Both Hanna and McEuen are accomplished guitarists and songwriters who have logged more time on the road than many artists twice their age. Jonathan was performing with his dad by the time he was seven. "There were 9,000 people who stood up and screamed and cheered after I sang," he recalls of performing at his dad's annual Rocky Mountain Opry at Colorado's famed Red Rocks amphitheater. "I was in tears because it was so emotional. When you are seven years old and people are sitting and then they are standing and screaming because of something you did, that's when I got the buzz. From then on I knew."

Like McEuen, music was part of Hanna's life early on. After high school, he moved to Nashville to pursue a music career and met Mavericks frontman Raul Malo. "His music affected me and it just totally changed my perspective of country music," says Hanna, who went on the road with the Mavericks, handling harmony, rhythm guitar and percussion. He later performed on Malo's solo dates and the two co-wrote together. "Being in Nashville got me interested in songwriting," he notes

McEuen had been offered a pop deal with Universal, but the seeds for Hanna-McEuen were planted when Jonathan and Jaime recorded "Lowlands" in 2001 for the Dirt Band's Will the Circle Be Unbroken, Vol. III . The song was so well received, it paved the way for their debut disc, which fuses Hanna's Nashville sensibilities with McEuen's West Coast vibe. "It's just the accumulation of influences over the years," says Hanna. "We have very similar tones in our vocals, but we also have very different styles, so I think when you marry the two, it comes out to be what it is."

"We're opening a new chapter," says Jonathan of the duo's musical legacy, "It's something that I just love so much. It's [been] totally worth the wait."

His songwriting legacy includes such classics as "Peace Train" (recorded by 10,000 Maniacs, Dolly Parton and Don Williams), "Wild World" (cut by Jimmy Cliff and Maxi Priest) and "The First Cut is the Deepest" (covered by Rod Stewart and, recently, Sheryl Crow). The list of others who have performed songs written by Stevens is as diverse as the modern music scene itself: Pearl Jam, Wayne Newton, Sarah McLachlan, Johnny Cash, Patti LaBelle, The Mavericks, Gilberto Gil, New Order, Floyd Cramer, Yo La Tengo and Elton John, to name but a few. And his catalog includes such other classics as "Moon Shadow," "Where Do The Children Play," "Morning Has Broken" and "Sad Lisa."

It's all an amazing accomplishment for a singer, writer and guitarist who was The Offspring of a Greek father (who ran a London restaurant) and Swedish mother. Raised and educated in Sweden, where his studies included classical music, Stevens landed in England during his late teens. Songs from his debut album, Matthew and Son , made him a U.K. pop star while a hit version of "There Goes My Baby" by The Tremeloes began his decades-long string of high profile covers.

After a bout with tuberculosis in 1969, Stevens reemerged as a unique folk-rock troubadour whose gentle style nonetheless conveyed songs of stunning depth, intensity and resonance. Albums like Mona Bone Jakon , Tea for The Tillerman , Teaser and The Firecat and others made him a staple on American pop and album radio as well as an international star. A longtime spiritual bent led him to convert to Islam in 1979 and not long after change his name and leave the music business. A decade later he made headlines with a statement supporting Ayatollah Khomeini's fatwa (Islamic death sentence) against novelist Salman Rushdie that Stevens later claimed to have been misinterpreted. The controversial declaration caused many U.S. radio stations to pull the music of Cat Stevens from their playlists. But the lasting strength of his creations and heart found within them has overcome that situation.

Last year Stevens returned briefly to the pop music scene to re-record "Peace Train" for an album to benefit the children of Iraq that also included contributions from Paul McCartney, David Bowie, George Michael and other British pop stars. “'Peace Train' is a song I wrote, the message of which continues to breeze thunderously through the hearts of millions of human beings," says Stevens, "and there is a powerful need for people to feel that gust of hope rise up again."

photo: BMI/Brian Tipton

BMI recently visited Windswept Pacific Music in Nashville for lunch and a sampling of songs from its top writers. Among those attending the luncheon were BMI writers Jeffrey Steele, Sherri� Austin, Bobby Bare Jr., John Hobbs, and Al Anderson (2000 BMI Country Songwriter of the Year.)

