El Chapo<br />
<br />
Best Urban/Alternative Performance<br />
"Daydreamin'," Lupe Fiasco <br />
<br />
Best Gospel Performance<br />
"Never Gonna Break My Faith," <a id='f2268' class='f2268' href='/affiliate/C2268'>Aretha Franklin</a><br />
<br />
Best Country Album<br />
<em>These Days</em>, <a id='f334' class='f334' href='/affiliate/C334'>Vince Gill</a><br />
<br />
Best Tropical Latin Album<br />
<em>La Llave De Mi Coraz&#243;n</em>, <a id='f2406' class='f2406' href='/affiliate/C2406'>Juan Luis Guerra</a><br />
<br />
Best Contemporary R&B Gospel Album<br />
<em>Free To Worship</em>, <a id='f360' class='f360' href='/affiliate/C360'>Fred Hammond</a><br />
<br />
Best Pop/Contemporary Gospel Album<br />
<em>A Deeper Level</em>, Israel And New Breed<br />
<br />
Best Musical Album For Children<br />
<em>A Green And Red Christmas</em>, The Muppets<br />
Ted Kryczko, producer<br />
<br />
Best Tejano Album<br />
<em>Before The Next Teardrop Falls</em>, Little Joe & La Familia<br />
<br />
Best Norte&#241;o Album<br />
<em>Detalles Y Emociones</em>, <a id='f491' class='f491' href='/affiliate/C491'>Los Tigres Del Norte</a><br />
<br />
Best Country Collaboration With Vocals<br />
"Lost Highway," <a id='f574' class='f574' href='/affiliate/C574'>Willie Nelson</a> & Ray Price<br />
<br />
Best Album Notes<br />
<em>John Work, III: Recording Black Culture</em><br />
Bruce Nemerov, album notes writer (Various Artists)<br />
<br />
Best Rap/Sung Collaboration<br />
"Umbrella," <a id='f1340' class='f1340' href='/affiliate/C1340'>Rihanna</a><br />
<br />
Best Musical Show Album<br />
<em>Spring Awakening</em>, Duncan Sheik, producer; Duncan Sheik, composer; Steven Sater, lyricist<br />
<br />
Best Zydeco Or Cajun Music Album<br />
<em>Live! Worldwide</em>, Terrance Simien & The Zydeco Experience<br />
<br />
Best Polka Album<br />
<em>Come Share The Wine</em>, <a id='f3305' class='f3305' href='/affiliate/C3305'>Jimmy Sturr</a> And His Orchestra<br />
<br />
Best Classical Contemporary Composition<br />
"Made In America," Joan Tower (Leonard Slatkin, conductor; Nashville Symphony Orchestra)<br />
<br />
Best Classical Crossover Album<br />
<em>A Love Supreme: The Legacy Of <a id='f2318' class='f2318' href='/affiliate/C2318'>John Coltrane</a></em>, Turtle Island Quartet<br />
<br />
Best New Age Album<br />
<em>Crestone</em>, <a id='f818' class='f818' href='/affiliate/C818'>Paul Winter</a> Consort</p>]]></content:encoded>
      <dc:date>2008-02-11T21:30:00-05:00</dc:date>
    </item>

	<item>
      <title>Delfeayo Marsalis</title>
      <link>http://www.bmi.com/musicworld/entry/535188</link>
      <description></description>
      <dc:subject>Marsalis, Delfeayo, Blanchard, Terence, Charles, Ray, Coltrane, John, Domino, Fats, Jazz, Hitmaker</dc:subject>
      <content:encoded><![CDATA[<p><a id='f3501' class='f3501' href='/affiliate/C3501'>Delfeayo Marsalis</a>&#8217;s Minions Dominion, with its subtly swinging ballads, intertwining lines and fleet bop melodies performed by the late Elvin Jones on drums and brother Branford and Donald Harrison on saxophones, has the traditional sound of modern jazz. It&#8217;s become a well-established sound in the 20 years since the young lions upset the jazz establishment by being staunchly traditional and openly admiring of music first heard decades before their birth, but it leads to contemporary jazz musicians being unfairly compared to truly legendary historical figures. &#8220;But you would never hear a Wynton Marsalis composition and say, &#8216;this is Duke Ellington&#8217; any more than you would hear Michael Brecker and say this is &#8216;<a id='f2318' class='f2318' href='/affiliate/C2318'>John Coltrane</a>&#8217;,&#8221; counters the trombone-playing Marsalis. &#8220;You hear that this guy studied Duke Ellington but this is his own take.  That is how [the jazz tradition] sustains itself: through composition.&#8221;</p>

