Other top award winners were songwriters Amund Bjørklund and Espen Lind (both members of Norwegian performing right society TONO and represented in the U.S. by BMI), along with Ne-Yo, who received the prestigious Robert S. Musel Award for Song of the Year for Beyoncé’s “Irreplaceable.” The song is published by EMI Music Publishing Ltd./Stellar Songs Ltd.; the song and songwriters also received the BMI Urban Song of the Year prize earlier this year.

Modest Mouse’s “Dashboard” earned BMI’s College Song of the Year crown for tallying the most performances on American college radio. The infectious lead single off the band’s We Were Dead Before The Ship Even Sank album, “Dashboard” was co-written by Johnny Marr (PRS), Tom "King Sour" Peloso and Joe Plummer and published by Chrysalis Music.

The BMI Dance Award went to Ian Dench and Amanda Ghost (PRS) for “Beautiful Liar,” recorded by genre-bending combo Beyoncé and Shakira. “Beautiful Liar” was published by Bucks Music Group Ltd. (PRS), EMI Music Publishing Ltd. (PRS) and Kobalt Music Publishing Ltd. (PRS).

Prestigious “Million-Air” certificates were also presented throughout the evening in recognition of those songs that have achieved more than three million U.S. radio and television performances — the equivalent of more than 17 years of continuous airplay. The Rolling Stones’ “(I Can’t Get No) Satisfaction,” co-penned by Sir Mick Jagger (PRS) and Keith Richards (PRS), and Eric Clapton’s (PRS) “Layla,” co-written by Clapton and Jim Gordon, both topped the list with seven million performances each, while John Lennon’s (PRS) self-penned “Imagine” was recognized for six million performances. Five-million performance honorees included “Higher Love” co-penned by Steve Winwood (PRS) and Will Jennings; Graham Lyle’s (PRS) “What’s Love Got To Do With It”; and “You Really Got Me,” composed by BMI Icon Ray Davies (PRS). BMI Icon Steve Winwood also composed two more songs in the list: “Gimme Some Loving” (4 million) co-written by Muff Winwood and Spencer Davies (both PRS), and “Valerie” (3 million) which was also co-written by Will Jennings.

Additional award-winners whose compositions soared past the three million performance mark included Shania Twain (PRS), Graham Gouldman (PRS), The Bee Gees’ Barry, Maurice and Robin Gibb (all PRS), Sir Paul McCartney (PRS), Fleetwood Mac’s Christine McVie, Roxette’s Per Gessle (STIM), Mats Persson (STIM), Paul Herman (PRS), Mort Shuman (SACEM), Wally Badarou (SACEM), Stig Anderson (STIM), and ABBA’s Benny Andersson (STIM) and Björn Ulvaeus (BUMA).

In addition to winning Dance Song of the Year, “Beautiful Liar” garnered BMI Pop and Urban Awards for writers Ian Dench and Amanda Ghost (both PRS); Dench and Ghost also scored Pop Awards for Jordin Sparks’ “Tattoo,” and College Song of the Year “Dashboard” garnered Pop Awards for its creative hive. Kanye West’s “Stronger,” co-written by West, Thomas Bangalter (PRS), Guy-Manuel de Homem-Christo (PRS) and Michael Dean, earned awards in both Pop and Urban categories as well, as did Song of the Year “Irreplaceable.” Iconic rocker Pete Townsend (PRS) garnered three awards in the TV Music Awards field, while KT Tunstall (PRS) and Julieta Venegas (SGAE) each secured two awards in the Pop and Latin fields, respectively. Composers Rupert Gregson-Williams and George Fenton (both PRS), also earned two awards each: Gregson-Williams in the Film category and Fenton in Film and Emmy Award-winning divisions.

A complete list of award winners is available here.

Attendees were treated to guest speakers Audrey Kitagawa, advisor to the World Federation of United Nations Associations; East African acclaimed flutist and vocalist and founder of Musicians for World Harmony, Samite; and professor of violin at the Connecticut School of Music and the Brooklyn Conservatory of Music, Michael Rennie.

For more information on the Atlanta Downhill Challenge, please visit www.myspace.com/downhillchallenge.

The Acoustic Lounge is one of many opportunities BMI offers to artists to showcase their talent in front of their peers and a supportive audience. The atmosphere is relaxed and fun, offering a great opportunity to network with other aspiring and working singer/songwriters. For established writers, it provides a chance to monitor new musical trends and be involved in the grass-roots/DIY musical movement.

BMI’s Casey Robison and Delia Orjuela; Putman Murdock; Ramy; Benton Paul; Scott Reams; and BMI’s Marissa Lopez and Myles Lewis.

Putman Murdock, Benton Paul and Ramy

Created in 1992, the BMI Film Scoring Scholarship awards students in USC's Scoring for Motion Pictures and Television program at the Thornton School of Music. The acclaimed program offers student composers numerous opportunities to work with other student filmmakers and faculty including working professionals in the film, television and video game industry. The financial scholarship is based on composition and the level of performance the students demonstrate throughout the school year. The recipients are chosen by the faculty in Thornton's scoring program.

Shown at the presentation in BMI’s Los Angeles office are (l-r): Scholarship recipients Layla Minoui and Ludwig Goransson; BMI’s Ray Yee and recipients Thomas Parisch and Brian H. Kim. Not shown, recipient Nathaniel Blume who could not attend.

BMI’s stage at the Austin City Limits Music Festival exemplifies the organization’s continued dedication to fostering auspicious new talent. BMI’s layered approach to songwriter development comprises educational, creative and promotional opportunities, including the BMI Lehman Engel Musical Theatre, Jason Blume Songwriters’ and Jazz Composers Workshops; 8 off 8th, Pick of the Month and Acoustic Lounge showcase series; and stages at premier festivals including Lollapalooza, South By Southwest, the Key West Songwriters Festival and the Austin City Limits Music Festival.