Jeffrey Steele fronted the band Boy Howdy and wrote the popular "She'd Give Anything" with band producer Chris Farren. Steele has been prolific: he co-wrote the title track for Diamond Rio's album Unbelievable; wrote three songs on Kevin Sharp's gold Measure Of a Man; Aaron Tippin recorded "Her"; Paul Brandt sung Steele's "It's a Beautiful Thing"; LeAnn Rimes belted "Big Deal"; Collin Raye professed he "Couldn't Last a Moment"; and Randy Travis crooned "I'll Be Right Here Lovin' You." "Couldn't Last a Moment" earned Steele and co-writer Danny Wells a 2001 BMI Country Award. Steele's next full-length release, Something In the Water, is due in early 2002.

Writer/producer/keyboardist John Hobbs wrote and played on all three of Collin Raye's platinum albums and produced Extremes and The Best of Collin Raye: Direct Hits. In addition to Raye's smash "If I Were You," his writing credits include "That's All She Wrote" for Reba McEntire and "She's Gone" for Ricochet. Hobbs recently played on Trace Adkins' Chrome and is currently involved in an album and accompanying video project titled "The Players," honoring Nashville's finest session players. Hobbs was also nominated for 2001 CMA Musician of the Year.

A longtime member of the influential band N.R.B.Q., Al Anderson's songs have been covered by a variety of recording greats, ranging from the Allman Brothers to the Fabulous Thunderbirds. Since relocating to Nashville, Al Anderson has had hits with a variety of acts, including "All You Ever Do Is Bring Me Down" recorded by the Mavericks, "Unbelievable" recorded by Diamond Rio, "Powerful Thing" by Trisha Yearwood, and "Big Deal" by Le Ann Rimes, to name a few. Anderson continues to write, with up-coming releases by Diamond Rio, Alabama, Tim McGraw, Lonestar, Jolie, and The Wanted, among others.

Bobby Bare, Jr. fronts the Nashville-based group Bare Jr. Son of the legendary country singer, Bobby Jr. was reared on a healthy diet of touring and musical stardom, and he regularly appeared with his father on television. Even with country music in his blood, Bobby Jr.'s music is better suited in the alt-country or Southern-rock genres. Acting as vocalist/guitarist, Bobby Bare Jr. formed his band in the mid-'90s, recruiting bassist Dean Tomasek and drummer Keith Brogdon to join him. After a few gigs, they were approached by dulcimer player Tracy Hackney who brought his instrument to a jam session. The combination worked, and with the addition of pajama-clad guitarist Mike "Grimey" Grimes, the lineup was complete.

Indeed, Anderson's compositions have been recorded by an impressively broad array of acts, including Tim McGraw, Alabama, Wynonna, Deana Carter, Lonestar, Shenandoah, Jerry Lee Lewis, Aaron Tippin, Neal McCoy, Asleep at the Wheel, Etta James, K.T. Oslin, Sara Evans, Charlie Daniels, Tanya Tucker, Chris LeDoux, Deborah Allen, Ty England, Sammy Kershaw, Billy Ray Cyrus, Confederate Railroad, T. Graham Brown, Joe Diffie, The Nitty Gritty Dirt Band, Neal McCoy, Rhonda Vincent, Stacy Dean Campbell, Lari White, Jason Sellers, Robbie Fulks and Olivia Newton-John.

Though he's risen to the level of Nashville royalty in recent years, Anderson was well known to rock fans long before he stormed the country charts. He first made his mark as singer, guitarist and main writer of the Connecticut foursome the Wildweeds, who scored a substantial regional hit in 1967 with his composition "No Good to Cry," and subsequently in a 24-year stint with the beloved cult band NRBQ. Over the course of a dozen or so NRBQ albums, Anderson contributed numerous memorable tunes, and was celebrated equally for his stellar instrumental work; in 1993, Musician magazine named him one of the Top 100 guitar players of the century.
At the end of 1993, Big Al shocked NRBQ's fans by exiting the hard-touring band to concentrate on working behind the scenes as a songwriter. Anderson says the decision to quit had more to do with embracing sobriety than any dissatisfaction with the legendarily eclectic band.

"I'll tell ya, those are very fuzzy years," Anderson laughs. "Playing with NRBQ was a great school, and I can't tell you how much I learned from those guys. It wasn't until I got clean that I realized that 24 years of the Quality Inn and Red Roof and smoky clubs and the same broken chairs in the dressing room was getting old for me. I was in the most free band in rock & roll, but I started to feel limited."

