When Amy Winehouse’s (pictured, top) Back to Black debuted at No. 7 on the Billboard 200 albums chart in March, it marked the highest bow by a British female solo artist ever. A few weeks later, Joss Stone’s Introducing Joss Stone smashed her record by debuting at No. 2. James Blunt, Corrine Bailey Rae, KT Tunstall and Snow Patrol are striking gold, if not platinum, in the U.S.

“The current British invasion is due to a number of factors,” posits Evan Lamberg, EMI Music Publishing EVP of Creative for North America. “Top 40 radio is playing less and less hip-hop and rap. This is leaving more opportunity for great non-urban songwriters. VH-1 has done a tremendous job being early champions of these British acts. [Also], these acts are coming over to the U.S. again and again. Nothing replaces the good old-fashioned way of getting your hands in the dirt and taking your music to the people.”

Universal Republic president Monte Lipman, whose label handles Winehouse, Mika and Katie Melua in the U.S., calls these acts “a breath of fresh air. They don’t have a formula.”

For many of these artists, the first point of exposure for U.S. fans has been the Internet. “The industry has democratized where artists are empowered at a grassroots level like myspace,” says David Sinclair, a London-based journalist who writes for The Times.

The latest wave started in 2004 when Snow Patrol quietly crept onto U.S. shores with Final Straw. The Scottish-Irish quintet, with its often intense, always melodic, alternative rock, toured frequently in the U.S., slowly building an audience. By the time Eyes Open came out in the U.S. in May 2006, Americans were ready to hear more. That album’s “Chasing Cars” became the go-to song for hip TV shows, airing on outlets like Grey’s Anatomy, and leading the track to take up residency in the upper reaches of Billboard’s Adult Top 40 and Adult Contemporary charts. According to Universal Music International, the album has sold close to four million copies worldwide.

Scotland is responsible for much more than one-half of Snow Patrol and has also given us KT Tunstall. The Scottish lass began promoting herself in the U.S. long before her Relentless/Virgin debut came out in February 2006. Among her memorable gigs was a stirring acoustic set at BMI/Billboard’s SXSW brunch in March 2005.

Her big break in the U.K. came when she performed “Black Horse & the Cherry Tree” on the influential British TV program Later with Jools Holland with less than 24 hours’ notice after another act cancelled. Eye to the Telescope, which had come out to little fanfare, was re-released and eventually shot up to No. 3 on the British album charts.

In the U.S., “Black Horse” has spent more than a year on Billboard’s Adult Contemporary Chart while the second single, “Suddenly I See,” has been locked in the upper reaches of the chart for more than four months. Eye to the Telescope has been on the Billboard 200 for more than 65 weeks.

The latest Scottish imports impacting in the U.S. are The Fratellis. The first major U.S. exposure for the Scottish trio, all of whom have adopted bassist Barry Fratelli’s last name, came from iTune’s use of the utterly infectious “Flathead” in television ads. The trio’s debut, Costello Music (Cherry Tree/Interscope), revels in retro music that sounds instantly recognizable while new at the same time. The group can also be heard on the soundtrack to the movie Hot Fuzz.

While bands like Snow Patrol and the Fratellis are having their day, solo artists like former British Army captain James Blunt are leading the charge.

While many of the U.K.-based acts come to the U.S. via the American label’s U.K. affiliate, Blunt’s entry point was through Linda Perry’s Custard imprint. Perry signed the singer/songwriter after he’d linked with EMI Music Publishing in London. By the time Back to Bedlam came out in the U.S on Custard/Atlantic, the album had already hit No. 1 in the U.K. The first U.S. single, “You’re Beautiful,” reached No. 1 on the Billboard Hot 100, making it the first song by a British performer to top that chart in 10 years.

Blunt rode the success of Bedlam and “Beautiful” to five Grammy nominations.

Like Blunt, fellow Brit Corinne Bailey Rae had already hit No. 1 in her native U.K. when she came over here with her sweetly nuanced, mellow tunes. Her self-titled chart topper made her only the fourth female singer in the history of the British charts to debut at No. 1 with her first album. In the U.S., her rise has been no less spectacular, bolstered by major TV exposure via outlets like “Oprah Winfrey.” Rae snared three Grammy nominations, including the coveted best new artist. Her debut has surpassed the platinum mark here, pushed by first single “Put Your Records On.”

While Rae has gotten her share of press, seldom has an artist caused quite the media stir as Amy Winehouse. She’s a critical darling as famous for her beehive and tattoos as her shimmery, soulful, girl-group musical style.

The Enfield, England native’s Back to Black has already sold more than 1.2 million in the U.K. and helped Winehouse capture the Brit Award for best British female artist in February.

“She’s one part soul diva, one part jazz singer and one part rock star,” says Lamberg. “A deadly combo.”

