The artists and songwriters named BMI Icons have had “a unique and indelible influence on generations of music makers.” Hank Williams, Jr., who will be saluted with an all-star musical tribute that evening, joins an elite list of past honorees that includes country music legends Willie Nelson, Merle Haggard, Dolly Parton, Whisperin’ Bill Anderson, Charlie Daniels and Loretta Lynn, along with multi-genre nobility the Bee Gees, Isaac Hayes, Ray Davies, James Brown, Crosby, Stills & Nash, Steve Winwood and more.

Hank Williams, Jr.’s career has profiled the aspirations, trials and carousals of the everyman in an unabashedly proud and instantly recognizable voice. Nicknamed “Bocephus” by his legendary father Hank Williams, the younger Williams’ waggish songs and roguish persona have unified through their celebration of rebellion. A sly songwriter and robust vocalist capable of conveying startling emotion and making deceptively ordinary characters shine, he boasts a catalog that includes honky tonk classics “All My Rowdy Friends Have Settled Down,” “Country Boy Can Survive,” “Born to Boogie,” “Dixie On My Mind,” “Family Tradition,” “Whiskey Bent and Hell Bound” and “Texas Women.” Each composition represents a candid piece of Williams himself: He wrote every song on that list alone. In addition to 10 no. 1 singles, he found mainstream success on the pop charts and through penning and performing the multiple Emmy award-winning theme to Monday Night Football; six of Williams’ albums reached platinum status, while 20 were certified gold and 13 reached the no. 1 spot on the charts. Today, a diverse slew of artists spanning hard rap/rocker Kid Rock to contemporary honky tonker Gretchen Wilson embrace Williams’ prolific legacy, citing him as a definitive influence.

Hosted by BMI President & CEO Del Bryant and Nashville Writer/Publisher VP Jody Williams, the 56th Annual Country Awards will recognize the songwriters and publishers of the top BMI country songs played on American radio and television during the previous year. BMI will also bestow prestigious honors on the Country Songwriter of the Year, Country Publisher of the Year and Most Performed Country Song of the Year, also known as the Robert J. Burton Award.

BMI songwriters dominate the selections, representing 58% of the individuals and groups. The variety and superiority of the material attests not only to the wide-ranging talents of BMI songwriters but also the consistency of BMI’s involvement with all eralms of music throughout the course of its history. The diversity of styles and genres included is remarkable, ranging from folk (Woody Guthrie) to rap (Grandmaster Flash and the Furious Five), jazz (Miles Davis) to punk (Sex Pistols), blues (Howlin’ Wolf) to country (Hank Williams), rhythm & blues (Sam Cooke) to soul (Aretha Franklin), disco (Chic) to folk-rock (Fairport Convention), the over-the-top (Velvet Underground & Nico) to the indefinable (Captain Beefheart and his Magic Band).

As with any list, arguments are invited and disagreements encouraged. The following are BMI’s representatives in Mojo’s decisions, including their number in the final grouping.

For the complete list, consult mojo4music.com or rocklistmusic.co.uk/mojo.html.

BMI Songwriters on the MOJO List:

Animals: “The House of the Rising Sun” [#86]
Anthology of American Folk Music [#8]
Beach Boys: Pet Sounds [#21]
The Beatles: “I Want To Hold Your Hand” [#2]
                       Revolver [#40]
                      Sgt. Pepper’s Lonely Hearts Club Band [#16]
Captain Beefheart & His Magic Band: Trout Mask Replica [#51]
Chuck Berry: “Johnny B. Goode” [#12]
Big Youth: Screaming Target [#76]
David Bowie: The Rise and Fall Of Ziggy Stardust And the Spiders From Mars [#31]
                       Low [#64]
James Brown: “Papa’s Got A Brand New Bag” [#15]
Jeff Buckley: Grace [#37]
The Byrds: Sweetheart of the Rodeo [#57]
Ray Charles: “What’d I Say” [#9]
Chic: “Good Times” [#54]
John Coltrane: My Favorite Things [#60]
Sam Cooke: “You Send Me” [#47]
Miles Davis: Kind of Blue [#43]
Lonnie Donegan: “Rock Island Line” [#38]
Nick Drake: Five Leaves Left [#78]
Brian Eno: Discreet Music [#68]
Fairport Convention: Liege & Lief [#58]
Aretha Franklin: “I Never Loved A Man The Way I Love You” [#18]
Gang Of Four: Entertainment [#77]
Gnarls Barkley: “Crazy” [#100]
Davy Graham with Alexis Korner: 3/4AD [#35]
Grandmaster Flash & the Furious Five: “The Message” [#29]
Woody Guthrie: Dust Bowl Ballads [#13]
Billie Holiday : “Strange Fruit” [#67]
Buddy Holly: “That’ll Be The Day” [#52]
Howlin’ Wolf: The Rocking Chair Album [#23]
Michael Jackson: Thriller [#33]
Carole King: Tapestry [#74]
John Lennon: Plastic Ono Band [#55]
The Libertines: Up The Bracket [#94]
Little Richard: “Tutti Frutti” [# 1]
Love [#66]
MC5: Kick Out The Jams [#69]
New York Dolls [#39]
Nirvana: “Smells Like Teen Spirit” [#27]
Nuggets [#42]
N.W.A.: Straight Outta Compton [#61]
Oasis: Definitely Maybe [#89]
Charlie Parker: “Koko” [#26]
Pixies: Surfer Rosa [#79]
Elvis Presley: “Heartbreak Hotel” {#3]
R.E.M.: Murmur [#75]
Rolling Stones: “(I Can’t Get No) Satisfaction” [#19]
                          “Sympathy For The Devil:” [#48]
Ronettes: “Be My Baby” [#45]
Sex Pistols: “God Save the Queen” [#10]
The Shadows: “Apache” [#84]
The Smiths: This Charming Man [#80]
Sonic Youth: EVOL [#85]
The Stone Roses [#99]
The Stooges: Funhouse [#36]
Television: Marquee Moon [#97]
Upsetters: Blackboard Jungle Dub [#59]
The Velvet Underground & Nico [#7]
The Who: “My Generation” [#44]
Hank Williams: “Move It On Over” [#30]
Link Wray: “Rumble” [#41]

Country music sensation and last year’s Top New Female Vocalist Carrie Underwood carried her streak of success into 2007, bagging five nominations, including Top Female Vocalist, Album and Single of the Year.

2006’s top selling country artists Rascal Flatts are up for Entertainer, Top Vocal Group, Album and Single of the Year. Big & Rich scored a total of four nominations in recognition of their diverse work as songwriters, artists and collaborators.

Old friends and country mainstays Tony Brown and Vince Gill each secured three nominations. Gill’s now platinum These Days earned an Album of the Year nod, while Brown’s production work on the last albums by George Strait and Brooks & Dunn turned Academy heads in his direction.

Singer/songwriter Miranda Lambert autonomously bridges the gap between newbees and veterans, snagging nominations in both Top New Female Vocalist and Top Female Vocalist of the Year categories. Jason Aldean earned two nods as well for his hit “Amarillo Sky.” Little Big Town, The Wreckers and Rodney Atkins also landed two nominations each.

The Academy of Country Music Awards will be broadcast live from the MGM Grand Garden Arena in Las Vegas on Tuesday, May 15, 2007 at 8 p.m. ET/delayed PT on the CBS Television Network.

BMI's 2007 ACM Nominees

ENTERTAINER OF THE YEAR
Brooks & Dunn
Tim McGraw
Rascal Flatts

TOP MALE VOCALIST
Toby Keith
Keith Urban

TOP FEMALE VOCALIST
Sara Evans
Faith Hill
Miranda Lambert
Martina McBride
Carrie Underwood