Anderson had actually begun going to Nashville to co-write in the mid-'80s, and Hank Williams Jr. recorded his "You're Gonna Be A Sorry Man" in 1988, but it wasn't until after leaving NRBQ that he began pursuing the life of a professional songwriter in earnest. His transition from road warrior to pro tunesmith began when he and Carlene Carter co-wrote "Every Little Thing," which became the biggest hit of Carter's career. Anderson followed that success with another Carter collaboration, "Something Already Gone," for the Maverick film soundtrack, and hasn't looked back since.

Anderson has also found himself in demand as a session player for the inventive guitar chops he honed during his years on the road, and his distinctively gruff vocals have been tapped for numerous commercial jingles. But it's his writing talents that are his main focus these days.
"I've learned a lot, but I still have no idea what I'm doing," he says. “I'm still a rock & roll guy, and I believe in recognizing the value of dumbness. My motto is 'Make dumb good.' 'All You Ever Do Is Bring Me Down' is, like, the dumbest song ever written — the chorus is exactly the same melody as the verses — but it's the greatest record goin'."

Anderson, whose discography includes three solo releases, says that he's hoping to release a new album of his own at some point in the near future, though not under his own name. He's more interesting in making an album with his Nashville-based combo Whitey, which also includes the aforementioned Jeffrey Steele, guitarist Scott Baggett, bassist Glenn Worf, keyboardist Reese Wynans and drummer Chad Cromwell. Though the band has played some local dates and Anderson admits that he misses performing, he's quick to add that he's in no hurry to return to the road.

"I'm not getting on the bus again," he says. "Considering that I'll be 54 in July, (songwriting) is a much nicer way to be making a living in music. I like feeling good every day."

Nashville, October 3 — Performing rights organization BMI staged the 48^th edition of its Country Awards tonight, with superlative honors reserved for "Amazed," songwriters Al Anderson and Skip Ewing, songwriter/artists Martie Seidel and Shania Twain, and publishing giant Sony/ATV Tree. BMI Citations of Achievement were presented by President & CEO Frances W. Preston and Vice President Roger Sovine to the songwriters and publishers of the past year’s 50 most performed songs during a black-tie gala at the company’s Music Row offices. This celebration -- the oldest awards program saluting country music’s creators -- culminated in the announcements of Country Song, Songwriter, and Publisher of the Year.

Sony/ATV Tree was proclaimed Publisher of the Year at the 48th BMI Country Awards, with nine songs on the list of the 50 most performed songs of the past year. Onstage for the presentation are BMI's Roger Sovine, Sony/ATV Tree's Woody Bomar and Donna Hilley, BMI's Frances Preston and Sony/ATV Tree's Don Cook.

"Amazed" earned writers Marv Green, Chris Lindsey and Aimee Mayo the 32^nd Robert J. Burton Award as Most Performed Country Song of the Year. An unprecedented 8-weeks-at-#1-Billboard smash for RCA recording artists Lonestar, "Amazed" is published by Careers-BMG Music Publishing, Inc. (Nick Firth and Karen Conrad accepting); Golden Wheat Music (Scott Hendricks accepting); Silverkiss Music (Aimee Mayo accepting); Songs of Nashville DreamWorks (Chuck Kaye and James Stroud accepting) and Warner-Tamerlane Publishing Corp. (Les Bider and Tim Wipperman accepting).

BMI's Roger Sovine, Al Anderson, Skip Ewing, Shania Twain, BMI's Frances Preston, Martie Seidel and BMI's Del Bryant

Al Anderson, Skip Ewing, Martie Seidel and Shania Twain each placed three songs on the list of 50 to form a Country Songwriter of the Year quadrumvirate. Anderson and Ewing were presented with BMI Crystals inscribed with Songwriter of the Year; Seidel and Twain were gifted with the inaugural Songwriter/Artist Crystal.

Stephony Smith and Toby Keith

Al Anderson’s winning titles were "Powerful Thing," "Big Deal" and "Unbelievable" (the last two co-written with Jeffrey Steele). Anderson, former NRBQ guitarist who has written hits for Carlene Carter, Hal Ketchum and The Mavericks, previously earned BMI Awards for "All You Ever Do Is Bring Me Down" and "Should’ve Asked Her Faster."