<p>Though this is his first release in a decade, Marsalis, who turns 42 this summer, has been a major multi-tasker on the jazz scene since the early &#8217;80s. He&#8217;s toured with Jones, Art Blakey, Slide Hampton and Max Roach as well as <a id='f2245' class='f2245' href='/affiliate/C2245'>Ray Charles</a> and <a id='f2324' class='f2324' href='/affiliate/C2324'>Fats Domino</a>; produced nearly 80 sessions for contemporaries such as Nicholas Payton, Jeff &#8220;Tain&#8221; Watts, Courtney Pine, and Eric Reed, various family members and Harry Connick Jr.&#8217;s debut; studied at Berklee and the University of Louisville, which awarded him an MA in jazz performance, and composed for stage and screen productions as varied as the ABC mini-series <em>Moon over Miami</em> and the New Orleans Ballet adaptation of plays by Tennessee Williams.</p>

<p>As active as he is today, Marsalis misses the good old days. &#8220;If you look back at what these guys were trying to accomplish . . . it&#8217;s phenomenal to me, given where they started, which was basically learning jazz off of records,&#8221; explains Marsalis, who recalls a conversation with <a id='f2331' class='f2331' href='/affiliate/C2331'>Terence Blanchard</a> and Donald Harrison: &#8220;I told them, &#8216;Let&#8217;s get back to the &#8217;80s.&#8217; Not that I wanted guys to play that style of music again but to get back to that level of seriousness and intensity. The sad part is so much music happened in the &#8217;80s that&#8217;s been overlooked.&#8221;</p>
]]></content:encoded>
      <dc:date>2007-08-14T11:00:00-05:00</dc:date>
    </item>

	<item>
      <title>BMI Composer/Director Roundtable @ Sundanace: Park City, UT</title>
      <link>http://www.bmi.com/events/entry/534226</link>
      <description></description>
      <dc:subject>Blanchard, Terence, Clinton, George S., Davis, Don, Golub, Peter, Robbins, David, Shearmur, Ed, Wedren, Craig, Wurman, Alex, Film&#45;TV, Industry</dc:subject>
      <content:encoded><![CDATA[<p>BMI will present its annual Composer/Director Roundtable during the <a href= "http://festival.sundance.org/2007/" target="_blank">2007 Sundance Film Festival</a> being held Jan. 18-28 in Park City, Utah. Entitled &#8220;Music &amp; Film: The Creative Process,&#8221; the roundtable will be held on Wednesday, Jan. 24 from 11 a.m. to 1 p.m. at the Sundance House at the Kimball Art Center (638 Park Avenue). This event is open to festival badge holders. 
</p>
<p>
This year&#8217;s roundtable will be moderated by BMI&#8217;s Vice President of Film/TV Relations, Doreen Ringer Ross, and will feature BMI composers Terence Blanchard (<i>Inside Man</i>; Sundance Composers Lab Advisor), George S. Clinton (<i>Austin Powers</i>; Sundance Composers Lab Advisor), Don Davis (<i>The Good Life</i>), Adam Gorgoni (<i>Starting Out in the Evening</i>), Peter Golub (<i>Wordplay</i>; Composers Lab Director), Andrew Hollander (<i>Waitress</i>), David Robbins (<i>King of California</i>), Anton Sanko (<i>Delirious</i>), Ed Shearmur (<i>Dedication</i>; Composer Lab Advisor), Alex Wurman (<i>The Nines</i>; Composer Lab Advisor), and Craig Wedren (<i>The Ten</i>). The event will also feature directors John August (<i>The Nines</i>), Steve Berra (<i>The Good Life</i>), Mike Cahill (<i>King of California</i>), Justin Theroux (<i>Dedication</i>) and David Wain (<i>The Ten</i>).
</p>]]></content:encoded>
      <dc:date>2007-01-24T15:45:00-05:00</dc:date>
    </item>