TOP VOCAL GROUP
Diamond Rio
Little Big Town
Lonestar
Rascal Flatts

TOP VOCAL DUO
Big & Rich
Brooks & Dunn
Montgomery Gentry
Sugarland
The Wreckers

TOP NEW MALE VOCALIST
Rodney Atkins
Craig Morgan

TOP NEW FEMALE VOCALIST
Miranda Lambert
Taylor Swift

TOP NEW DUO OR VOCAL GROUP
Heartland
Little Big Town
The Wreckers

ALBUM OF THE YEAR [Award to Artist(s)/Producer(s)/Record Company]
Hillbilly Deluxe
Brooks & Dunn (Arista Nashville)
Produced by Tony Brown, Ronnie Dunn and Kix Brooks
#3 Produced by Mark Wright, Tony Brown, Ronnie Dunn, Kix Brooks
#6 Original demo produced by Kix Brooks, Tom Shapiro

It Just Comes Natural
Produced by Tony Brown

Me and My Gang
Rascal Flatts (Lyric Street Records)
Produced by Rascal Flatts

Some Hearts
Carrie Underwood (19 Recordings Limited/Arista Records)

These Days
Vince Gill (MCA Nashville)
Produced by Vince Gill, John Hobbs, Justin Niebank

SINGLE RECORD OF THE YEAR [Award to Artist(s)/Producer(s)/Record Company]
"Before He Cheats"
Carrie Underwood

"Give It Away"
Produced by Tony Brown

"I Loved Her First"
Heartland

"What Hurts the Most"
Rascal Flatts
Produced by Rascal Flatts

SONG OF THE YEAR [Award to Composer(s)/Publisher(s)/Artist(s)]
"Amarillo Sky"
Jason Aldean
Writers: Big Kenny, Rodney Clawson
Publishers: Big Love Music, Carol Vincent and Associates, Grinnin' Girl Music
"Before He Cheats"
Carrie Underwood

"Give It Away"
Writers: Bill Anderson, Jamey Johnson
Publishers: Sony/ATV Tree Publishing/Mr. Bubba Music, Inc., Sony/ATV Music Publishing, EMI Blackwood Music Inc.

"If You're Going Through Hell (Before the Devil Even Knows)"
Rodney Atkins

"Would You Go With Me"
Writers: Shawn Camp, John Scott Sherrill
Publishers: Sony/ATV Songs LLC/All Mighty Dog Music/Travelin' Arkansawyer Music, Sony/ATV Music Publishing; Sony/ATV Songs LLC/All Mighty Dog Music/City Wolf Music, Sony/ATV Music Publishing

VIDEO OF THE YEAR [Award to Producer(s)/Director(s)/Artist(s)]
"8th of November"
Big & Rich

"Amarillo Sky"
Jason Aldean

"Before He Cheats"
Carrie Underwood

"Hillbilly Deluxe"
Brooks & Dunn

"Seashores of Old Mexico"
Director: Trey Fanjoy

VOCAL EVENT OF THE YEAR [Award to Artist(s)/Producer(s)/Record Company]
"Building Bridges"
Brooks & Dunn with Vince Gill & Sheryl Crow
Produced by Tony Brown, Ronnie Dunn and Kix Brooks
Arista Nashville

"I Don't Want To"
Ashley Monroe & Ronnie Dunn
Produced by Mark Wright
Columbia Nashville

"Me and God"
Featuring Dr. Ralph Stanley and Marty Roe, Dana Williams and Gene Johnson of Diamond Rio
MCA Nashville

"Politically Uncorrect"
Featuring Merle Haggard
Produced by Mark Wright
Columbia Nashville

"That's How They Do It In Dixie"
Hank Williams Jr. with Big & Rich
Produced by Doug Johnson for Curb Productions
Curb Records

Horne went on to open shows for Hank Williams, Jr. and Dwight Yoakam, leaving a growing constituency of new fans in his wake, including Big Kenny of Big & Rich fame, who loved what he heard and signed Damien to his publishing company, Big Love Music.