Skip Ewing, who has scored hits for Kenny Chesney, Clint Black and Bryan White as well as for himself, brought his BMI Awards total to 14 citations with the success of "Put Your Hand In Mine," "Wish You Were Here" and "You Had Me From Hello."

Martie Seidel of the Dixie Chicks saw her first-ever BMI Awards — for "Cowboy Take Me Away," "Ready To Run" and "You Were Mine" — deliver a share of the night’s top songwriting prize. "You Were Mine" (composed with sister/Chick Emily Robison) is from the Monument trio’s 10-million-selling Wide Open Spaces album; the other two songs (with collaborator Marcus Hummon) were #1 hits from six-times-platinum album Fly.

Returning champ Shania Twain’s award-winning compositions were "Come On Over," "Man! I Feel Like A Woman" and "That Don’t Impress Me Much," all from the 17-times platinum Mercury release Come On Over (the best-selling album in country music history and the best-selling album ever by a female solo artist). The 1999 CMA Entertainer of the Year, who captured both BMI Country Songwriter and Song ("You’re Still The One") honors last year, was also crowned BMI Pop Songwriter of Year the past two years; she now owns 22 BMI Country and Pop Awards.

Sony/ATV Tree basked in the spotlight as BMI Country Publisher of the Year by accumulating the highest percentage of copyright ownership in award songs. Sony/ATV Tree Publishing President & CEO Donna Hilley and Sony/ATV Music Publishing President Richard Rowe accepted the BMI Crystal for the publisher, which placed nine songs on the most-performed list.

Highlights of the evening included the presentation of the President’s Award to Alabama; songwriter members Randy Owen and Teddy Gentry accepted the sterling silver loving cup. BMI created the President’s Award in 1993 to honor an exceptional person or persons in the entertainment industry deserving of special recognition. Presented tonight for only the fourth time, the honor has previously been bestowed on Harlan Howard, Brian Wilson and Earle Hagen. Preston also recognized the family of the late Faron Young on the eve of the BMI songwriter’s induction into the Country Music Hall of Fame.

The BMI Country Awards, the first songwriter awards event to be carried live on the internet, were made available to the world wide web audience through coverage by liveonthenet.com.

Of the 59 songwriters recognized, nine were double winners: Bill Anderson, Jim Collins, Andy Griggs, Marcus Hummon, Tony Martin, Jeffrey Steele, Steve Wariner and "Amazed" authors Aimee Mayo and Chris Lindsey.

Additional publishers collecting four or more awards were Warner-Tamerlane Publishing Corp; Universal Music Publishing Group (Songs of Universal, Inc. and Universal-Songs of PolyGram International, Inc.); EMI Music Publishing (Beechwood Music Corporation, EMI-Blackwood Music, Inc., EMI-Tower Street Music and EMI-Longitude Music); Careers-BMG Music Publishing, Inc.; and Mighty Nice Music.

Four songs were cited for the second time. The Nat Stuckey-penned "Pop A Top" picked up its first Country Award in 1968; "Stand Beside Me," "This Kiss" and "Unbelievable" each posted a previous win in 1999.

Among this year’s honorees, 31 songs have earned the status of BMI Million-Air (accumulating at least one million broadcast performances) for a total of over 36 million performances. "God Must Have Spent A Little More Time On You" and "Crazy Little Thing Called Love" have each reached the two million milestone; "Missing You" has hit the four million mark. All three songs have also previously garnered BMI Pop Awards. Based on an average length of three minutes, one million airplays is the equivalent of 50,000 hours or 5.7 years, continuously; Million-Airs on the 2000 Country list translate into 1.8 million hours or 205+ years of continuous airplay.

BMI’s Citations of Achievement are given annually in recognition of popularity in the field of country music, as measured by feature broadcast performances on American radio and television; the 2000 Country Awards eligibility period ran April 1, 1999 through March 21, 2000.

Founded in 1940, BMI is an American performing rights organization represent-ing more than 250,000 songwriters, composers and music publishers in all music genres. Through music performance and reciprocal agreements, it grants businesses and media access to its repertoire of more than 4.5 million musical works from around the world.