“Fortunately for us, Amy loves to tour,” says Lipman, who notes she’ll play U.S. dates in June and this fall.

Winehouse’s U.S. labelmate Katie Melua was born in the former Soviet republic of Georgia, but ultimately settled in Surrey, England. At 15, Melua won a televised talent competition and was on her way. The classic pop singer released Call off the Search in 2003 and the album went on to sell 1.2 million copies in the U.K. alone. Her second album, Piece by Piece, moved 1.8 million copies in the U.K., with worldwide sales of more than 3 million.

Like Melua, Mika is another British immigrant. His music was created out of the unending loneliness that Mika says often engulfed him after his family moved from Beirut to Paris and, ultimately, to London. Vocally, he’s a cross between Freddie Mercury (whom he references on his first single, “Grace Kelly”) and Robbie Williams. The colorful ’70s, psychedelic pop images that are the album art for Life in Cartoon Motion and his videos are as much a part of his image as his delectable, pop music.

“With Mika, the key word is different,” says Lipman. “Even though people respect the success you’re having, people [at pop radio] look at us kind of sideways and say ‘You expect me to play that?’ and we say your listeners have spoken.” Indeed, the album racked up several consecutive weeks as the No. 1 pop album on iTunes.

Like Mika, Lily Allen’s personality is as big as her music. Her music is classic pop, but she ties in ska, rap and her other influences to create a thoroughly modern and invigorating sound. Not surprisingly, Alright, Still has gone double platinum in her native England and platinum in Europe. It debuted at No. 20 on the Billboard 200 and continues to sell well.

Part of the strength of the current British invasion is its diversity. British rapper Lady Sovereign caused waves of excitement when she became the first non-American female signed to Jay-Z’s Def Jam label.

The press excitement has outweighed sales so far, but Sinclair says that’s not surprising given how outside the mainstream her music is. “She’s a grime queen, it’s deep hardcore. It’s like East London rap, drum and bass.” But that edge is what has made the Wembley, England native such a phenomenon at 21. “She’s very alternative,” Sinclair continues. “She’s a name that people like to drop and frequently do.”

Her debut album, Public Warning, entered the Billboard Top 200 at No. 48, but her popularity is sure to rise when she opens for Gwen Stefani this summer.

Similar to Lady Sovereign, Don Corleon relies on street rhythms to propel his sound. The leading Jamaican dancehall artist/producer has helped advance the dancehall movement in the U.S. through his work with such acts as Sean Paul, Rihanna, Beenie Man, Capleton, Bounty Hunter and Wayne Wonder. Kartel, noting a resemblance between the two, allegedly gave Donovan Bennett the Don Corleon moniker, as a takeoff on Marlon Brando’s “Godfather” character, Don Corleone.

As these artists continue to make inroads in America, Sinclair expects today’s success to continue to swell: “Everyone in Britain is trying to make a record,” he says, with only a little overstatement. “It’s a river that’s burst its banks and it’s flowing in all directions.”

BMI saluted the premier R&B, rap and hip-hop songwriters, producers and publishers at its 2004 BMI Urban Awards, staged tonight (8/27) at the Grand Ballroom at the Fontainebleau Hilton Resorts & Towers in Miami Beach.

Pictured at the 2004 BMI Urban Awards are BMI's Del Bryant and Frances Preston, Producer of the Year R. Kelly, BMI ICON honoree Al Green and BMI's Catherine Brewton

R. Kelly won two of the evening's top honors as writer of Song of the Year, "Ignition," and as Urban Producer of the Year. Chad Hugo and Pharrell Williams were proclaimed Urban Songwriters of the Year and Universal Music Publishing was named Urban Publisher of the Year. A highlight of the gala was a tribute to soul music legend Al Green, who was named a BMI ICON for "his enduring influence on generations of music makers."

BMI Urban Awards Event Photos

2004 BMI Urban Awards Song List

Al Green: MusicWorld Feature | BMI Awards List

More on BMI and Urban Music

The black-tie ceremony was hosted by BMI President and CEO Del Bryant. President Emeritus Frances W. Preston and Assistant Vice President of Writer/Publisher Relations Catherine Brewton assisted with the presentations to the BMI-affiliated writers and publishers of the 36 most performed songs in the urban music format.

Al Green	R. Kelly	Busta Rhymes

"Ignition," written by R. Kelly and published by R. Kelly Publishing, Inc. and Zomba Songs Inc., was named Urban Song of the Year for tallying the most US broadcast performances during the eligibility period. Included on Kelly's multi-platinum Jive Records album, Chocolate Factory, "Ignition" was a Billboard R&B/Hip-Hop, Hot 100 and Top 40 charts smash.