Above: Pictured in the studio are (l-r): BMI's Mark Mason, Muzik Mafia's Max Abrams, Damien Horne and Big Kenny Alphin. Photo by Elisabeth Dawson

BMI's "See It Hear First" podcast has become an important tool for exposing new BMI songwriters and artists to key industry professionals and fans alike. Since its release in May 2005, millions of listeners from around the world have tuned in to discover new music from a broad range of genres and regions. Past 'cast artists like singer/songwriter Brendan James, rockers somedaynew, Latin hip-hop artist Cosculluela, Canadian crossover band Soul Kid #1 and country-pop combo the Zac Brown Band have all grabbed the industry's attention through the BMI podcast, with some landing major recording and publishing deals, and others on the verge of being signed.

In addition to hearing great music from an array of new talent like this edition's three rising Nashville stars, podcast listeners can also vote for their favorite artist to help them win a CD duplication package from Disc Makers, the leading CD manufacturer for the independent musician. Winners get 1,000 discs, a prize with a promotional value of more than $10,000.

Tune in to bmi.com/podcast to hear all 16 editions of the BMI podcast, the first in the music industry to be listed in Apple's podcast directory. The "See It Hear First" series is also available from iTunes, from Yahoo!, or though Pod2Mob.com.

Podcast #16 Featured artists

The Eli Young Band loves a good honky-tonk song. Mixing dance hall nostalgia with admiration for peppy rock and roll comes naturally to the Texas-based quartet, and they pull off their infectious country/pop rock hybrid with ease. Co-founders Mike Eli and James Young attended primo music institution the University of North Texas at Denton, where they met future bandmates Chris Thompson and Jon Jones. Graceful lyrics explore everyday scenarios with honesty that stems simply from living the songs they sing. Get hooked on Eli Young Band here on "So Close Now."

Virginia native Stephanie Chapman's distinct vocals turn heads from the get-go, ensnaring listeners with their ethereal delicacy. As a songwriter, her voice is developed and unique, visiting universal themes of heartbreak and loss, as well as dipping into homespun, lighter fare from her own happy childhood. Cuts with luminaries Bonnie Raitt and Trisha Yearwood illustrate Stephanie's country/rock versatility and maturity as a writer. Hear this skilled poet tell one of her stories on "Bulletproof."

Trent Summar smirks at expectations and the status quo, finding humor and poignancy in exploring the unexpected life lessons that hit everyday. Trent calls his music "farm rock," and with help from his band, the New Row Mob, he coolly personifies the moniker. From penning Jack Ingram's brassy single "Love You" to his own "Pink John Deere," the native Tennessean packs an inimitable punch with every syllable. Summar's live show emits an energy that is both contagious and raw. Learn more about Trent Summar here in BMI's exclusive interview with the singer/songwriter, and listen to his single "Horseshoes and Hand Grenades."

Del (left) & Dane Bryant smile over their parents' plaque

Boudleaux and Felice's body of work reflects a quintessential partnership, and includes songs for the Everly Brothers like "Bye Bye Love" and "Wake Up, Little Susie," along with hits for country music legends Little Jimmy Dickens, Eddy Arnold and Jim Reeves. The list of icons who have recorded the Bryants' material reads like a who's who of the very canon of American music, from Bob Dylan, the Beatles, Elvis Presley, the Grateful Dead, the Beach Boys, Elvis Costello, Dolly Parton, Roy Orbison, Buddy Holly to Dean Martin.

Hank Williams, Jr. says a few words about legend Roy Orbison

Felice Bryant was also inducted into the Georgia Music Hall of Fame in October.

Other Walk of Fame inductees included country singer Reba McEntire, affectionately dubbed the "first lady of country music"; effervescent vocalist Ronnie Milsap, who performed a vital role in introducing country music to mainstream audiences; a capella student ensemble the Fisk Jubilee Singers, which first formed in 1871 and went on to educate and entertain American presidents and European royalty with their passionate performances of traditional African-American music; American legend Roy Orbison, regarded as one of the founding fathers of rock and roll; and Maestro Kenneth D. Schermerhorn, the beloved Nashville Symphony music director whose achievements included the first East Coast tour for the Nashville Symphony and several Grammy-nominated albums.