BMI Country Awards 2000

The 50 Most Performed Songs
 

ALL THINGS CONSIDERED
Tim Hunt
Smith Haven Music
Warner-Tamerlane Publishing Corp. Yankee Grey: Monument

AMAZED
Marv Green
Chris Lindsey
Aimee Mayo
Careers-BMG Music Publishing, Inc.
Golden Wheat Music
Silverkiss Music
Songs of Nashville DreamWorks
Warner-Tamerlane Publishing Corp.
Lonestar: BNA

BECAUSE YOU LOVE ME
Kostas
John Scott Sherrill
Nothing But The Wolf Music
Seven Angels Music
Sony/ATV Tree
Universal-Songs of PolyGram International, Inc.
Jo Dee Messina: Curb

BIG DEAL
Al Anderson
Jeffrey Steele
Al Andersongs
Mighty Nice Music
My Life's Work Music
Songs of Windswept Pacific
Yellow Desert Music
LeAnn Rimes: Curb

BREATHE
Stephanie Bentley
Hopechest Music
Universal-Songs of PolyGram International, Inc.
Faith Hill: Warner Bros.
 
COME ON OVER
Shania Twain
Loon Echo, Inc.
Universal-Songs of PolyGram International, Inc.
Shania Twain: Mercury

COWBOY TAKE ME AWAY
Marcus Hummon
Martie Seidel
Careers-BMG Music Publishing, Inc.
Floyd's Dream Music
Woolly Puddin' Music
Dixie Chicks: Monument

CRAZY LITTLE THING CALLED LOVE
Freddie Mercury (PRS)
Beechwood Music Corporation
Dwight Yoakam: Reprise

EVERYTIME I CRY
Karen Staley
Warner-Tamerlane Publishing Corp.
Terri Clark: Mercury

GOD MUST HAVE SPENT A LITTLE MORE TIME ON YOU
Evan Rogers
Carl Sturken
Bayjun Beat Music
Songs of Universal, Inc.
Alabama: RCA
View website

HANDS OF A WORKING MAN
Jim Collins
David Vincent Williams
Megalex Music
Sugar Bend Music
Warner-Tamerlane Publishing Corp.
Ty Herndon: Epic
  
HOW DO YOU LIKE ME NOW?!
Chuck Cannon
Toby Keith
Tokeco Tunes
Wacissa River Music, Inc.
Toby Keith: DreamWorks

HOW FOREVER FEELS
Wendell Mobley
New Works Music Co.
Warner-Tamerlane Publishing Corp.
Kenny Chesney: BNA

I CAN'T GET OVER YOU
Ronnie Dunn
Terry McBride
Constant Pressure Publishing
Showbilly Music
Sony/ATV Tree
Warner-Tamerlane Publishing Corp.
Brooks & Dunn: Arista

I'LL GO CRAZY
Andy Griggs
Zack Turner
Sony/ATV Tree
Andy Griggs: RCA

I'LL THINK OF A REASON LATER
Tony Martin
Tim Nichols
Baby Mae Music
EMI-Blackwood Music, Inc.
Hamstein Cumberland Music
Ty Land Music
Lee Ann Womack: Decca

I'M ALREADY TAKEN
Terry Ryan
Steve Wariner
Fleetside Music
Steve Wariner Music
Steve Wariner: Capitol

LESSONS LEARNED
Paul Nelson
Asifits Music
Sony/ATV Tree
Tracy Lawrence: Atlantic
 
LITTLE GOOD-BYES
Kenny Greenberg
Kent Greene Music
Sony/ATV Tree
SheDaisy: Lyric Street

LONELY AND GONE
Greg Crowe
Dave Gibson
Bill McCorvey, Jr.
House of Integrity Music
Little Tornadoes Music
Timberock Music
Universal-Songs of PolyGram International, Inc.
Warner-Tamerlane Publishing Corp.
Montgomery Gentry: Columbia

MAN! I FEEL LIKE A WOMAN!
Shania Twain
Loon Echo, Inc.
Universal-Songs of PolyGram International, Inc.
Shania Twain: Mercury

MISSING YOU
John Waite
Paperwaite Music
Brooks & Dunn: Arista

MY BEST FRIEND
Aimee Mayo
Bill Luther
Careers-BMG Music Publishing, Inc.
Tim McGraw: Curb

(NOW YOU SEE ME) NOW YOU DON'T
David Lee
Ken Ten Publishing, Inc.
Lee Ann Womack: MCA Nashville