	<item>
      <title>BMI Songwriters Snowball @ Sundance: Park City, UT</title>
      <link>http://www.bmi.com/events/entry/533959</link>
      <description></description>
      <dc:subject>Blanchard, Terence, Film&#45;TV, Singer&#45;Songwriter, Industry, Showcase</dc:subject>
      <content:encoded><![CDATA[<p>Held during the <a href= "http://festival.sundance.org/2007/" target="_blank">2007 Sundance Film Festival</a> being held Jan. 18-28, featuring jazz trumperter Terence Blanchard, blues artist Keb&#8217; Mo&#8217;, and singer/songwriters Michael Penn and Viktor Krauss at the at the Sundance House at the Kimball Art Center (638 Park Avenue). This is an official 2007 Sundance Film Festival event and is open to festival badge holders, press passes and invited guests only; tickets will not be sold. <a href= "/news/entry/533955" >Click here</a> for more info.
</p>]]></content:encoded>
      <dc:date>2007-01-24T15:32:00-05:00</dc:date>
    </item>

	<item>
      <title>BMI Celebrates the Creative Process at Sundance</title>
      <link>http://www.bmi.com/news/entry/534233</link>
      <description></description>
      <dc:subject>Blanchard, Terence, Clinton, George S., Davis, Don, Golub, Peter, Robbins, David, Shearmur, Ed, Wedren, Craig, Wurman, Alex, Film&#45;TV</dc:subject>
      <content:encoded><![CDATA[<p><em>Composers Terence Blanchard, George S. Clinton, Ed Shearnur Among Panelists</em></p>

<p>BMI will present its annual Composer/Director Roundtable during the <a href= "http://festival.sundance.org/2007/" target="_blank">2007 Sundance Film Festival</a> being held Jan. 18-28 in Park City, Utah. Entitled "Music & Film: The Creative Process," the roundtable will be held on Wednesday, Jan. 24 from 11 a.m. to 1 p.m. at the Sundance House at the Kimball Art Center (638 Park Avenue). This event is open to festival badge holders. </p>

<p align="center">
<table width="450" border="0" align="center" cellpadding="0" cellspacing="0" class="photo-box">
  <tr align="center" valign="top">
    <td width="150" class="photo-td"><img src="/images/musicworld/b/blanchard_t_1_150.jpg" width="150" height="85"></td>
    <td width="150" class="photo-td"><img src="/images/musicworld/c/clinton_g_1_150.jpg" width="150" height="85"></td>
    <td width="150" class="photo-td"><img src="/images/musicworld/s/shearmur_e_1_150.jpg" width="150" height="85"></td>
  </tr>
  <tr align="center" valign="top">
    <td width="150" class="photo-td">Terence Blanchard</td>
    <td width="150" class="photo-td">George S. Clinton</td>
    <td width="150" class="photo-td">Ed Shearmur</td>
  </tr>
</table></p>

<p>BMI has been an ongoing supporter of the film music program at the Festival as well as at the Sundance Composers Lab held each summer at the Sundance Institute. <a href= "/sundance">Click here</a> for more information on BMI events at Sundance as well as on-site coverage of the Festival. </p>

<p>This year's roundtable will be moderated by BMI's Vice President of Film/TV Relations, Doreen Ringer Ross, and will feature BMI composers Terence Blanchard (<i>Inside Man</i>; Sundance Composers Lab Advisor), George S. Clinton (<i>Austin Powers</i>; Sundance Composers Lab Advisor), Don Davis (<i>The Good Life</i>), Adam Gorgoni (<i>Starting Out in the Evening</i>), Peter Golub (<i>Wordplay</i>; Composers Lab Director), Andrew Hollander (<i>Waitress</i>), David Robbins (<i>King of California</i>), Anton Sanko (<i>Delirious</i>), Ed Shearmur (<i>Dedication</i>; Composer Lab Advisor), Alex Wurman (<i>The Nines</i>; Composer Lab Advisor), and Craig Wedren (<i>The Ten</i>). The event will also feature directors John August (<i>The Nines</i>), Steve Berra (<i>The Good Life</i>), Mike Cahill (<i>King of California</i>), Justin Theroux (<i>Dedication</i>) and David Wain (<i>The Ten</i>). </p>
 
<p>The panel will focus on the role music plays in film, the composer/director relationship, the growing role of documentaries, and the art of scoring for that medium, as well as the creative expansion of the form.</p>