Del (left) & Dane Bryant accept the honor on behalf of their parents

Created earlier this year, the Music City Walk of Fame on Nashville's Music Mile will be a landmark tribute to those from all genres of music who have made significant contributions to preserving the musical heritage of Nashville and have contributed to the world through song or other industry collaboration. Permanent sidewalk medallions made of stainless steel and terrazzo, with each honoree's name displayed in a star-and-guitar design, will be installed in the sidewalk along the Music Mile, the roughly one-mile stretch of Demonbreun Street from 4th Avenue South to the Music Row Roundabout at 16th Avenue South. The first plaques will be inlaid in Hall of Fame Park on Demonbreun, between 4th and 5th Avenues South.

The Orbison family celebrates Roy's induction with friend Hank Williams, Jr. Pictured are (l to r): son Roy Orbison Jr., wife Barbara Orbison and Hank Williams, Jr.

The Music City Walk of Fame is an official project of Music City, Inc, the charitable foundation of the Nashville Convention & Visitors Bureau (NCVB), and is produced with the support of presenting sponsor Gibson Guitar, sponsor GAC, the City of Nashville and Metro Parks.

The Bryants' plaque will sit in Hall of Fame Park on Demonbreun Avenue

A large crowd gathered downtown to mark the occasion

BMI recognized too that the emerging center of country music—Nashville—was to become one of the hubs of the music industry. An office was started there in 1958, and permanent facilities were constructed for BMI on Music Row in 1964 just in time for the emergence of some of “Music City U.S.A.’s” most legendary writers. That list includes writers like Willie Nelson, who before he became a star in his own right, created hits like “Crazy” for Patsy Cline and “Hello Walls” for Ray Price, and the late Harlan Howard, who penned a string of songs over more than five decades that many of country’s major stars recorded, including “I Fall to Pieces” and “Heartaches by the Number.” From that day on, BMI has assisted in the careers of many of country’s creative legends and recognized that this genre was no flash in the pan, but instead, an indisputable piece of America’s musical fabric. The fact that 87% of the members of the Country Music Hall of Fame are BMI songwriters attests to that fact.

BMI’s list of songwriters and composers also includes such country giants as Hank Williams Jr., Loretta Lynn, Felice & Boudleaux Bryant, Dolly Parton, Kris Kristofferson, Maybelle Carter, Lester Flatt, Earl Scruggs, Conway Twitty, Merle Haggard, the Stanley Brothers, Bob Wills, Bill Anderson, Doc Watson, Jimmy Martin, Mac Wiseman, Jim & Jesse McReynolds, Buck Owens, Faith Hill, Toby Keith, Tim McGraw, Alabama, Shania Twain, Vince Gill, Charlie Daniels, Don Gibson, Curly Putman, Bill Monroe, Brooks & Dunn, John Michael Montgomery and Alison Krauss.

Founded in l939 as a non-profit-making organization, BMI opened the door to performing rights representation for songwriters and composers of all types of music, many of whom were not eligible under the membership guidelines of the older American PROs. BMI offered first-time representation to songwriters of blues, jazz, r&b, gospel, folk, country and Spanish-language music, and as several of these musical trends converged to produce a new music called “rock & roll,” BMI became the preeminent performing right organization for songwriters of this new genre. The company quickly made reciprocal agreements with sister societies around the world.

The success of BMI’s songwriters and composers is unequaled, as evidenced by their dominance of the industry’s most prestigious awards and honors over the years, representing 51% of the Grammy Awards, 67% of the Country Music Association Awards, 69% of the Rock & Roll Hall of Fame inductees, 87% of the R&B Foundation’s Pioneer Awards and 95% of the Blues Music Awards.

Country Awards Event Photos

Country Awards Song List

Merle Haggard Icon Feature

BMI and Country Music

Toby Keith's hit "As Good As I Once Was," co-written by Keith and Scotty Emerick, was named Song of the Year. Previously named Songwriter of the Year in 2001 and 2004, Keith also shared his third Songwriter of the Year crown with Ed Hill and Vicky McGehee, while Sony/ATV Music Publishing Nashville snagged Publisher of the Year honors for the fifth consecutive year. A stirring tribute to American legend Merle Haggard honored the newest BMI Icon, celebrating Haggard's open-ended relevancy and influence that span genres and generations.