ONE HONEST HEART
David Malloy
Malloy's Toys Music
Starstruck Angel Music, Inc.
Reba: MCA Nashville

PLEASE REMEMBER ME
Will Jennings
Blue Sky Rider Songs
Tim McGraw: Curb
 
POP A TOP
(2nd Award: 1968)
Nat Stuckey
Sony/ATV Tree
Alan Jackson: Arista

POWERFUL THING
Al Anderson
Al Andersongs
Mighty Nice Music
Trisha Yearwood: MCA Nashville

PUT YOUR HAND IN MINE
Skip Ewing
Acuff-Rose Music, Inc.
Write On! Music
Tracy Byrd: RCA

READY TO RUN
Marcus Hummon
Martie Seidel
Careers-BMG Music Publishing, Inc.
Floyd's Dream Music
Woolly Puddin' Music
Dixie Chicks: Monument

SHE THINKS MY TRACTOR'S SEXY
Jim Collins
Paul Overstreet
EMI-Blackwood Music, Inc.
Jelinda Music
Scarlet Moon Music, Inc.
Kenny Chesney: BNA

SHE'S IN LOVE
Keith Stegall
EMI-Tower Street Music
Little Cayman Music
Mark Wills: Mercury

SINGLE WHITE FEMALE
Shaye Smith
EMI-Blackwood Music, Inc.
Zomba Songs, Inc.
Chely Wright: MCA Nashville

SMILE
Chris Lindsey
Songs of Nashville DreamWorks
Lonestar: BNA

SOMETHING LIKE THAT
Rick Ferrell
Mr. Noise Music
We Make Music
Tim McGraw: Curb

STAND BESIDE ME
(2nd Award: 1999)
Stephen Allen Davis
Hamstein Cumberland Music
Jo Dee Messina: Curb

THAT DON'T IMPRESS ME MUCH
Shania Twain
Loon Echo, Inc.
Universal-Songs of PolyGram International, Inc.
Shania Twain: Mercury

THIS KISS
(2nd Award: 1999)
Robin Lerner
Puckalesia Songs
Warner-Tamerlane Publishing Corp.
Faith Hill: Warner Bros.

TWO TEARDROPS
Bill Anderson
Steve Wariner
Mr. Bubba Music, Inc.
Sony/ATV Tree
Steve Wariner Music
Steve Wariner: Capitol

UNBELIEVABLE
(2nd Award: 1999)
Al Anderson
Jeffrey Steele
Al Andersongs
EMI-Longitude Music
Mighty Nice Music
My Life's Work Music
Songs of Windswept Pacific
Yellow Desert Music
Diamond Rio: Arista

WHAT DO YOU SAY
Michael Dulaney
Dulaneyhouse Music
Ensign Music Corporation
Michael Dulaney Music
Reba: MCA Nashville

WHAT DO YOU SAY TO THAT
Jim Lauderdale
Melba Montgomery
Caroljac Music
Laudersongs
Mighty Nice Music
George Strait: MCA Nashville
WHATEVER YOU SAY
Ed Hill
Tony Martin
Baby Mae Music
Careers-BMG Music Publishing, Inc.
Hamstein Cumberland Music
Music Hill Music
Martina McBride: RCA
WHEN I SAID I DO
Clint Black
Blackened Music
Clint Black with Lisa Hartman Black: RCA

WISH YOU WERE HERE
Bill Anderson
Skip Ewing
Debbie Moore
Acuff-Rose Music, Inc.
Belton Uncle Music
Mr. Bubba Music, Inc.
Sony/ATV Tree
Write On! Music
Mark Wills: Mercury

WRITE THIS DOWN
Kent Robbins
Colter Bay Music
Irving Music
George Strait: MCA Nashville

WRONG NIGHT
Rick Bowles
Josh Leo
Hellmaymen Music
Starstruck Angel Music, Inc.
Warner-Tamerlane Publishing Corp.
Reba: MCA Nashville
 
YOU HAD ME FROM HELLO
Kenny Chesney
Skip Ewing
Acuff-Rose Music, Inc.
Roots and Boots Music
Write On! Music
Kenny Chesney: BNA

YOU WERE MINE
Emily Robison
Martie Seidel
Woolly Puddin' Music
Dixie Chicks: Monument

YOU WON'T EVER BE LONELY
Andy Griggs
Sony/ATV Tree
Andy Griggs: RCA