Mannie Fresh	Nate Dogg	Kanyé West

Kelly collected his second major award of the night when he was crowned Producer of the Year. The BMI Top Urban Producers list also included Chad Hugo and Pharrell Williams of the Neptunes, Busta Rhymes, Irv Gotti, Jazze Pha, Lil' Jon, Mannie Fresh, Nate Dogg, Kany� West, Mario Winans, and D-Roc and Kaine of the Ying Yang Twins.

Irv Gotti	Jazze Pha	Lil' Jon

The BMI Urban Songwriter of the Year trophy went to the team of Chad Hugo and Pharrell Williams - also known as the Neptunes - who placed five titles on the most performed list. The songs earning them the prize were "Beautiful" (recorded by Snoop Dogg featuring Pharrell and Uncle Charlie Wilson), "Excuse Me Miss" (by Jay-Z), "Frontin'" (Pharrell featuring Jay-Z), "Luv U Better" (LL Cool J featuring Marc Dorsey) and "When the Last Time" (The Clipse).

Mario Winans	Ying Yang Twins

This is the third Urban Songwriter of the Year award for Williams; he also won in 2001 and 2002. At last year's ceremony, Williams took the BMI Urban Song of the Year honor for co-writing "Hot In Herre," and the Neptunes were named Urban Producers of the Year.

Eight songwriters were double winners, contributing two songs each to the most-performed list: Jeff I. Bass, Mary Y. Brown, Eminem, Irv Gotti, Jazze Pha, R. Kelly, Lil' Jon and Sham. Other writer/artists earning awards were Jennifer Lopez, Ja Rule, Busta Rhymes, Snoop Dogg, Anthony Hamilton, Wayne Wonder and Paul Simon.

Universal Music Publishing was named BMI Urban Publisher of the Year by accumulating the highest percentage of copyright ownership in award songs. David Renzer, Worldwide President of Universal Music Publishing Group, accepted on behalf of the publisher, which boasted 10 songs on the most-performed list (through its companies Irving Music, Songs of Universal, Inc., and Universal-Songs of PolyGram International, Inc.).

Other publishers with multiple award-winning songs were EMI-Blackwood Music, Inc. (9); Warner/Chappell Music Group (Unichappell Music, Inc./Warner-Tamerlane Publishing Corp.) (7); Waters of Nazareth Publishing (5); Careers-BMG Music Publishing, Inc./Zomba Songs Inc., Ensign Music Corporation, Noontime Tunes (3); and Bubba Gee Music, D J Irv Publishing, Eight Mile Style Music, Miss Mary's Music, Nitty and Capone Publishing, R. Kelly Publishing, Inc., White Rhino Music, Inc. (2).

The evening culminated in the ICON tribute to Al Green, who was honored during the dinner with performances by BMI artists Kany� West, Pharrell, Sleepy Brown, Claudette Ortiz and Lloyd. Born in Forest City, Ark., Green blends southern gospel, Philadelphia soul, and a soaring, sensual voice to create music that has rocked our world for four decades. Ranked by many as the world's greatest living soul artist, he became an international superstar through such self-written hits as "Let's Stay Together," "I'm Still in Love With You," "Call Me," "Love and Happiness," "Here I Am (Come and Take Me)" and "Tired of Being Alone." Green is in the midst of a remarkable comeback, thanks to his current Blue Note album, I Can't Stop, which reunites him with producer/arranger/songwriting collaborator Willie Mitchell, who first signed Green to the Memphis-based Hi label and oversaw the singer's seminal string of '70s smashes.

The Rock and Roll Hall of Famer joins an impressive list of previous ICON honorees including country songwriter/artists Bill Anderson and Dolly Parton; R&B legends James Brown, Chuck Berry, Little Richard and Bo Diddley; "Soul Man" Isaac Hayes; Motown songwriting trio Brian Holland, Lamont Dozier and Eddie Holland; and pop songwriting master Brian Wilson.

In addition to the BMI performance awards, music trade magazine Billboard recognized the BMI-affiliated writers who had #1 songs on the R&B/Hip-Hop Singles and Rap Tracks charts during the past year; Kany� West led with four songs, two of which topped both lists.

BMI annually honors the songwriters and music publishers of the most performed songs on American radio in the urban, pop, country, Latin and Christian genres.

Delta is the official airline of BMI's 2004 Urban Awards.

Evanescence

The White Stripes

Rock band Evanescence also topped this year's list, picking up five nominations including Best New Artist and Best Rock Album for their multi-platinum breakthrough release, Fallen. Other five-time nominees were rapper Eminem and the late Warren Zevon. Also receiving multiple nods were Willie Nelson, Jack White of The White Stripes (three with his band and one individual), and classical composer Jose Serebrier with four each and Christina Aguilera with three, including Best Female Pop Vocal Performance for her smash hit, "Beautiful."