Merle Haggard	Toby Keith

"As Good As I Once Was" landed the 38th Robert J. Burton Award for Most Performed Country Song of the Year for co-writers Toby Keith and Scotty Emerick, along with publishers Big Yellow Dog Music, Florida Cracker Music, Sony/ATV Tree and Tokeco Tunes. With tongue firmly in cheek, Keith's wry delivery sent the tune racing up the Billboard charts, where it resided for six weeks.

Vicky McGehee	Ed Hill

Vicky McGehee, Ed Hill and Toby Keith formed the three-way tie for Country Songwriter of the Year, as each laid claim to three of the top 50 award-winning songs. In the past year, McGehee's hits "All Jacked Up," "Hicktown" and "Like We Never Loved At All" helped cement her status as one of Music City's "go-to" hit songwriters. Songwriting veteran Ed Hill's track record is liberally scattered with hits; this year, Hill's "Georgia Rain," "Somebody's Hero" and "Songs About Me" earned him his first BMI Songwriter of the Year title. Country superstar and two-time NSAI Songwriter of the Year Toby Keith added a third BMI Songwriter of the Year trophy to his growing collection with the hits "Big Blue Note," "HonkyTonk U" and "As Good As I Once Was."

With 17 songs among this year's top 50, Sony/ATV Music Publishing Nashville (through its companies Sony/ATV Acuff Rose, Sony/ATV Songs LLC and Sony/ATV Tree) picked up its fifth consecutive Publisher of the Year win. The publishing powerhouse accumulated the highest percentage of copyright ownership thanks to award songs like "Believe," "Class Reunion (That Used To Be Us)," "Do You Want Fries With That," "God's Will," "Lot of Leavin' Left To Do," "Me and Charlie Talking," "My Give A Damn's Busted," "Nobody But Me," "Play Something Country," "She Don't Tell Me To" and "She Let Herself Go."

The capstone of the evening took the form of the Icon tribute to Merle Haggard, featuring performances by Martina McBride, John Anderson and Hank Williams Jr. By any conventional measure -- radio hits, albums and concert tickets sold, songs recorded by other artists, and awards and honors received over a career that's now in its fifth decade -- Merle Haggard qualifies as a giant of country music.

Haggard's numbers are staggering: 48 BMI Country Awards, nine BMI Pop Awards, a BMI R&B Award, and 16 BMI "Million-Air" awards for hits like "Big City," "The Fightin' Side of Me," "I Had A Beautiful Time," "Mama Tried," "Okie From Muskogee," "Today I Started Loving You Again" and "Workin' Man Blues," all from a catalog of songs that adds up to over 25 million performances and illustrates the legend's genre-bending mastery. A total of six CMA awards, 17 ACM awards, two Grammys and a Grammy Lifetime Achievement Award conspicuously dot Haggard's resume, but as valuable as such measures are, they don't begin to define the accomplishments that have earned the "Poet of the Common Man" his latest accolade.

As a songwriter, he boldly explored not just the most popular themes of love and heartbreak, but the changing economic and social landscape, American history and politics, patriotism, war, and his own experiences as a convict, a husband, a father and a musician. Using the often uncomplicated yet elegant forms handed down by his predecessors, he created -- and continues to add to -- an enduring body of work that resonates far beyond the world of country music while remaining firmly rooted within it. In recognition of his enduring commitment to tradition, consistent creativity and unshakable artistic integrity, BMI is proud to present Merle Haggard with its Icon Award.

The 2006 BMI Country Awards also honored songwriters Brett Beavers, Ronnie Dunn, Scotty Emerick, Aimee Mayo, Terry McBride, Tom Shapiro, Shaye Smith, Jeffrey Steele, George Teren, Keith Urban and Phillip White, who each supplied two songs to the top 50 list.