<p>The Sundance Film Festival is the premier showcase for U.S. and international independent film. Held each January in and around Park City, Utah, the Festival is a core program of the Sundance Institute, a nonprofit cultural organization founded by Robert Redford in 1981. Presenting 120 dramatic and documentary feature-length films in seven distinct categories, and 80 short films each year, the Sundance Film Festival has introduced American audiences to some of the most innovative films of the past two decades, including <i>Little Miss Sunshine, Quincea&#241;era, Clerks, Hustle and Flow, Maria Full of Grace, Napoleon Dynamite, sex, lies and videotape, Smoke Signals</i> and <i>Super Size Me</i>. Beyond the streets of Park City, the <a href= "http://festival.sundance.org/2007/" target="_blank">official website</a> of the Sundance Film Festival shares the Festival experience with a global audience through the streaming of short films, filmmaker interviews, and current news and box office information.</p>

<p><a href="/special/sundance2007/534089">Visit</a> BMI @ Sundance 2007</p>]]></content:encoded>
      <dc:date>2007-01-11T15:51:00-05:00</dc:date>
    </item>

	<item>
      <title>&#8216;Songwriters Snowball&#8217; Storms Sundance Film Fest</title>
      <link>http://www.bmi.com/news/entry/533955</link>
      <description></description>
      <dc:subject>Blanchard, Terence, Frisell, Bill, Krauss, Alison, Monk, Thelonious, Nash, Graham, Parton, Dolly, Film&#45;TV</dc:subject>
      <content:encoded><![CDATA[<p>BMI will host its fifth annual "Songwriters Snowball" showcase during

the <a href= "http://festival.sundance.org/2007/" target="_blank">2007

Sundance Film Festival</a> being held Jan. 18-28 in Park City, Utah. The

Snowball will take place on Wednesday, Jan. 24 from 6-9 p.m., featuring

performances by Grammy-winning composer/jazz trumpeter <a href=

"/news/200610/20061016a.asp">Terence Blanchard</a>, Grammy-winning blues

artist Keb' Mo', and singer/songwriters Michael Penn and Viktor Krauss. </p>



<p>The showcase will be held at the Sundance House at the Kimball Art

Center (638 Park Avenue). This is an official 2007 Sundance Film

Festival event and is open to festival badge holders, press passes and

invited guests only; tickets will not be sold. Performance times will be

Viktor Krauss at 6 p.m., Michael Penn at 6:30 p.m., Keb' Mo' at 7 p.m.

and Terence Blanchard at 7:30 p.m. </p>



<p>Having presented an array of composers and singer/songwriters at the

Festival for more than 15 years, BMI is a longtime supporter of

Sundance's film music program, including the Sundance Composers Lab held

each summer at the Sundance Institute. <a href= "/sundance">Click

here</a> to see coverage from last year.</p>



<p><img src="/news/200612/images/sundance_tblanchard.jpg" width="150" height="85" class="photo-wrap">A Sundance Composers Lab advisor and a Thelonious Monk Institute

instructor, jazz trumpet player <a href=

"http://www.terenceblanchard.com " target="_blank">Terence Blanchard</a>

is a true musical wonder. Having created dual careers in the jazz and

film/TV worlds, he has seen the launch of his critically acclaimed CD

<i>Flow</i> in 2006, along with his score to <i>Inside Man</i> and his

stirring music for Spike Lee's documentary on Hurricane Katrina, <i>When

the Levees Broke</i>. Currently he is working on the score for director

Kasi Lemmons new film <i>Talk to Me</i> starring Don Cheadle and will be

going to Prague in January to record strings and orchestral arrangements

for the <i>When the Levees Broke</i> CD release. A New Orleans native,

Blanchard will be headlining the New Orleans Jazz and Heritage Festival

on April 28, 2007.  </p>



<p><img src="/news/200612/images/sundance_keb_mo.jpg" width="150" height="85" class="photo-wrap">Three-time Grammy-winning blues singer/songwriter <a href=