Willie Nelson

Eminem

Warren Zevon

The 46th Annual Grammy Awards will be held on Sunday, February 8, 2004, at Staples Center in Los Angeles and will be broadcast on CBS from 8-11:30 p.m. on the East and West Coasts.

BMI's Grammy Nominees

SIX NOMINATIONS
Pharrell Williams

FIVE NOMINATIONS
Eminem
Evanescence
Chad Hugo
Warren Zevon

FOUR NOMINATIONS
Willie Nelson
José Serebrier
The White Stripes

THREE NOMINATIONS
Christina Aguilera
Jeff Bass
Michael Brecker
Chick Corea
Anthony Hamilton
Alison Krauss
Lil' Kim
Shania Twain

TWO NOMINATIONS
Audioslave
Black Eyed Peas
Jorge Calderón
Ry Cooder
Foo Fighters
Fountains of Wayne
Aretha Franklin
Rich Harrison
Heather Headley
Bishop T.D. Jakes
Toby Keith
R. Kelly
k.d. lang (SOCAN)
The Matrix
Martina McBride
Aaron Neville
Nickelback (SOCAN)
Pink
Neal Pogue
Earl Scruggs
Wayne Shorter
Snoop Dogg
Sting (PRS)
Union Station
Doc Watson
will.i.am
John Williams
Lucinda Williams

ONE NOMINATION
Mirwais Ahmadzaï
Akwid
Allman Brothers Band
Audio Adrenaline
Marcia Ball
Luther Barnes & the Sunset Jubilaires
Buju Banton (PRS)
Mark Batson
Steve Berkowitz
Eddie Blazonczyk's Versatones
Carla Bley Big Band
Blind Boys of Alabama
Blue Highway
Michelle Branch
Randy Brecker
Brooks & Dunn
David Bowie (PRS)
Joe Budden
Jimmy Buffett
Martin Buttrich (GEMA)
Café Tacuba
Michel Camilo
Cam'Ron
Caribbean Jazz Project
Rosanne Cash
Stanley Clarke
Eddy "The Chief" Clearwater
The Crabb Family
The Crusaders
Sam Cooke
Adrian Cosentini
Diamond Rio
Ani DiFranco
Reggie Dozier
Jimmy Douglass
Eagles
Fred Ebb
Kurt Elling
Scotty Emerick
The Flaming Lips
Floetry
Bill Frisell
Kenny G
Vince Gill
Gorillaz (PRS)
Percy Gray, Jr.
Buddy Guy
Eddie Gonzalez
Jimmy Gonzalez y El Grupo Mazz
Pat Green
Stephan Haeri
William Hamilton
Roy Hargrove
Faith Hill
Dave Holland Quintet
Eric Idle (PRS)
India
Intocable
Jane's Addiction
Etta James
Keith Jarrett
Jars of Clay
Norah Jones
The Jordanaires
John Kander
Peter Kater
John P. Kee
Garrison Keillor
Kitaro (JASRAC)
Korn
Dave Koz
Nathaniel Kunkel
Patti LaBelle
Amel Larrieux
Glenn Lewis
Mark Levine
Linkin Park
The Light Crust Doughboys
Lonestar
Irving Lorenzo
Patty Loveless
Luis Miguel
Timo Maas (GEMA)
Marilyn Manson
Masters at Work
Donnie McClurkin
Del McCoury Band
Tim McGraw
Sarah McLachlan (SOCAN)
Jim McNeely
Joel McNeely
Pat Metheny
Bette Midler
Ismael Miranda
Molotov
Joel Moss
Newsboys
Bob Norberg
Les Nubians (SACEM)
The Oak Ridge Boys
Walter Ostanek (SOCAN)
Joe Pace
Dolly Parton
Nicholas Payton
Ray Price
Queens of the Stone Age
Eugene Record
Relient K
Don Rollins
Roomful of Blues
The Roots
Scott Rouse
David Sanborn
Pete Seeger
The Sensational Nightingales
Thomas Z. Shepard
Brian Setzer Orchestra
Sean Smith
Luciana Souza
Los Straitjackets
Micheal Strange, Jr.
Jimmy Sturr
Howard Tate
Susan Tedeschi
Télépopmusik (SACEM)
Jacky Terrasson
Los Tigres Del Norte
Los Tucanes De Tijuana
Caetano Veloso
Rhonda Vincent
Redd Volkaert
Muddy Waters
Charlie Wilson
Gerald Wilson Orchestra
Kim Wilson
Vickie Winans
George Winston
Wayne Wonder
Yeah Yeah Yeahs
"Weird Al" Yankovic
Yerba Buena
Maury Yeston
Yellowjackets