"Goodbye Time," co-written by Roger Murrah and James Dean Hicks, earned its second BMI Country Award this year; Conway Twitty's 1989 version won the first time around and Blake Shelton's remake garnered this year's recognition. Joe South's "(I Never Promised You A) Rose Garden," 1971's Country Song of the Year, won its seventh award this year thanks to Martina McBride's recent version. Lynn Anderson's 1970 version collected the song's first six awards.

Publishers winning three or more awards were Big Yellow Dog, Careers-BMG Music Publishing, EMI-Blackwood Music, Inc., Music of Stage Three, Sagrabeaux Songs, Songs of Windswept Pacific, Tokeco Tunes and Warner-Tamerlane Publishing Corp.]]> 2006-11-04T03:00:01-05:00 http://www.bmi.com/news/entry/334988 Between the Trees, Hearst, Cary Ann, Smith, Corey, Williams, Hank, Rock, New Media bmi.com/podcast, BMI podcast #14 savors the rich, musical melting pot brewing in America's South. Artists Between the Trees, The Explorer's Club, Cary Ann Hearst and Corey Smith each infuse their own Southern blends with various pop, rock and country flavors.

BMI's "See It Hear First" podcast has become an important tool for exposing new BMI songwriters and artists to key industry professionals and fans alike. Since its release in May 2005, more than one million listeners from around the world have tuned in to discover new music from a broad range of genres and regions.

In addition to hearing great music from an array of vital new songwriters and artists, podcast listeners can also vote for their favorite artist to help them win a CD duplication package from Disc Makers, the leading CD manufacturer for the independent musician. Winners get 1,000 discs, a prize with a promotional value of more than $10,000.

All editions of the BMI podcast are available at bmi.com/podcast, as well as from iTunes at bmi.com/itunes and Yahoo's podcast directory at podcasts.yahoo.com, or you can listen on the go with mobile podcasting services like Pod2Mob. The first in the music industry to be listed in Apple's podcast directory, "See It Hear First" is currently rated five out of five stars at Yahoo! and has won the "5 Star Award" from PodSpider, one of the world's largest podcast databases.

Orlando's Between the Trees combine universal tales of adolescence, young adulthood and all the gray space between with catchy, pop melodies. Most of the five members have yet to turn 20 years-old, so identifying with their young fans comes naturally. Their debut album, The Story and the Song, hit shelves Sept. 15, formally introducing a band that exudes sanguine confidence. Hear Between the Trees first on "Words."

The Explorer's Club entice audiences with sweet pop concoctions that recall the complex harmonies and arrangements of The Beach Boys and Zombies to sinful perfection. The six members' worshipping of Brian and Carl Wilson adopts a serious tone when the listener realizes these young musicians' lyrical skills, four-part harmonies and eccentrically brilliant arrangements serve as their timeless prayers. Dive in on "Forever."

Twenty-six -year-old Cary Ann Hearst takes ghosts, angels and dreams from her native South and channels them into cogent, poetic lyrics. Hearst's musky voice plays nicely with her choice of country and punk-tinged instrumentation, resulting in moody, raucous treats. The singer-songwriter's study of the sounds of icons like Hank Williams and Bob Dylan transmits deftly through her compositions. Savor Cary Ann Hearst on "Dust and Hearst."

Rollicking lyrics propel singer-songwriter Corey Smith's feel-good tunes. Smith's grass-roots gigs and acoustic charm have fostered a growing fan base that's surged outside sold-out shows in his native Georgia into much of the southeast coast. His soulful voice shares stories of brazen youth, carefree college days and characters in which his listeners easily recognize themselves. Hear this up-and-comer first on "If I Could Do It Again."]]> 2006-09-22T05:00:00-05:00 http://www.bmi.com/news/entry/234584 Anderson, Al, Braddock, Bobby, Bryant, Del, Gentry, Montgomery, Gill, Vince, Grant, Amy, Hanna, Jeff, Hicks, James Dean, Hill, Ed, Hummon, Marcus, Loveless, Patty, Martin, Tony, Montana, Billy, Overstreet, Paul, Pinson, Bobby, Prestwood, Hugh, Rascal Flatts, Rochelle, Karyn, Shapiro, Tom, Shelton, Blake, Steele, Jeffrey, Wariner, Steve, White, Phillip, Williams, Hank, Country, Rock, International Vince Gill, Jerry Reed and Roger Murrah are the newest additions to the Nashville Songwriters Hall of Fame. They were inducted Sunday, October 16 during annual ceremonies conducted by the Nashville Songwriters Foundation at the Renaissance Nashville Hotel.