"http://www.kebmo.com" target="_blank">Keb' Mo's</a> music is a living

link to the seminal Delta blues - the music that traveled up the

Mississippi River and across the expanse of America before evolving into

a universally celebrated art form. Born Kevin Moore, he adopted his

better known stage name when he was a young guitar player who became

inspired by his American legacy. His acclaimed self-titled 1994 debut

album introduced that now famous appellation to the world, and his

latest album, 2006's <i>Suitcase</i> - his eighth album for Epic/Okeh

records - brings his talent to new heights. His distinctive sound

embraces multiple eras and genres, including pop, rock, folk and jazz,

showing he is well-versed in each. The disc follows his 2004 double play

of <i>Peace: Back By Popular Demand</i>, featuring covers of classic

'60s and'70s-era peace and protest songs, and the celebrated <i>Keep It

Simple</i>, for which he won his third Grammy for Best Contemporary

Blues Album. In addition, he's done extensive songs and themes for TV

and film. </p>



<p><img src="/news/200612/images/sundance_mpenn.jpg" width="150" height="85" class="photo-wrap">One of the most acclaimed singer/songwriters to emerge during the late

1980s, <a href= "http://www.michaelpenn.com" target="_blank">Michael

Penn</a> was seemingly destined for a career in show business. Born in

New York City's Greenwich Village, the older brother of siblings Sean

(later recognized among the finest actors of his generation) and Chris

(a noted character actor acclaimed for his work in features like

<i>Reservoir Dogs</i>) chose music over acting. His debut <i>March</i>

(1989) won him a 1990 MTV Video Music Award for Best New Artist. He

followed it up with <i>Free-for-All</i> (1992), <i>Resigned</i> (1997)

and <i>MP4: Days Since a Lost Time Accident</i> (2000). Penn then moved

into film scoring and worked on <i>Hard Eight; Boogie Nights</i>; Alan

Cumming's first two directorial efforts <i>The Anniversary Party</i> and

<i>Suffering Man's Charity</i>; <i>Melvin Goes to Dinner</i>; the

documentary <i>The Comedians of Comedy</i>; and <i>The Last Kiss</i>. </p> 



<p><img src="/news/200612/images/sundance_vkrauss.jpg" width="150" height="85" class="photo-wrap">In addition to creating an eclectic mix of original music ranging from

rock to bluegrass, composer, songwriter and double bassist <a href=

"http://www.viktorkrauss.com" target="_blank">Viktor Krauss</a> has

worked with many Grammy-nominated and Grammy-winning artists, including

Bill Frisell, Elvis Costello, Graham Nash, Dolly Parton and Lyle Lovett

(he co-wrote his hit "You Were Always There"). The Illinois native and

brother of bluegrass artist Alison Krauss is also known from performing

with Lovett for nearly a decade. As a solo artist, Krauss shines with

his CD <i>Far from Enough</i> released under Nonesuch Records to much

critical and AAA radio acclaim. He is also behind a Zappa-esque rock

unit called Difficult Listening, as well as progressive bluegrass

pioneer Peter Rowan's group Free Mexican Airforce. </p>



<p>The Sundance Film Festival is the premier showcase for U.S. and

international independent film. Held each January in and around Park

City, Utah, the Festival is a core program of the Sundance Institute, a

nonprofit cultural organization founded by Robert Redford in 1981.

Presenting 120 dramatic and documentary feature-length films in seven

distinct categories and 80 short films each year, the Sundance Film

Festival has introduced American audiences to some of the most

innovative films of the past two decades, including <i>American

Splendor, Clerks, Hustle and Flow, Maria Full of Grace, Napoleon

Dynamite, sex, lies and videotape, Smoke Signals</i> and <i>Super Size

Me</i>. Beyond the streets of Park City, the <a href=

"http://www.sundance.org" target="_blank">official website</a> of the

Sundance Film Festival shares the Festival experience with a global

audience through the streaming of short films, filmmaker interviews, and

current news and box office information.</p>]]></content:encoded>
      <dc:date>2006-12-08T20:50:00-05:00</dc:date>
    </item>