Hugh Prestwood, Jeffrey Steele, Dennis Morgan

In addition to the Hall of Fame inductions, the Nashville Songwriters Association International (NSAI) conferred a series of Songwriter Achievement Awards, with the top prizes won by BMI affiliates. BMI Award-winning writer Jeffrey Steele earned his second NSAI Songwriter of the Year title, honored this year for his compositions "Gone," recorded by Montgomery Gentry, and "Help Somebody," recorded by Van Zant. NSAI's Song of the Year honors went to "Bless the Broken Road," written by Bobby Boyd, Jeff Hanna and Marcus Hummon. The song, previously recorded by Hummon, was a recent hit for Rascal Flatts.

Del Bryant, Patty Loveless

Longtime friend and fellow Hall of Famer Rodney Crowell gave a poignant introduction speech for Vince Gill, followed by a stunning performance of "Whenever You Come Around" by Gill's wife, Amy Grant. Patty Loveless brought the house down with her rendering of Gill's "Go Rest High on That Mountain," backed by John Hobbs and Al Anderson, who also paid tribute to Gill by treating the audience to a sampling of his other signature songs, including "When I Call Your Name," "Never Knew Lonely," "Pocket Full of Gold," "Don't Let Our Love Start Slipping Away," "I Still Believe in You," "Look at Us," "Whenever You Come Around," and "Which Bridge To Cross (Which Bridge To Burn)."

NSAI's Mark Alan Springer, Phillip White, Roger Murrah, Jeff Hanna, Bobby Boyd, Vince Gill, Jeffrey Steele, Del Bryant, James Dean Hicks

Blake Shelton and BMI's Thomas Cain saluted Murrah, whose hits include "Goodbye Time," "Don't Rock the Jukebox," "High Cotton," "I'm in a Hurry (and Don't Know Why)," "We're in This Love Together," "Ozark Mountain Jubilee," "It Takes a Little Rain (To Make Love Grow)," "Life's Highway," "It's a Little Too Late" and "National Working Woman's Holiday." Murrah's induction speech was provided by Hall of Fame member Bobby Braddock.

Billy Montana, Del Bryant	Jeffrey Steele

Steve Wariner joined Jeffrey Steele, Reed band member Mark Thornton and guitarist John Knowles to celebrate Reed, whose classics include "East Bound and Down," "Amos Moses," "When You're Hot, You're Hot," "A Thing Called Love," "Guitar Man," "The Claw," "Crazy Legs," "Misery Loves Company," "Talk About the Good Times" and "Tupelo Mississippi Flash." Longtime friend Bobby Bare provided the induction speech.

Besides honoring the Song, Songwriter and Songwriter/Artist of the Year, the writers of NSAI's Professional Songwriters Division also singled out 13 songs and their writers for its 2005 Achievement Awards (informally dubbed "The Songs I Wish I'd Written").

BMI recipients were Bobby Boyd, Jeff Hanna and Marcus Hummon for "Bless The Broken Road," Bart Butler and Bobby Pinson for "Don't Ask Me How I Know," James Dean Hicks and Roger Murrah for "Goodbye Time," Phillip White for "He Gets That from Me," Hank Williams, Sr. for "Hey, Good Lookin'," Joe Diffie, Tony Martin and Tom Shapiro for "My Give a Damn's Busted," Billy Montana for "Suds in the Bucket," Ed Hill, Karyn Rochelle for "Georgia Rain" and Paul Overstreet for "Some Beach." "Bless The Broken Road" was the top choice of the NSAI Pro writers.]]> 2005-10-17T05:00:00-05:00