	<item>
      <title>Film/TV Conference Features Composer Terence Blanchard, Discount for BMI Writers</title>
      <link>http://www.bmi.com/news/entry/335026</link>
      <description></description>
      <dc:subject>Blanchard, Terence, Kyd, Jesper, Film&#45;TV, Los Angeles</dc:subject>
      <content:encoded><![CDATA[BMI is proud to once again sponsor the <a href= "http://www.billboardevents.com/billboardevents/filmtv/index.jsp" target="_blank">Hollywood Reporter/Billboard Film & TV Music Conference</a>, being held Nov.14-15 at the Beverly Hills Hotel in Los Angeles. The two-day event will feature sessions and panels on music for film, TV, Internet, gaming, commercials and other industry-related topics. As a return sponsor of the event, BMI writers can take advantage of a discounted registration rate of $300, a significant savings over the regular rate. <a href= "http://www.billboardevents.com/billboardevents/filmtv/registration.jsp" target="_blank">Click here</a> to register online and enter promotional code "BMIft" (case sensitive). </p> <p><img src="/news/200610/images/tblanchard.jpg" width="150" height="85" class="photo-wrap">The BMI-sponsored Billboard Q&A Session, featuring Film/TV Relations VP Doreen Ringer Ross and BMI Grammy-winning composer <strong>Terence Blanchard</strong>, will take place Nov. 14 from 4:30 p.m. to 5:30 p.m. in the Beverly Hills Ballroom. Topics include Blanchard's work with Spike Lee on such films as <i>Inside Man, Malcolm X, 25th Hour</i> and <i>Clockers</i>, as well as his scores for such projects as <i>Waist Deep, Their Eyes Were Watching God, Barbershop</i> and <i>Eve's Bayou</i>. Blanchard will also discuss how he balances scoring with his career as one of jazz music's leading trumpeters. <p>Other BMI composers announced to participate at the conference include film/TV/gaming composer <a href= "/musicworld/musicpeople/200512/jkyd.asp">Jesper Kyd</a> ("Hitman: Blood Money," "Splinter Cell: Chaos Theory"), who will speak on the "Music & Gaming" panel, and musician Jeff Koz, Founder & Creative Director of HUM, who will be on the "Shoot Presents Music for Commercials" panel. <p>Now in its fifth year, the Hollywood Reporter/Billboard Film & TV Music Conference attracts over 500 attendees, including many of the industry's most influential executive and creative talents, award-winning composers and directors, top-name music supervisors, and key studio, network, record label and publishing professionals, plus VIPs from the advertising, gaming and commercial fields.]]></content:encoded>
      <dc:date>2006-10-17T05:00:00-05:00</dc:date>
    </item>

	<item>
      <title>Composer &#8216;Coffee Talk&#8217; Causes Buzz at LA Film Fest</title>
      <link>http://www.bmi.com/news/entry/334877</link>
      <description></description>
      <dc:subject>Artists, Blanchard, Terence, Gregson&#45;Williams, Harry, Newman, Thomas, Musical Styles, Film&#45;TV</dc:subject>
      <content:encoded><![CDATA[BMI presented its third annual "Coffee Talk" at the Los Angeles Independent Film Festival (<a href= http://www.lafilmfest.com/ target="_blank">LAIFF</a>) on Sunday, June 25. The panel was moderated by BMI's Doreen Ringer Ross, Vice President of Film/TV Relations, and featured composers <a id='f2331' class='f2331' href='/affiliate/C2331'>Terence Blanchard</a> (Inside Man, Mo' Better Blues), <a href= "/musicworld/features/200006/tnewman.asp">Thomas Newman</a> (Finding Nemo, The Shawshank Redemption) and BMI's <a href= "/news/200605/20060518a.asp">2006 Richard Kirk Award</a> recipient <a href= "/news/200605/filmtv_hgwilliams.asp">Harry Gregson-Williams</a> (The Chronicles of Narnia: The Lion, the Witch & the Wardrobe, Shrek). The panelists discussed the creative process in scoring a film, music usage, creative control and budgetary issues. <p align="center"> <table width="450" border="0" align="center" cellpadding="0" cellspacing="0" class="photo-box"> <tr align="center" valign="top"> <td class="photo-td"><img src="/musicworld/musicpeople/200606/images/coffee_talk.jpg" width="450" height="230"></td> </tr> <tr align="center" valign="top"> <td align="left" class="photo-td">Shown after the "Coffee Talk" are BMI composers Terence Blanchard and Thomas Newman, BMI's Doreen Ringer Ross, and BMI composer Harry Gregson-Williams. <em>Photo by Randall Michaelson</em></td> </tr> </table></p>]]></content:encoded>
      <dc:date>2006-06-27T18:00:01-05:00</dc:date>
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